Jiāng Kuí (姜夔) (c. 1155 Poyang – c. 1221 Hangzhou), courtesy name
Yaozhang (尧章), Art name
Baishi Daoren (白石道人). Also known as "Jiang Baishi" (姜白石) was a famous Chinese poet, composer, poetry theorist and calligrapher of the
Song dynasty, particularly famed for his
ci (song lyric poetry). He composed numerous poems, including the famous "He Bei Lai" and the more well known "San Wan Yue."
Read more...: Life Poetry Musicology
Life
Jiang was born in Poyang (in today's Jiangxi province). His family was of mediocre social status and Kui himself did not obtain any post in the government throughout his life. His father was a county magistrate during the reign of Emperor Gaozong of Song.
Jiang made multiple attempts on the imperial exam but was not able to pass them. He traveled extensively between the regions of Hubei, Zhejiang, Anhui, Jiangsu and Fujian. He had close contacts with his contemporary poets and literati. Jiang Kui moved to Huzhou from Poyang before finally settling down in Hangzhou where he died.
Poetry
Jiang's poetic style is notably influenced by Zhou Bangyan but his own style was distinct from other poets. In his early years as an abecedarian of poetry, his mentor was Xiao Ju (萧𣂏). According to his own biography, Jiang values the originality of his poems more than the following of established poetic theories from the past. In the eyes of 13th century artist and art theorist Chen Yu, the poetry of Jiang Kui is marked by his candidness(as a lack of overly ink-horn words) and originality. Chen noted that Jiang's poetry was not influenced by his contemporaries. As a result, Jiang was able to establish his own school at the time and influence other poets that admired his works.
Another 13th-century Ci poet Zhang Yan described Jiang's poetic style as "Clouds that leave or stay without a trace", underlining the unpredictability of Jiang's poems.
Musicology
Aside from being a poet, Jiang was also a musicologist of classical Chinese musics. He was best known for his lyric poems. Jiang tried to restore the lost tunes of ancient times but was scoffed by the officials of Taichang Si (Office of Great constancy, a government department of ancient China in charge of ritualistic affairs as well as classical musics).
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姜(1155年 - 1209年),字
尧章,号
白石道人,饶州鄱阳(今江西省鄱阳)人。中国
南宋词人。
父姜噩为绍兴三十年(1160年)进士,历官汉阳县,卒于官。姜夔自幼随父宦,其父早卒,后寄居姊家,往来江西、湖北近二十年。可惜屡试不第,一生未仕,家贫,无立锥之地。淳熙十二年(1186年),姜夔与诗人萧德藻相识,萧德藻极为器重姜夔,还将侄女嫁给他。萧德藻调官湖州(今属浙江),姜夔决定追随萧德藻,卜居弁山白石洞下,人称白石道人。淳熙十四年(1187)暮春,经萧德藻介绍,姜夔谒见了著名诗人杨万里,又与范成大、辛弃疾等交游。精通音乐,会为诗,初学山谷之江西诗派,后被归类为江湖诗派。亦善填词,自度十七曲传世。范成大称其:「翰墨人品,皆似晋宋之雅士。」他的词对于南宋后期词坛的格律化有巨大的影响,姜夔和张炎并称为「姜张」。约卒于嘉定元年(1208年)。
Read more...: 词风 作品 评价
词风
姜夔精于音律,自度曲颇多,词谱有定调,词前多有小序。题材上,多是纪游与咏物之作,其中偶然流露他对时事的感慨,更多是慨叹他身世的飘零和情场的失意。
姜词琢炼字句,喜用清淡生新的字句,追求清幽深邃、清空的意境,善于写景,咏物词则稍觉堆砌。
姜夔用江西诗派的创作方法来填词,讲究点窜前人诗句入词,间用拗句拗调,爱用典故,提倡「僻事实用,熟事虚用」,致使词的语意隐晦含糊,境界朦胧。姜词也讲求寄托和含蓄,喜用暗喻联想等手法。
作品
• 词集《白石道人歌曲》,少数流传乐谱的宋词,存词84首,今收录于四库全书。
• 主要词作:
• 《暗香·旧时月色》
• 《疏影》
• 《扬州慢·淮左名都》
• 《齐天乐·黄钟宫》
• 《庆宫春·双桨莼波》
• 《踏莎行·燕燕轻盈》
• 《念奴娇·闹红一舸》
• 《淡黄柳·空城晓角》
• 主要古琴曲
• 《古怨》
评价
• 张炎《词源》:「姜白石如野云孤飞,去留无迹。」又:「不惟清空,又且骚雅,读之使人神观飞越。」
• 陈廷焯《白雨斋词话》:「词法之密,无过清真。词格之高,无过白石。词味之厚,无过碧山。」
• 朱彝尊《词综·发凡》:「词之南宋始极工,姜尧章最为杰出。」《黑蝶斋诗馀‧序》:「词莫善于姜夔。」
• 《四库全书》:「夔诗格高秀,为杨万里等所推,词亦精深华妙,尤善自度新腔,故音节文采,并冠一时。」
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