Biography

Born in modern Xia, Shanxi, Wei was the daughter of Wei Zhan (衛展) or the daughter or younger sister of Wei Heng (衛恆). She came from a family well-known for their skill in literature and calligraphy, and her uncle and cousin were also talented calligraphers.

Wei was married to Li Ju (李矩, not to be confused with the Jin general of the same name, Li Ju), the Governor of Ding Prefecture. Wei and Li had Li Chong (李充), also a calligrapher and a Palace Secretarial Attendant (中書侍郎). She may have been taught the style that Zhong Yao used; however, judging from comments describing her style as thin, Wei's style may have been more narrow than Zhong's wider style.

After her time studying the famous works of classic calligraphers, she began developing her own style, that focused on mimicking the shapes and motions found in nature, creating work of grace and vigour that became the benchmark for calligraphy from then onwards. She wrote a monumentally influential treatise on her theories of calligraphy; Wei's The Picture of Ink Brush (筆陣圖) describes the Seven Powers (七勢) that later became the famous Eight Principles of Yong. She famously compared calligraphy to war: the paper to a battlefield, the brush to a weapon and the ink to ammunition.

Works

Wei's other works include:

• Famous Concubine Inscription (名姬帖, Ming Ji Tie)

• The Inscription of Weishi He'nan (衛氏和南帖, Weishi He'nan Tie)