金农(1687年 - 1763年)。字
寿门、一字
司农、又字
吉金,号
冬心先生、
稽留山民、
曲江外史、
昔耶居士等。浙江仁和(今杭州)人,
清朝书画家,扬州八怪之一,好游历,长年寓居扬州。
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生平
康熙二十六年(1687年)出生,一生际遇坎坷,布衣终身。少年受业于何焯,并与丁敬等相交,乾隆元年(1736年)荐举博学鸿词科,入京未试而返。
他博学多才,善诗、古文,精鉴别金石、书画;工隶书,书法淳朴,楷书自创一格,有隶意,号称漆书;亦能篆刻,得秦汉法;五十岁后开始画竹、梅、鞍马、佛像、人物、山水。尤精墨梅。具造诣新奇,笔墨朴质,别开蹊跷;所作梅花,枝多花繁,生机勃发,古雅拙朴。
乾隆二十八年(1763年),殁于扬州佛舍。弟子罗聘扶柩归葬于杭州临平黄鹤山。
作品
《东萼吐华图》、《空捍如洒图》、《腊梅初绽图》、《玉蝶清标图》、《铁轩疏花图》、《菩萨妙相图》、《琼姿俟赏图》、《佛画说经图》等。著述有《冬心诗钞》、《冬心随笔》、《冬心画梅题记》、《冬心画马记》、《冬心杂著》等书。
以上介绍摘自维基百科;若有错漏,敬请在维基百科上修改
来源条目。

Born in 1687 in Hangzhou,
Jin Nong (金农) became popular as a painter and calligrapher while living as a childless widower in Yangzhou in his sixties. His paintings of
mei blossoms were in particular demand there. Heralded as one of The Eight Eccentrics of Yangzhou, Jin favored the amateur scholar style. A nonconformist, he generally painted more traditional images laden with symbolism (such as orchids, bamboo, chrysanthemums, and mei blossoms) and preserved his independence by selling works in an open market, rather than adopting an individual patron. Later styles included Buddhist imagery. However, Jin was the first artist in the Chinese tradition to paint a large number of self-portraits and did earn money through the patronage of wealthy individuals in Yangzhou who, in addition to buying works, were possible publishers for his numerous writings. Jin probably understood these contradictions as he argued that living off of painting should not be considered dishonorable.
Jin Nong also made money as a writer and general entrepreneur. He was known to travel with a number of disciple-servants who assisted in the production of ink stones and lanterns to which he would add a personal artistic touch. It was through the sale of these items that Jin achieved financial independence; his single, failed attempt to compete for office was in the year 1736. He became widely known for his writings, but when his health began to fail, painting became his principal source of income and he in fact acknowledged the use of ghost-painters as a way to increase production. One such understudy, Luo Ping (whose name is sometimes rendered "Lo Ping"), also edited some compilations of his works. He continued to write throughout this time and was a critic as well as a dealer of paintings. There is some confusion about Jin's year of death, but it was most likely 1763 or 1764.
He also had a reputation as a calligrapher creating a style he called "lacquer calligraphy."
显示更多...: Sources
Sources
• Chinese Paintings in the Ashmolean Museum Oxford (76-77) Oxford
• Cahill, James. The painter's practice. New York: Columbia University Press, 1994.
以上介绍摘自维基百科;若有错漏,敬请在维基百科上修改
来源条目。