生平

祖籍平昌（今山东临邑东北）。先世居洛阳（今属河南），孟郊早年生活贫困，曾游历湖北、湖南、广西等地，无所遇合，屡试不第。贞元中张建封镇守徐州时，孟郊曾往谒见。46岁（一说45岁），始登进士第，有诗《登科后》：「昔日龌龊不足夸，今朝放荡思无涯；春风得意马蹄疾，一日看尽长安花（成语「走马看花」由来）。」。然后东归，旅游汴州（今河南开封）、越州（今浙江绍兴）。贞元十七年（801年），任为溧阳尉。在任不事曹务，常以作诗为乐，被罚半俸。韩愈称他为「酸寒溧阳尉」。元和元年（806年），河南尹郑馀庆奏为河南水陆转运从事，试协律郎，定居洛阳。元和三年（808年）为检校兵部尚书，兼东都留守。60岁时，因母死去官。九年三月，郑馀庆转任山南西道节度使，镇守兴元，又奏孟郊为参谋、试大理评事。郊应邀前往，到阌乡（今河南灵宝），不幸以暴病去世，孟郊的朋友韩愈等人凑了100贯为他营葬，郑馀庆派人送300贯，「为遗孀永久之赖」。张籍私谥为贞曜先生。

诗作

现存诗歌500多首，以短篇的五言古诗最多，没有一首律诗。代表作有《游子吟》。

唐人认为孟诗是「元和体」的一种，「元和已后」，「学矫激于孟郊」。韩愈说他：「横空盘硬语，妥帖力排。」唐末张为作《诗人主客图》，以他为「清奇僻苦主」。宋诗人梅尧臣、谢翱，清诗人胡天游、江湜、许承尧，写作上都受到他的影响。对孟诗的评价，持褒义论的，韩愈、李观以后，有曾季狸、贯休、黄庭坚、费衮、潘德舆、刘熙载、陈衍、钱振鍠、夏敬观等；持贬义论的，有苏轼、魏泰、严羽、元好问、王闓运等。他和贾岛都以苦吟著称，又多苦语。苏轼称之「郊寒岛瘦」，后来论者便以孟郊、贾岛并称为苦吟诗人代表。沈德潜评孟郊诗时说：「孟东野诗，从《风》、《骚》中出，特意象孤峻。」谢榛认为孟郊诗「苦涩如枯林朔吹，阴崖冻雪，见者靡不惨然」。又韩愈以散文著称，时有「孟诗韩笔」之誉。元好问甚至嘲笑他是「诗囚」。李观在《与梁肃补阙书》中说:「郊之五言诗，其高处在古无上，平处下顾二谢。」

今传本《孟东野诗集》10卷，出自北宋宋敏求所编刊，黄丕烈所藏北宋蜀本，已不可见。陆心源所藏汲古阁影宋精本，今归日本。通行本有汲古阁本，闵刻朱墨本。《四部丛刊》影印杭州叶氏藏明弘治本。1959年人民文学出版社刊印华忱之校订《孟东野诗集》，末附孟郊年谱、遗事辑录。注释有陈延杰《孟东野诗注》，夏敬观选注《孟郊诗》。事迹可参考韩愈《贞曜先生墓志铭》、新、旧《唐书》本传、夏敬观《孟东野先生年谱》、华忱之《唐孟郊年谱》。

家族

• 父 孟庭玢

• 妻 郑氏

• 弟 孟酆、孟郢

Names

Meng Jiao's courtesy name was Dongye (东野 Dōngyě).

Biography

Meng Jiao was born into difficult times. His pursuit of poetry and reluctance until late in life to write and pass the imperial examinations (which if taken earlier in life might have eventually lead to a well-paid political career) resulted in his living a life in which necessities were scarce. Nevertheless, his commitment to poetry resulted in him becoming an influential leader in terms of poetic innovation.

Birth

Meng Jiao was born in 751. He was from what is now Deqing County in the province of Zhejiang, in China; but, at that time was Wukang (武康 Wǔkāng), in the Tang Chinese province Huzhou. The year he was born was also the year in which the Tang dynasty's military expansionism began to reach its limits, with major military defeats both versus the Abbasid Caliphate in Central Asia in the Battle of Talas and versus the Kingdom of Nanzhao in Southeast Asia, (near modern Xiaguan, by Erhai Lake). Both battles resulted in major losses to Tang both in terms of troop strength and prestige. Shortly after Meng Jiao's birth, towards the end of 755, An Lushan launched a rebellion against the central government of Tang. Meng Jiao grew up during a time of military and economic disturbances as a result of this rebellion, which was known initially as the An Lushan Rebellion, but subsequently resulted in continuous disturbances to the political economy and basic safety of the citizenry which the central authority of Tang was unable to control.

Life in the South

Meng Jiao spent many years as a recluse and a poet in Southern China, associating himself with the Zen Buddhist poet-monks of the region. Eventually, at forty years of age, his wandering ways lead to his settling in the area of the major metropolis of Luoyang, as an impoverished and unemployed poet.

Luoyang

At the time of Meng Jiao's moving there, despite the period of disturbance, Luoyang was still one of the world's most populous and cosmopolitan cities, and a central nexus of social and cultural life in Tang China. In Luoyang, Meng Jiao found inclusion in a poetic circle including Han Yu, Jia Dao, Zhang Ji, and Li He.

Imperial Examinations

It has been said that as a result of an unwillingness to write even the first stage of the examination system, Meng Jiao was doomed to a life of poverty and adversity. At the urging of his mother (according to Han Yu) Meng eventually did pass the jinshi examination, but not until the age of forty six sui (Zhenyuan 12). Meng Jiao was part of the literary circle centering on Han Yu and Jang Ji. Meng actually has a poem amongst his collected works entitled "After Passing the Examination". Fan Ju-lin in T'ang Teng K'o Chi states that Meng was 46 when he passed the Chin-shih, in the 12th year of the Chen Yuan period (796). His poverty was not substantially alleviated by his passing the imperial examinations. He was ultimately appointed to an entry-level position in the imperial bureaucracy; however, as noted by Ou-yang Hsiu in the Hsin T'ang Shu (SPTK. po-na edition): " At the age of fifty he passed the chin-shih examination and was appointed to the position of Wei at Li Yang. In the Prefecture there was the T'ou Lai Chin Lake….. and there was place where the trees grew densely offering cover and shade. Below this was the lake. Chiao spent his time sitting down by the water and pacing back and forth writing poetry. He neglected his official duties. The District Magistrate reported this to the Prefect and so they hired an acting Wei to substitute for him and they divided his salary in half".

Death

Meng Jiao died in 814.

After his death, Han Yu wrote an epitaph on his life and work. A rough translation is:

"On the cyclic day Chi-hai of the eighth month in the ninth year of the Yuan-ho period of the T'ang Dynasty, Master Chen Yao, Meng by surname died. He had no sons. His wife, a woman of the Cheng family, informed me. I went out and stood weeping, and then I summoned Chang Chi to mourn with me. The next day I sent a messenger to the eastern capital with money to contribute to the burial expenses. All those who had formerly associated with him came together to send condolences. Then, by mail, I informed the former Minister, now Governor of Hsing -yuan, Yu-ch'ing. During the inter-calary month, Fan Tsung-shih sent his condolences. We told him the burial date and he asked me to write the inscription. I wept, saying, "Oh can I still bear to write my friends epitaph?" The governor of Hsing Yuan sent money to the Meng family to contribute to the funeral expenses and moreover came to discuss family affairs. Fan's envoy asked that the epitaph be speedily done, saying,"If it is not done there will be nothing to protect him from the darkness". So I wrote this preface and this epitaph. The master's taboo name was Chiao (Jiao), and his courtesy name was Tung-yeh. His father, T'ing-fen married a woman of the P'ei family and was selected for appointment of Wei (an entry level official position) at K'un Shan. His father had two more sons, Meng's younger brothers, Feng and Ying, before he died. When Meng was six or seven years old, the beginnings of his character could be seen. When he grew up his spirit was exceedingly lofty but he softened it and made his outer and inner-self excellent and amiable. His appearance was serene and his spirit was pure. He was capable of both respect and friendship. As for his poetry, it pierces one's eye and impales one's heart. It cuts to the point like a thread parting at the touch of a knife. His barbed words and thorny sentences tear at one's guts. His ability at writing is like a spirit's or a ghost's which is glimpsed in between over and over again. He cared only for writing and didn't care what the world thought. Some people said to him that he must explain his poetry or it would not be understandable to later generations. Chiao replied, "I have already put it out there and given it to them. Surely this is enough. Before he was fifty, he began because of his mother's influence, to come to the capital to take the chin-shih examination. When he passed he left. Four years later he was ordered to come to be selected and was appointed the Wei of Li yang. He invited his mother to come to Li Yang. Two years after leaving his position as Wei, the former Minister Cheng, who was the Governor of Ho-nan, memorialized that Meng be made officer in charge of transportation. He was made the provisional officer in charge of land and water transportation.. Cheng Yu-ch'ing personally paid his respects to Chiao's mother inside the door. Five years after she died, Cheng, who was then the Governor of Hsing-yuan, memorialized that Meng be appointed an advisor with the title Ta Li Ping-shih. When Meng was bringing his wife and her family to Hsing yuan, they stopped over at Wen Hsiang. Here, Meng suddenly took ill and died. He was sixty-four. They bought a coffin for the body and he was returned to his home in a carriage. Feng and Ying were both in Chiang-nan. On the day of Keng-shen, in the tenth month, Fan presented all the gifts and contributions for the funeral. They buried him to the east of Loyang and to the left of his ancestors tombs. The extra money was given to his family to carry out the sacrifices. As they were about to bury him, Chang Chi said, "He lifted up virtue and shook splendour that shone even unto the ancients. There is a precedent for those who are virtuous to change their name. How much more so is there for this man? If I call him Chen Yao then his name will be a record of his nature and no one will need an explanation of his character". All agreed to it and so they used it. One who had studied with him, his uncle Meng Chien, (who had been transferred from the Censorate to become Inspector of Che-Tung) said, "In life I was not able to promote him. In death I know how to be in sympathy with his family". The inscription read: "Alas, Chen Yao, he was constant and steadfast and could not be swayed. All that he had to offer the world couldn't be measured but he did not have a chance to show it. Dying he had nothing to leave but the brilliance of his poetry"

Poetry

His poetry is generally written in the five-character per line gushi style (which can also be considered to be a type of "folk-song-styled-verse", or yuefu, as in the Three Hundred Tang Poems). Around 500 of his poems survive, many upon the themes of poverty and cold, and typified by the strong—and sometimes shocking—imagery advocated by Han Yu. Two of his poems are included in the Three Hundred Tang Poems. One of which, "游子吟"—translated by Witter Bynner as "A Traveller's Song", by A. C. Graham as "Wanderer's Song", and by John C. H. Wu as "The Song of a Wandering Son"—is one of the most famous Classical Chinese poems.

David Hinton has recently shown an interest in translating some of Meng's poems (about 53) of which some 500 odd are extant. His book is entitled "The Late Poems of Meng Chiao" published by Princeton University Press 1996. Su Tung-p'o

a noted Sung dynasty scholar and poet did not think much of Meng's poetry. He wrote a mocking poem:

At night I am reading Meng Jiao's poetry.

His small words are like ox-hairs.

A cold lamp casts a dim light.

Occasionally you come across a good line,

At first it's like eating a tiny fish,

What you get out of it isn't worth the trouble.

Sometimes it's like cooking a crab,

After all that time, all there is to chew on are empty claws.

Why should you let your two ears suffer,

Having to listen to this cold cicada's cry.

The best thing to do is get rid of it,

And drink some of my sweet wine.

With Su Tung-p'o's critique in mind one has to question his assessment when reading the following poem ( one of a set of ten) grouped under the common title "Sorrow in the Gorges":

Above the gorge, one thread of sky,

In the gorge, ten thousand corded cascades.

Above, the splintered shards of slanted light,

Below, the pull of the restless roiling flow.

Broken souls lie dotted here and there,

Freezing in the gloom of centuries.

At noon the sun never settles above the gorge.

Hungry spittle flies where the gorge is dangerous,

Trees lock their roots around rotten coffins,

Rising skeletal and up-right swinging back and forth.

As the frost perches, the branches of the trees moan,

Soughing mournfully, far off, yet clear.

A spurned exile's stripped and scattered guts

Sizzle and scald where the water boils up.

Life is like a tortured, twisted thread,

A road on which we balance, following a single strand.

Pouring a libation of tears, to console the water spirits,

They shimmer and flash an instant upon the waves.

Studies

Prior to the 1975 publication of Stephen Owen's The Poetry of Meng Chiao and Han Yü by Yale University Press, there had been no studies of Meng Jiao in English.