Archive for Linguistics in the comics

Saturday Morning Breakfast Plurals

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Mangajin

I am the proud possessor of the complete run of Mangajin (pun for "magazine") from #1-#70 (1988-1997).

 

Mangajin was the brainchild of Vaughan P. Simmons, whom I had conversations with at several meetings of the Association for Asian Studies (AAS) and corresponded with for a dozen years.  I have utmost respect for him as someone who had the vision and fortitude to make a truly effective pedagogical tool for learning Japanese a reality.

I dare say that I learned more Japanese language from Mangajin than from any other single source — just as I learned more Mandarin from Guóyǔ rìbào 國語日報 (Mandarin Daily), the Republic of China newspaper that had furigana-like bopomofo rubi phonetic annotations for all hanzi, than from any other single source.

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Brose

Today's SMBC:

The mouseover title: "If you mix beer and oatmeal, it's Frat Brose."

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Vocabulary

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Scream cipher

A recent xkcd:

Mouseover title: "AAAAAA A ÃA̧AȂA̦ ǍÅÂÃĀÁȂ AAAAAAA!"

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Pie charts and bar graphs

Yesterday's Frazz:

Caulfield's joke illustrates several interesting linguistic points.

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"Art does not make sense"

Well, approximately as much as lexicography does…

The current Dinosaur Comics:


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The dressing needs more chuckoo

Today's xkcd:

Mouseover title: "Can you pass the nackle?"

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AI Written, AI Read

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Exponential origami

Today's xkcd:

Mouseover title: "You may notice the first half of these instructions are similar to the instructions for a working nuclear fusion device. After the first few dozen steps, be sure to press down firmly and fold quickly to overcome fusion pressure."

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"Bach Thing Day"

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Space v. Time in the grammar of emojis

Benjamin Weissman, Jan Englelen, Lena Thamsen, & Neil Cohn, "Compositional Affordances of Emoji Sequences", 12/19/2024:

Abstract: Emoji have become ubiquitous in digital communication, and while research has explored how emoji communicate meaning, relatively little work has investigated the affordances of such meaning-making processes. We here investigate the constraints of emoji by testing participant preferences for emoji combinations, comparing linearly sequenced, “language-like” emoji strings to more “picture-like” analog representations of the same two emoji. Participants deemed the picture-like combinations more comprehensible and were faster to respond to them compared to the sequential emoji strings. This suggests that while in-line sequences of emoji are on the whole interpretable, combining them in a linear, side-by-side, word-like way may be relatively unnatural for the combinatorial affordances of the graphic modality.

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Moses editing

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