With tracking you kinda need to take that horizontal approach that's very similar in other typical DAWs rotate it.
It's 1994, you come across a demo copy off a local BBS of a tracker "tetra compositor" echo.mod playing over the 8bit mono soundblaster that time odd "tracker" made such magic happen.
Back in early c64 & Amiga days to achieve a lot of the results you were trying to achieve was how with such limitations. These limitations we're a good reason to posit how to do such.
To summarize, trackers have a fairly large cracktro/intro heritage. I mean most trackers from a distance looks like a spreadsheet with codes. A coder approach, as far as implemention goes is a pretty big key difference & the limitations of the time.
I'd be more than happy to help any way possible. Avid long time register ReNoise supporter & pusher ;)
Since you've got a history with the typical DAW workflow. Eventually you can learn to appreciate the coder centric ux/ui of barely touching your mouse. Kinda like a eclipse ide user finding vim, getting quick ideas down with nothing but a basic ibm keyboard makes it part of the low budget/barrier fun.
Old mod creator here. (B00MER/kosmic aka kfmf) Most of the fun that disappeared with mp3s is such an ability to deconstruct another's work because of the similar appreciation for the same art.
I would spend hours upon hours pouring over any of my favorite tracker artists like keith303, purple motion, lizard king & c.c.catch, etc. even ended up flunking out of high school because the demo scene art subculture was really alluring to my younger self, as it just made sense to me & was something I thoroughly enjoyed.
To this day I can typically listen to any song and see the tracks, channels & notes in some regard. If you have no formal background in music but have an itch you can't scratch, explore trackers or even the more popular DAWs like Ableton. There's not much rules, so just have fun.
"Even if I'm the last person out there doing it, it's a quiet pursuit. It's, a personal pursuit & it's something that helps me get up in the morning." -dj shadow
Old creator here too. I miss the Fast Tracker days. I went so far as to have two Pentium II computers both running Fast Tracker, using MIDI clock sync between them then deconstructing source music from all those favorite tracker artists, playing partial multiple songs at once. It never got old, always fresh each time.
Then MP3s came out and the whole concept of trading source music for live remixing was lost. Another amazing thing was how compressed they were. I once put my favorite 1700 S3M/XM/IT/etc songs onto a single CDROM! That in itself is wild to think.
Used to love monotonik releases. One thing I liked about tracker days was deconstructing songs to see how it was made. Not as easy to do these days. ReNoise is pretty much the tracker DAW these days. Now that I'm not as broke as before. More gear just less drive to use it. My younger self would of been in heaven with the gear I've got now. Gus was a game changer though back then.
Tires, and a powerplant are two different domains. There's lots more at play with structure & what other parts can withstand. Resonance, materials, & aerodynamics all play a factor in the design process. Combine it with flying through the air in a seat instead of the ground, makes it all even more a factor.
Ever see Mazda Miatas with a Chevy LS motor? Kits are sold to adapt, especially now everything is drive by wire / software.
I understand your point, but this is the reality of modern aviation. New engines are released for existing airframes. In this case though, it wasn't an existing airframe. This was a new model built around new engines. Where the analogy starts to break down is that unlike putting new tires on, any face-lift that is done to an airliner is backed by testing and and under the watchful eye of multitudes of regulators.
https://element.io/