paperpools

In a letter to the editor in 1988, literary critic Eddie Dow tried to set the record straight:

In 1926 Fitzgerald published one of his finest stories, ''The Rich Boy,'' whose narrator begins it with the words ''Let me tell you about the very rich. They are different from you and me.''

Ten years later, at lunch with his and Fitzgerald's editor, Max Perkins, and the critic Mary Colum, Hemingway said, ''I am getting to know the rich.'' To this Colum replied, ''The only difference between the rich and other people is that the rich have more money.'' (A. Scott Berg reports this in ''Max Perkins, Editor of Genius.'') Hemingway, who knew a good put-down when he heard one and also the fictional uses to which it could be put, promptly recycled Colum's remark in one of his best stories, with a revealing alteration: he replaced himself with Fitzgerald as the one put down.

For example, here’s one fun fact: The engine of Fitzgerald’s income (at least until he went to Hollywood) was not his novels but his short stories. He considered them his “day job,” a thing to be endured because writing them would allow him the financial wherewithal to write the novels he preferred to do. And how much did he make for these short stories? Well, in 1920, he sold eleven of them to various magazines for $3,975. This averages to about $360 per story, and (assuming an average length of about 6,000 words) roughly six cents a word.

To flag my own genre here, “Six cents a word,” should sound vaguely familiar to science fiction and fantasy writers, as that’s the current going rate at the “Big Three” science fiction magazines here in the US: Analog (which pays six to eight cents a word), Asimov’s (six cents a word “for beginners”) and Fantasy & Science Fiction (six to nine cents a word). So, sf/f writers, in one sense you can truly say you’re getting paid just as well as F. Scott Fitzgerald did; but in another, more relevant, “adjusted for inflation” sense, you’re making five cents to every one of Fitzy’s dollars. Which basically sucks. This is just one reason why making a living writing short fiction is not something you should be counting on these days.