Your search returned 174 results in 68 document sections:

Thomas Wentworth Higginson, Book and heart: essays on literature and life, Chapter 29: acts of homage (search)
sked. Yet all the manners of the great world are but little affairs of spoons and napkins and visiting-cards compared with those essential ingredients of manners which lie in self-reverence, self-knowledge, self-control ; and which may be acquired in a log cabin or a sod shanty or an Indian tepee from parents who know their business. Given this foundation, the great world can add much in respect to minor details; but without this foundation the teachings of the great world can do little. Addison, pointing this same moral in his day, goes so far as to say, If you want to know a man who has seen the world, you will know him by his deficiency in those characters which seem to belong to good society. It is a curious fact that where a foreigner in his published book selects for special praise the manners and bearing of some American, it is very apt to turn out that the person thus praised has never crossed the ocean, or not till middle life, when his manners and bearing were already fo
would exist forever, merely from its strong desires. For it might with as much correctness be argued that the body will exist forever because we have a great dread of dying, and upon this principle nothing which we strongly desire would ever be withheld from us, and no evil that we greatly dread will ever come upon us, a principle evidently false. Again, it has been said that the constant progression of the powers of the mind affords another proof of its immortality. Concerning this, Addison remarks, Were a human soul ever thus at a stand in her acquirements, were her faculties to be full blown and incapable of further enlargement, I could imagine that she might fall away insensibly and drop at once into a state of annihilation. But can we believe a thinking being that is in a perpetual progress of improvement, and traveling on from perfection to perfection after having just looked abroad into the works of her Creator and made a few discoveries of his infinite wisdom and goodn
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 6: Franklin (search)
hod, and in perspicuity. About this time, says Franklin in a familiar paragraph, I met with an odd volume of the Spectator. Anticipating Dr. Johnson's advice by half a century, he gave his days and nights to painstaking study and imitation of Addison till he had mastered that style-familiar but not coarse, and elegant but not ostentatious --which several generations of English essayists have sought to attain. All the world has heard how Franklin's career as a writer began with an anonymous st praise is to declare that it reveals the mental and moral qualities of the man himself. It is the flexible style of a writer who has learned the craft of expression by studying and imitating the virtues of many masters: the playful charm of Addison, the trenchancy of Swift, the concreteness of Defoe, the urbanity of Shaftesbury, the homely directness of Bunyan's dialogue, the unadorned vigour of Tillotson, and the epigrammatic force of Pope. His mature manner, however, is imitative of not
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 7: colonial newspapers and magazines, 1704-1775 (search)
s may be inferred from the fact that even the Harvard library had no copies of Addison or Steele at this period. Swift, Pope, Prior, and Dryden would also have beenuritanism. But the printing office of James Franklin had Shakespeare, Milton, Addison, Steele, Cowley, Butler's Hudibras, and The Tail of the Tub The spelling o time, contributed to the Courant the first fruits of his days and nights with Addison. The fourteen little essays from Silence Dogood to the editor are among the m In this there is a new spirit,--not suggested to him by the fine breeding of Addison, or the bitter irony of Swift, or the stinging completeness of Pope. The brilworks of Bacon, Dryden, Locke, Milton, Otway, Pope, Prior, Swift, Rowe, Defoe, Addison, Steele, Arbuthnot, Congreve, Rabelais, Seneca, Ovid, and various novels, all journalist tried to moderate the heat of battle by recurring to the dignity of Addison. In political controversy, especially if he happened to be a liberal, he pref
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 3: early essayists (search)
re Tuckerman In anticipating Dr. Johnson's advice to fashion his prose style on the model of Addison, Franklin anticipated also the practice of American essay-writers for more than a generation. to set Boston ablaze. Yankee readers objected to his exercises in the manner of Goldsmith and Addison as sprightly rather than moral. While a law-student, Dennie had supplemented his income by reaese, like The old bachelor, in which he set himself to follow more closely the admired model of Addison, were too thickly studded with florid passages, oratorical climaxes, and didactic fulminations.Salmagundi, a buoyant series of papers ridiculing the follies of 1807. Thereafter imitation of Addison could no further go. Moreover, in announcing with mock gravity their intention simply to instruCritical, which illustrate various types of genius by little biographies of representative men. Addison, for instance, appeared-with no reference to Dennie — as the Lay Preacher. Many introductions,
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 4: Irving (search)
countrymen that Americans were competent not merely to organize a state, but to produce literature. He was himself a clear-headed and devoted patriot, but he was able to free himself from the local feeling of antagonism toward the ancient enemy Great Britain, and from the prejudice against other nations, always based upon ignorance, that is so often confused with patriotism. Irving's early memories and his early reading had to do with the events and with the productions of colonial days. Addison and Goldsmith are the two English writers with whose works his productions, or at least those relating to English subjects, have been most frequently compared. His biography of Goldsmith shows the keenest personal sympathy with the sweetness of nature and the literary ideals of his subject. Irving's works came, therefore, to be a connecting link between the literature of England (or the English-inspired literature of the colonies) and the literary creations that were entitled to the name
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Index. (search)
me occurs and then consult the proper section in the Bibliographies. A Abaellino, 219, 231 Absalom and Achitophel, 158-159 Accidence or the path-way to experience, an, 17 Account of the European settlements, 212 Account of the New invented Pennsylvanian fire places, an, 96 Achilles, 268 Adair, James, 193 Adams, Charles, 220 Adams, John, 91, 125, 129, 131, 137-138, 144, 146, 147, 172 Adams, Rev., John, 160-161 Adams, Samuel, 30, 132, 144 Adams and liberty, 179 Addison, 94, 109, I12, 113, 1x6, l18, 159, 233, 234, 237, 238, 244, 254, 256 Address to the Freemen of South Carolina, an, 148 Address to the House of burgesses, 142 Address to the people of the state of New York, an (John Jay), 148 Address to the people of the state of New York (Melancthon Smith), 148 Address to the Supreme being, 161 Ad Thamesin, 3 Adulateur, the, 217 Adventures of Captain Bonneville, 210 Adventures of Joseph Andrews, the, 12 Adventures of Robin day,
Wendell Phillips, Theodore C. Pease, Speeches, Lectures and Letters of Wendell Phillips: Volume 2, Daniel O'Connell (1875.) (search)
as favorable as his, perhaps even better; then measure him by comparison. An island soaked with the blood of countless rebellions; oppression such as would turn cowards into heroes; a race whose disciplined valor had been proved on almost every battlefield in Europe, and whose reckless daring lifted it, any time, in arms against England, with hope or without,--what inspired them? Devotion, eloquence, and patriotism seldom paralleled in history. Who led them? Dean Swift, according to Addison, the greatest genius of his age, called by Pope the incomparable, a man fertile in resources, of stubborn courage and tireless energy, master of an English style unequalled, perhaps, for its purpose then or since, a man who had twice faced England in her angriest mood, and by that masterly pen subdued her to his will; Henry Flood, eloquent even for an Irishman, and sagacious as he was eloquent,--the eclipse of that brilliant life one of the saddest pictures in Irish biography; Grattan, with
Lydia Maria Child, Letters of Lydia Maria Child (ed. John Greenleaf Whittier, Wendell Phillips, Harriet Winslow Sewall), To the same. (search)
ow of imagination he must have possessed; but when his fancy droops a little, how apt he is to make low attempts at wit, and introduce a forced play upon words. Had he been an American, the reviewers, in spite of his genius, would have damned him for his contempt of the unities. It provokes me to see these critics with their pens dipped in scorpion's gall, blighting the embryo buds of native genius. Neal must be condemned forsooth, without mercy, because his poem was one of genius' wildest, most erratic flights. Were every one as devout a worshipper at the shrine of genius as I am, they would admire him, even in his wanderings. I have been looking over the Spectator. I do not think Addison so good a writer as Johnson, though a more polished one. The style of the latter is more vigorous, there is more nerve, if I may so express it, than in the former. Indeed, Johnson is my favorite among all his contemporaries. I know of no author in the English language that writes like him.
5, 1862, 2d Lieut. 13th Battery. O'Conner, Patrick,27Chelsea, Ma.Dec. 31, 1863Aug. 11, 1865, expiration of service. O'Donnell, Peter,21Pittsfield, Ma.Jan. 4, 1864Aug. 11, 1865, expiration of service. Owens, Michael,23Dedham, Ma.Feb. 19, 1864Died Aug. .., 1864, transport Mississippi. Second Battery Light Artillery, Massachusetts Volunteers—(three years.)—Continued. Name and Rank.Age.Residence orDate of Muster.Termination of Service and Cause Thereof. Place Credited to. Packard, Addison F.,19Templeton, Ma.Feb. 24, 1864Aug. 11, 1865, expiration of service. Packard, Charles E.,21Colrain, Ma.Sept. 5, 1864Transferred Dec. 23, 1864 to 13th Battery. Palmer, Edward A.,22Charlestown, Ma.July 31, 18611863, promotion. Palmer, Thomas II.,26Boston, Ma.July 31, 1861Aug. 16, 1864, expiration of service. Parker, Gould E.,22North Bridgewater, Ma.Sept. 5, 1864Transferred Dec. 23, 1864, to 6th Battery. Partridge, Samuel,27Boston, Ma.July 31, 1861Jan. 5, 1864, re-enlistment. Payne, Cha<