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Your search returned 191 results in 55 document sections:
Joshua Lawrence Chamberlain, The Passing of the Armies: The Last Campaign of the Armies., Chapter 9 : the last review. (search)
Southern Historical Society Papers, Volume 4. (ed. Reverend J. William Jones), Report of General Kershaw . (search)
Benson J. Lossing, Pictorial Field Book of the Civil War. Volume 3., Chapter 9 : the Red River expedition. (search)
Benson J. Lossing, Pictorial Field Book of the Civil War. Volume 3., Chapter 13 : invasion of Maryland and Pennsylvania -operations before Petersburg and in the Shenandoah Valley . (search)
Benson J. Lossing, Pictorial Field Book of the Civil War. Volume 3., Index. (search)
Rebellion Record: a Diary of American Events: Documents and Narratives, Volume 5. (ed. Frank Moore), chapter 7 (search)
Rebellion Record: a Diary of American Events: Documents and Narratives, Volume 5. (ed. Frank Moore), chapter 15 (search)
Rebellion Record: a Diary of American Events: Documents and Narratives, Volume 5. (ed. Frank Moore), chapter 97 (search)
Rebellion Record: a Diary of American Events: Documents and Narratives, Volume 5. (ed. Frank Moore), chapter 130 (search)
Rebellion Record: a Diary of American Events: Poetry and Incidents., Volume 5. (ed. Frank Moore), chapter 165 (search)
Music of the Port Royal negroes.--The editor of Dwight's Journal of Music publishes a letter from Miss Lucy McKim, of Philadelphia, accompanying a specimen of the songs in vogue among the negroes about Port Royal.
Miss McKim acccompanied her father thither on a recent visit, and writes as follows:
It is difficult to express the entire character of these negro ballads by mere musical notes and signs.
The odd turns made in the throat, and the curious rhythmic effect produced by single voices chiming in at different irregular intervals, seem almost as impossible to place on score as the singing of birds or the tones of an Aeolian harp.
The airs, however, can be reached.
They are too decided not to be easily understood, and their striking originality would catch the ear of any musician.
Besides this, they are valuable as an expression of the character and life of the race which is playing such a conspicuous part in our history.
The wild, sad strains tell, as the sufferers