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Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 2: poets of the Civil War I (search)
The purpose of this chapter is to tell not of the major poets of the mid-century period, most of whom, in the intervals of full poetic careers traced elsewhere in this history, lent powerful voices to the cause of anti-slavery and union, but of some of the lesser figures whose best or most significant work deals almost wholly with the conflict. At least one of them has not received his due share of praise-Henry Howard Brownell (1820-1872), called by Holmes Our Battle Laureate. Born at Providence, he went with his family to Hartford, where he graduated from Trinity College in 1841. After a short season of teaching in Mobile, he returned to Hartford, was admitted to the bar, and began the practice of his profession, while also joining his brother in literary work. His early devotion to the sea, stimulated by frequent voyages, inspired him to sing of its awe and its beauty. Like his brother, who lost his life in 1859 exploring South America, he had the spirit of an adventurer, but
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 6: the short story (search)
ed at times with tragedy and true pathos. As one traces her work from Atlantic to Atlantic, a gradual increase in power impresses one until after her declaration of independence at the opening of Miss Lucinda (August, 1861)—I offer you no tragedy in high life, no sentimental history of fashion and wealth, but only a little story about a woman who could not be a heroine—it is felt that she has found herself and that with her later work like Odd Miss Todd, Freedom Wheeler's controversy with Providence, The Deacon's Week, and last of all and in many ways her best, The town and country mouse, the final story in her collection Huckleberries, she has passed into the new period and taken a secure place with the small group of masters of the short story. Unlike Harriet Prescott Spofford, whose gorgeous In a cellar and The amber gods fluttered for a time the readers of the early sixties, she was able to heed the voice of the new period and to grow and outgrow, and it was this power that made <
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Index (search)
the, 114 Forfeits, 244 Forget-Me-Not, The, 174 Fortunes of a country boy, 262 n. Foster, Rev. Mr., 206 Foster, Stephen Collins, 351, 353 Fourier, 188 Fourier Association, 192 Fourteen to one, 388 Fox, Charles James, 93, 95, 96 Fox, George, 14, 42 France, Anatole, 237 Francis, John M., 184 Franconia books, 400 Franklin, Benjamin, 148, 214, 215, 241 Franklin Evans, 262 Fredericksburg, 281 Freedom and War, 216 Freedom Wheeler's controversy with Providence, 373 Free Joe and other Georgian sketches, 352 n. Free Joe and the rest of the world, 352 n. Freeman, James, 206, 207 Freeman, Mary E. Wilkins, 360, 364, 382, 390 Freeman's journal, the, 299 Free press (Detroit), 182 Free press (Newburyport), The, 44 Freiligrath, P., 271 Fremont, John C., 283 French, Alice, 379, 388, 390 Freneau, Philip, 150, 177, 180, 181, 241 Friendship's Offering, 174 Froissart, 124, 332 Front Yard, the, 382 Frost, Rev., Barzillai