hide Matching Documents

The documents where this entity occurs most often are shown below. Click on a document to open it.

Document Max. Freq Min. Freq
James Russell Lowell, Among my books 32 0 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 2 26 0 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 1 22 0 Browse Search
Thomas Wentworth Higginson, John Greenleaf Whittier 18 0 Browse Search
Harper's Encyclopedia of United States History (ed. Benson Lossing) 17 5 Browse Search
Lucius R. Paige, History of Cambridge, Massachusetts, 1630-1877, with a genealogical register 16 0 Browse Search
Wendell Phillips, Theodore C. Pease, Speeches, Lectures and Letters of Wendell Phillips: Volume 1 8 0 Browse Search
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 8 0 Browse Search
George Ticknor, Life, letters and journals of George Ticknor (ed. George Hillard) 8 0 Browse Search
George Ticknor, Life, letters and journals of George Ticknor (ed. George Hillard) 8 0 Browse Search
View all matching documents...

Browsing named entities in Margaret Fuller, Memoirs of Margaret Fuller Ossoli (ed. W. H. Channing). You can also browse the collection for Milton, Mass. (Massachusetts, United States) or search for Milton, Mass. (Massachusetts, United States) in all documents.

Your search returned 1 result in 1 document section:

Margaret Fuller, Memoirs of Margaret Fuller Ossoli (ed. W. H. Channing), V. Conversations in Boston. (search)
taken another view, deeper, and more in accordance with some others which were then expressed. She acknowledged that Wordsworth had done more to make all men poetical, than perhaps any other; that he was the poet of reflection; that where he failed to poetize his subject, his simple faith intimated to the reader a poetry that he did not find in the book. She admitted that Dante's Narrative was instinct with the poetry concentrated often in single words. She uttered her old heresies about Milton, however, unmodified. I do not remember the transition to modern poetry and Milnes; but she read (very badly indeed) the Legendary Tale. We then had three conversations upon Sculpture, one of which was taken up very much in historical accounts of the sculpture of the ancients, in which color was added to form, and which seemed to prove that they were not, after all, sufficiently intellectual to be operated on by form exclusively. The question, of course, arose whether there was a mode