100 Writing Lessons
100 Writing Lessons
100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
Contents
Introduction
Narrative Writing
11
12
22
32
Writing Stories
46
On Your Own
58
Rate Yourself
63
Composition
Precise Nouns
64
Strong Verbs
66
68
Descriptive Writing
70
71
87
101
On Your Own
115
Rate Yourself
120
Composition
Sentences
121
Punctuating Dialogue
123
100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
Expository Writing
127
Main Idea
128
Purpose
142
Audience
156
Presentation
167
On Your Own
179
Rate Yourself
184
Persuasive Writing
185
186
198
214
On Your Own
229
Rate Yourself
234
Composition
Transitional Words
235
237
239
100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
Introduction
Your Situation
The imperative: Like musicians, writers have to practice every day to keep up their chops. But how do you make
room for writingevery dayamidst all the other goals youve set for your students?
One solution: Use the Descriptive, Narrative, Expository, and Persuasive writing lessons in this book. After introducing a lesson, then you can hand it over to students to complete and assess themselves. Are the lessons in this
book going to make your students masters of each type of writing? Absolutely not! But what the lessons will do is
provide an introduction to, review of, and practice in the basic steps as outlined for each section below.
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100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
their work, I advise against it for the activities in this book. Heres why: On a computer, a writer tends
to carefully edit each sentence or paragraph before going on to the next one. While this can be useful
in some situations, it can be counterproductive for the activities here. What were aiming for in general
is a free flow, and thats best engendered by writing the entire piece by hand. Later, when the draft is
done, students can go back and amend it. Those who wish to do so can use the computer to produce
2. Stress to your students that teachers and adults face writing challenges, too. Participate with your
students in carrying out some of these writing activities. Invite them to critique your writing.
3. Encourage students to read aloud their work. Sharing ones work and hearing the work of others
makes ideas come to life, and helps students gain a deeper understanding and appreciation of the
craft of writing.
4. Help students use what theyve learned from the lessons in this book. Refer them to activities theyve
completed when theyre grappling for a way to approach a science or social studies report.
5. Discuss tough stuff with students. Its not always easy to write, especially if you want to be a really
How do you know when a piece of your own writing is ready to present to your audience?
100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
Keep in Mind . . .
The activities in this book follow a sequence of instruction that I think youll find valuable, but you
can certainly veer from this sequence to fit the needs of your class. For instance, you may want to
use a specific activity as a warm-up for a larger writing task youre assigning rather than using it in
Dont do fine-line corrections of your students work. These lessons are designed as start-ups and
practices, not as final products to be graded. Again, the object is to get students to write every day
so that they come to see writing as a natural way of exploring and developing a topic. The practice
will pay off later in the formal assignments and standardized tests your students will undertake.
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100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
Narrative Writing
Part 1: Writing Narratives About Our Own Experiences
Almost every day, students narrate aloud many stories based on their personal experiences. Because telling
about our own experiences orally is such a natural part of our everyday lives, writing about them makes a comfortable introduction to written narratives in general. The activities in this section ease students into narrative writing
by encouraging them to focus on what they know best: themselves.
Part 2: Writing Narratives About Other People
An other-oriented focus is vital for young writers. On both an affective and a cognitive level, the focus helps students appreciate the views and circumstances of real people with whom they come in contact in everyday life or
in their curricular studies of the past. On an imaginative level, the focus encourages students to trust and use their
writerly what-if instincts to try a variety of points of view as they develop their own stories.
Part 3: Writing Narratives About Literature
Writing a narrative about a particular book or story encourages students to think like the author did, to get into
that authors shoes by extending or elaborating on the existing narrative. The approach is similar to one that art
students use when they set up an easel before a great painting, replicate or reinterpret it, and thereby learn the
techniques used by the artist. Unlike a report about a book, which comes from the outside, a narrative about a
book comes from the inside, from the student writers participation in the story.
100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
Expository Writing
How do you carry off the goal of writing daily with expository writing, a genre that requires the mastery of the following traditional steps?
Part 2: Purpose
Part 3: Audience
Part 4: Presentation
Persuasive Writing
Part 1: Exploring the Elements of Persuasion
The lessons in this section are warm-ups. You can use them to introduce or review the major elements of persuasive writing with your students. You can also use the outcomes of these lessons to informally assess students
prior knowledge and skill in using these elements.
Part 2: Analyzing Persuasive Techniques
As students become familiar with the basic elements of persuasion presented in Part 1, they grow in their ability
to analyze the persuasive messages that they see, hear, and read every day. Prepare for Part 2 by setting up a
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100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
classroom reference collection of mail-order catalogs and advertising flyers. Enlist student assistance in building
this collection. If possible, also make a videotape of several TV commercials that use the techniques presented in
the following pages. Ask students to use and build the collection as they carry out the activities in the section.
Part 3: Persuading for Different Purposes
Through the lessons in Parts 1 and 2, students have identified and practiced using the elements and techniques of
persuasive writing. Part 3 lessons help students apply what theyve learned to write persuasively in many different
situations. Whatever the situation, the same general guidelines apply. Ahead of time, prepare the following SAY IT
poster for display, and remind students to refer to it as they write.
IDENTIFY YOURSELF.
-- Tara McCarthy
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100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
Narrative Writing
Part One:
Part Two:
Part Three:
Part Four:
Writing Stories
12
22
32
46
Narrative Writing
100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
11
Narrative Writing
Writing NarrativesAbout
Our Own Experiences: Journals
Goal: Use journals to promote writing fluency.
Get Set
For writers, journal entries are raw material for longer narratives. Show your students how to set up and keep
different types of journals: double-entry, problem-solution, and partner journals. Distribute the reproducible on
page 13.
Go
Double-Entry Journal: Show students how to set up double-column pages. In the left Fact column, they write a
fact about something that has happened to them, or about an event in a book theyre reading (note-taking). In the
right My Reaction column, students note their feelings or opinions about the event (note-making). Direct their
attention to the examples on the reproducible.
Problem-Solution Journal: Point out the format of this type of journal on the reproducible. In the left column,
students state a real-life problem or a problem in a book theyre reading. In the right column, they write one or
more ways the problem might be solved.
Partner Journal: Show students how to set up a three-column page with the following headings: Situation, My
Notes, and My Partners Ideas. In the Situation column, they record a fact about an event in real life or in a book.
In the My Notes column, they state their reactions to or predictions about the event. Partners respond to those
notes in the My Partners Ideas column.
Follow Up
Encourage students to review their journals at least once a week to jot down any story ideas they get from
reviewing their entries. Explain that story-idea notes can be phrases, informal lists, or sentences, but they should
always present events in time-sequence.
Tip
Suggest that students add more columns to their Partner Journals. To continue the exchange
between students and their partners, the fourth column could be labeled My Reaction to My Partners
Ideas, and the fifth column could be labeled More Ideas From My Partner.
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100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
Narrative Writing
Name
Date
Writing NarrativesAbout
Our Own Experiences: Journals
You can record your experiences, thoughts, and ideas in different kinds of journals.
Double-Entry Journal
FACT
Tom Sawyer tricked his friends into
whitewashing the fence for him.
MY REACTION
I think Tom was smart. The job got
done. But I wonder if Tom would
like his friends to trick him!
Problem-Solution Journal
PROBLEM
Our class has to read poems in a program
for the whole school. The problem is that
some kids get nervous when they have to
speak to a large group.
POSSIBLE SOLUTIONS
Shy kids could participate by making
posters or pictures about the poems
classmates will read. Shy kids could
practice reading a poem to just a few of
us and then to more and more of us.
Narrative Writing
100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
13
Narrative Writing
Writing NarrativesAbout
Our Own Experiences:
Observation Diaries
Go
Explain what an Observation Diary is and then distribute the reproducible on page 15. Read aloud and discuss the
sample Observation Diary entry about a pencil. Point out that the entry contains descriptive phrases as well as
complete sentences.
Have students brainstorm a list of objects or animals they might observe for several days. Then ask each
student to choose an item from the list to write about in an Observation Diary. To jump-start the process, suggest
topics such as the following:
sounds in my neighborhood
a tree outside my window
a particular sidewalk or street
an ant colony or spider web
a classroom aquarium
a household pet
a junk car in an empty lot
the school corridor
a swing in the playground
a table in the classroom
Follow Up
Ask students to use their Observation Diary entries to write a brief narrative paragraph that lists sequentially what
theyve observed.
Tip After students complete their paragraphs, have them form small Free-Read groups. In a Free-Read,
the writer reads aloud to the group, and group members listen without commenting. During the reading,
or just after, the writer makes notes about what to change in, add to, or delete from the draft. Because
the Observation Diary doesnt focus on a students private life as a traditional diary does, entries can be
shared without raising privacy issues.
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100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
Narrative Writing
Name
Date
Writing NarrativesAbout
Our Own Experiences:
Observation Diaries
A. In an Observation Diary, the writer observes an object in the environment and makes notes
about it for several days. Heres a sample.
OBSERVING MY PENCIL
MONDAY: Nice and sharp and long and new. This pencil is ready to go! It
had to get sharpened after lunch, because it had to write spelling words
in the morning. So now its shorter. Oops! Point got broken while drawing
a map this afternoon.
TUESDAY: Pencil got lost in my desk for a while. Found under a pile of old
lunch bags. Pencil looks stubby, and there is peanut butter on it.
WEDNESDAY: Sharpened pencil. But what happened to the eraser end?
Now its stubby! Pencils require a lot of attention!
B. Observe an object in your environment for a few days. Record your findings in an
Observation Diary.
OBSERVING MY
TUESDAY:
WEDNESDAY:
THURSDAY:
FRIDAY:
Narrative Writing
100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
15
Narrative Writing
Writing NarrativesAbout
Our Own Experiences: Logs
Get Set
Keeping a log is a closure activity: Students write a sequential listing of information that applies only to a specific
situation or task that has been defined beforehand.
Explain to students what a log is. List people who routinely keep logs, and ask students to determine the major
questions each of those log-keepers wants to answer. For example, Ship captain: What progress does my ship
make day-by-day? School nurse: Which students came to my office today? What were their problems? Building
guard: Who wanted to enter the building tonight? What was their purpose? What was my response?
Go
Distribute the reproducible on page 17. Ask students to note the title of the sample log and read the entries aloud.
Then ask them to tell what sequence the log uses (time sequence: date and time). Pose the following question:
How would this log help the log-keeper write a story about a hurricane?
With the class, brainstorm a list of subjects that invite regular log entries over a period of a week or two. Have
students work independently or with a partner or small group to choose a subject, prepare a Log Notebook, and
write entries at regular intervals. Remind students that each entry should begin with the date and time. Here are
some sample topics:
weather conditions over a weeks time
personal response to reading a novel or chapter book
steps taken in getting to know a new classmate
the progress of a class or community project
Follow Up
Ask students to use their Log Notebooks to write one or more narrative paragraphs about the subject.
Tip You may want to create a model paragraph based on the sample log on the reproducible to share
with students.
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100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
Narrative Writing
Name
Date
Writing NarrativesAbout
Our Own Experiences: Logs
A. A log is a written record of events recorded in sequence. Heres a sample.
LOG: What Happens as the Hurricane Approaches Our Town?
Date/Time
9-6-08/6 a.m.
9-6-08/7 a.m.
Events
Weather forecasters say storm will hit
our area in about 5 hours. Homeowners
and storekeepers hammer boards over
windows and doors.
Strong winds are kicking up. Big waves
hit beaches. Sun hidden as dark, angry
clouds move in fast.
B. Prepare a Log Notebook for a topic of your choice. Record several entries every day for a
week. Remember to begin each entry with the date and time of the event.
LOG:
Date/Time
Events
Narrative Writing
100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
17
Narrative Writing
Writing NarrativesAbout
Our Own Experiences:
Autobiographical Incidents
Goal: Examine an experience to discover what has been learned from it.
Get Set
Explain that an autobiographical incident narrates a personal experience that occurred over a brief span of time: a
few minutes or hours, orat the mosta day or two. As in most narratives, the events in the incident are presented in sequence. The writer adds his or her sensory impressions and shares his or her feelings with the reader.
Go
To help students understand that brief, simple incidents can have a powerful affect, read aloud the example on
the reproducible on page 19. Discuss students reactions to the incident. What sensory impressions and feelings
does the writer share?
Follow Up
Ask each student to jot down subjects or titles for three or four autobiographical incidents, such as the following:
New schoolI was scared; then met new friend or lost in shopping mall when I was 4 years old. Then have each
student choose one subject and produce a rough draft of the autobiographical incident. If theyre having trouble
thinking of an incident, suggest they answer one of the prompts on the reproducible.
Tip Stress that an autobiographical incident doesnt have to deal with an earth-shaking, newspaperworthy event. It just has to be important to the writer.
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100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
Narrative Writing
Name
Date
Writing NarrativesAbout
Our Own Experiences:
Autobiographical Incidents
A. An autobiographical incident tells about a personal experience that happened over a short
period of time. The events are told in time-sequence, and the writer adds his or her sensory
impressions and feelings. Heres a sample.
Outside the house where we lived when I was a little girl, there was a
birch tree that had been bent over by many winter storms. In the summer,
the leaves of the bending tree trailed on the ground and formed a little
tent. I called it my Reading Tree, because I would sit under the leafy boughs
and read my books. It was a green, cool, and private place, and I loved it
very much.
One summer day, I came home from a picnic with my friendsand my
Reading Tree was gone! All that was left was a short, sawed-off, sad-looking
stump! I burst into tears.
My dad came running out of the house. Whats wrong? he asked.
Pointing to the stump, I bawled, My Reading Tree! My Reading Tree!
Oh, Sweetie, my father said, we had to cut it down because it had a
disease that could infect other trees. You understand, dont you?
I nodded my head, but I didnt really understand then. And even now
when I do understandI still miss my Reading Tree.
B. Write your own autobiographical incident. You can answer any of the following prompts if
you need help getting started:
Close your eyes. Visualize a still life or photo from your past. People and objects are
frozen in time. Now tell what your still life shows.
Close your eyes. Imagine that youre watching a movie of an event from your past.
Now tell what your movie shows.
Close your eyes and think of these four words that name feelings: sad, puzzled, happy,
angry. Now tell about a time when you had one of these feelings.
Narrative Writing
100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
19
Narrative Writing
Writing NarrativesAbout
Our Own Experiences: Wind-Up
Ask students to look at the journals, observation diaries, and logs they
completed in this section and select a topic they want to expand into an
autobiographical incident. They will carry this narrative through the writing process.
In addition to relating the facts, observations, sequence of events, and
ideas, students will also need to focus on describing the environment and
their own responses. Encourage them to use the reproducible on page 21
to help create their narrative.
Students may accompany their narratives with photos, drawings, maps,
excerpts from the selected journal, diary, or log, or other graphics.
Encourage students to publish their work by tape-recording it, forming
discussion groups around common topics represented in their narratives,
or by performing pantomimes or skits.
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100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
Narrative Writing
Name
Date
Writing NarrativesAbout
Our Own Experiences: Wind-Up
Write an autobiographical incident based on an entry from your journal, observation diary,
or log.
My autobiographic incident will be about
.
Ill use the entry from my
to write about the incident.
After deciding upon your entry, close your eyes and think about writing it. Jot your sensory
impressions, feelings, and steps or events below.
Where were you when you wrote your entry? Use your senses: What did you see, hear,
smell, touch, taste?
How did you feel when you were writing your entry? Did it make you remember any other
experiences youve had?
Narrative Writing
100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
21
Narrative Writing
First-Person Biographies
Go
Distribute the reproducible on page 23. Define a first-person biography and read aloud the sample first-person
biography on the reproducible. Use the sample to discuss a biographys key points:
Describes main character
Narrates the interaction between main character and writer
Tells what the writer has learned from the interaction
Have students work independently to list family members, friends, teachers, neighbors, or people encountered by
chance who have affected or influenced their views. Then ask them to work with a partner or in a small group to
tell why or how these people were influential.
Follow Up
Tell students to write a rough draft of a first-person biography. Assure them that the only standard that they will be
judged on is that the draft be neat and clear enough for the writer to read back smoothly to an audience of four or
five classmates. Then instruct students how to use a Say-Back Response in which the writer reads his or her draft
and then asks the listeners to say back in their own words what the writer is getting at. Writers can use questions such as, What do you hear me saying? What are some ideas you have for helping me say it better?
Tip Say-backs are valuable when students are at the early stages of framing a narrative and are looking
for a main idea to focus on.
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100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
Narrative Writing
Name
Date
First-Person Biographies
A first-person biography narrates an incident involving the writer and someone he or she
knows. Heres an example.
Mr. Ames
Mr. Ames is known as the Neighborhood Grouch. He never
answers when you speak to him. He always has a sort of frown on
his face. He lives alone and never seems to have visitors.
Mr. Ames is just so unfriendly, said my mom.
Hes a total drag! agreed my sister.
Describes
main character.
Narrates
interaction
between main
character and
writer.
Tells what
writer has
learned from
interaction.
Narrative Writing
100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
23
Narrative Writing
Based on History
Goal: Understand the feelings and motives of other people and implement this understanding
in writing narratives.
Get Set
Through basal texts and related literature, students encounter figures from history whose exploits and achievements have a global significance. What can an ordinary person possibly share with these historical giants?
Students find out by composing brief narratives in which they take the point of view of a historical figure.
Go
Introduce the concept by reading aloud a statement that might have been made by a historical person your class
is studying. Ask students to guess who the person is. Heres an example for Harriet Tubman:
You think its easy to follow familiar paths? Not if its slave territory! Believe me, I quaked at every step of every
journey! I could be intercepted, captured, punished, returned to slavery at any time! You can call me courageous
if you want. But I didnt feel courageous. I felt determined. I was determined to lead as many of my people as possible from slavery to freedom. But it was a scary task, every step of the way!
Hand out the reproducible on page 25. Have students brainstorm to complete the chart, noting major situations
faced by the historical figures theyve recently studied.
Follow Up
Ask students to write a rough draft of one or two paragraphs based on one of the chart entries on the reproducible.
Then have them read aloud their work in small groups.
Tip Groups can use the Free-Read strategy on p. 14 or try Mental Movie, in which the writer reads aloud
and listeners close their eyes and envision what the words make them see. Listeners reveal what they see
in their Mental Movies, but make no other comments.
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100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
Narrative Writing
Name
Date
Based on History
A. Think of historical figures youve been studying. How would they think and feel in certain
situations? Finish completing the chart, using their first-person viewpoint.
REAL-LIFE PERSON
Amelia Earhart
B. Now choose one of the people youve been studying and write a first-person biography
about him or her.
Narrative Writing
100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
25
Narrative Writing
If Only They Could Speak
Unusual Narrators
Goal: Expand knowledge of point of view and demonstrate this understanding.
Get Set
What did Amelia Earharts plane think about? What did Columbuss Santa Maria feel as she was tossed about on
the wild Atlantic? What thoughts might the hidden paths and safe houses have had as they were inhabited by the
people Harriet Tubman guided to freedom? Questions like these provide valuable practice for young writers as
they learn how to consider events and people from different points of view.
Go
Introduce the concept by having students brainstorm a list of familiar items from their lives, such as my lunch box,
the school bus, my cat Mitzie, the refrigerator, and so on.
Next, show what you think one of the items on the list would say. For example the refrigerator might say, Open,
close! Open, close! On and off goes my light! These people are always looking for stuff to eat!
Challenge students to help you draft a paragraph told from the point of view of another speaker from the list.
Scribe the paragraph on the board.
Follow Up
Distribute the reproducible on page 27. Help students brainstorm to add things to the list that relate to the historical
events theyve been studying. Have individuals or partners choose one of the nonhuman entities and write about
the historical incident from its point of view.
Tip
As the class works on the paragraph, intercede as necessary with the following statements:
You are telling this from somethings point of view. Imagine that you are this something. How
would this something say it? Emphasize where the words I, me, my, and mine establish the firstperson point of view.
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100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
Narrative Writing
Name
Date
If Only They Could Speak
Unusual Narrators
A. Think of the historical events and incidents youve been studying. What kinds of animals or
objects were involved in them? Add those to the list below.
Paul Reveres horse
Mary Shelleys desk where she
wrote Frankenstein
The Hudson River as ships from
Europe began to explore it
B. Now, choose one of the entries from the chart and write about the historical event or
incident from that point of view.
Narrative Writing
100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
27
Narrative Writing
Picture-Prompt Narratives
Go
Display a photo or painting. Model the activity by telling a brief story inspired by it. This example is based on the
ballet paintings of Edouard Degas.
This is a painting by Edouard Degas. It shows a ballet dancer lacing up her toe shoes. I imagine this story when I
look at the painting:
The dancers name is Sophie. Shes very nervous! This will be her first public performance. All her family and
friends are in the audience. Sophie wonders, Will I be okay? Will I do every step right? Sophie goes onstage.
She is perfect! She bows and smiles. This is the life for me! she says to herself.
Hand out the reproducible on page 29. Then ask pairs of students to choose another picture from the collection,
discuss what it shows, and record ideas about the story or stories it suggests on the reproducible.
Follow Up
Ask students to write short narratives based on the charts they made with their partners. Remind them to refer to
the picture itself for additional ideas and details.
Tip
Suggest that partners use the Writers Right strategy. In this technique, the author tells his or her
partner exactly what to listen for. For example: Id like you to listen to the descriptions in my story. The
listener then provides only the feedback the writer has asked for.
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100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
Narrative Writing
Name
Date
Picture-Prompt Narratives
A. Choose a picture. Discuss it with a partner. What story does the picture tell? Write your ideas
in the chart.
What It Shows
Artist or Photographer:
B. Now, use the chart to help you write a short narrative story about the picture. Work on your
own and then share your story with your partner.
Narrative Writing
100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
29
Narrative Writing
Writing Narratives
About Other People: Wind-Up
Ask students to imagine that they could correspond with a historical
figure or an animal or object connected to that person. For example,
what would they want to know about Meriwether Lewiss journey
across the country? Or what would students ask Lewiss dog about
the trek? Conversely, what might Lewis want to know about students
camping trips or scouting adventures? Or what might his dog want to
know about students pets?
Once students have made a selection and written their letters, have
them exchange letters with a partner. Each student will then respond, in character, to the letter. Encourage pairs to continue the
correspondence through two or three exchanges.
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100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
Narrative Writing
Name
Date
Writing Narratives
About Other People: Wind-Up
A. Think about the historical events youve been studying. Suppose you could write a letter to
someone involved in one of the events. What would you want to know? Which details of your
own life would you want to share? Or if youd like to know more about an object or an animal
connected to that person, you can write to it instead.
Use the form below, or copy it on a sheet of paper.
Date
Dear
Sincerely,
B. Exchange your letter with a partner. Take on the voice of the personor object or animal
your partner has written to and answer the letter. Use the form below, or copy it on a sheet
of paper.
Date
Dear
Sincerely,
Narrative Writing
100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
31
Narrative Writing
Go
Start with a whole-class brainstorm. With you as scribe at the chalkboard, students briefly describe what happened in a familiar story. (Leave lots space between each line of the developing paragraph.) Then reframe the five
questions on the reproducible on page 33 and pose them to students. Based on the answers, cross out any unnecessary information, circle any out-of-sequence phrases or sentences, and draw arrows to where they belong.
Then write vital additions above the appropriate lines, and combine sentences.
Follow Up
Distribute the reproducible on page 33. Have the class brainstorm a list of titles of stories theyve recently read,
then ask each student to work independently to write a rough-draft summary of one of the stories.
Tip Suggest that students write numerals (1, 2, 3, etc.) next to each event in their summaries and check
to make sure this shows the order in which things really happened in the story. If an event is out of order
in the summary, they can circle it and use an arrow to show where it belongs.
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Go
On the board, start a chart that notes a common characteristic of characters in different stories and relevant major
questions the interviewer might ask.
CHARACTERISTIC
INTERVIEWEES
INTERVIEWERS PROMPTS
Courage
Follow Up
Hand out the reproducible on page 35 and have students complete their own charts. Then invite groups of students
to take turns choosing roles and acting out the interviews theyve outlined on their charts.
Tip If possible, tape-record the finished interviews and provide time for the class to listen to them. Use
this directed-listening prompt: Listen to discover what these book characters have in common and how
they are different.
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Think of a characteristic that characters in several different stories might share, such as
exhibiting courage or being a good friend. If you interviewed these characters, what would you
ask them? Complete the chart.
CHARACTERISTIC
INTERVIEWEES
INTERVIEWERS PROMPTS
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Different Voices
Goal: Consider story events from the viewpoints of different characters in the story.
Get Set
Explain that in a well-told story, all the major characters come alive because the writer has thought deeply about
what each of them is like. When young writers emulate this valuable prewriting process, they not only gain insights into a book or story theyve read but also find ways to develop and enrich their own stories.
Go
Distribute the reproducible on page 37 and discuss the excerpt from the Poe story and the examples showing the
viewpoints of the other characters in the story. Then review a story students have read that is told from the firstperson point of view. Work with students to retell a part of that story from the point of view of another character
and record the results on the board.
Follow Up
Ask each student to choose another character from a book he or she has read and narrate a key event from the
I point of view. Have students produce a rough-draft paragraph to share with a group later.
Tip Pointing helps a writer decide if his or her main viewpoint is getting through to the audience. Before
reading to the group, tell the writer to say, Listen, then tell me which of my words or phrases stick in your
mind. Just tell me what they are; dont explain why.
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Different Voices
This passage is an excerpt from the Edgar Allan Poe story The Fall of the House of Usher.
The events in the story are recounted from the point of view of the man who visits the gloomy
home of Roderick Usher, his childhood friend. Heres what happens when the visitor sees Lady
Madeline, Rodericks sister.
From The Fall of the House of Usher by Edgar Allan Poe
The Visitor speaks as I.
While he [Roderick Usher] spoke, the Lady Madeline . . . passed through . . . without
having noticed my presence, disappeared. I regarded her with an utter astonishment
not unmixed with dread. . . . When a door . . . closed upon her, my glance sought
instinctively and eagerly the countenance of the brother, but he had buried his face in
his hands, and I could only perceive . . . the emaciated fingers through which trickled
many passionate tears.
In these passages, the writer imagines how Roderick Usher and Lady Madeline would relate
the events from their points of view.
A Different Voice: Roderick Usher speaks as I.
How could I explain to my childhood friend how despairing I was over my sisters
illness? As Madeline appeared in the doorway, I realized again how frail and sick she
was. I began to weep as I thought how empty my life would be without her.
A Different Voice: Madeline Usher speaks as I.
Weak as I was, I still managed to go downstairs to peek at the visitor. I hoped he didnt
see me! I knew I looked dreadfully ill. I returned to my room, comforted that my sad,
lonely brother had a friend to talk to.
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Go
Lead the class through a Lets-Imagine activity to help students brainstorm what might happen to a favorite character after the story concludes. Here are two suggestions to model:
Lets imagine that Wilbur, the pig in Charlottes Web, has grown quite old and meets two new piglets
in the barnyard. What might the piglets think or worry about, and how might Wilbur help them?
Lets imagine that Rumpelstiltskin, stomping down to the center of the earth after the queen has
guessed his name, meets another magical being who wants to help a human complete a task.
How might Rumpelstiltskin help with the task, using the experience he had with the millers daughter?
Follow Up
Pass out the reproducible on page 39. Ask pairs to collaborate on notes or an outline about an event that extends
a story both students are familiar with. Partners then work independently to write a rough draft of the event and
read their drafts to one another. Tell them to use the Say-Back method again to check that the sequence is clear.
(see page 22).
Tip If students are stuck for ideas about how to get going, give them the following advice: Just write,
like you do in a Quickwrite. Fast and furiously, write about all the things that might happen in the episode
you and your partner have outlined or made notes about.
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B. What might have happened to the main character after the story ended? Work with a
partner to make notes or an outline about an event that continues the story.
C. Use your notes or outline to write a draft of the new story event on a separate sheet
of paper.
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Goal: Develop empathy for the central characters in a story and an understanding of how events
affect behavior.
Get Set
On the board, draw a chart like the one below. Fill in the first two columns to reflect a story the class knows well.
Tell students that the first column names story characters they admire, the second column tells what admirable
things the character has accomplished, and the third column gives students a chance to insert themselves into
the story.
Story and Main Character
Accomplishment
Me in the Story
Cinderella
Go
Challenge students to imagine that they are a new character in the story who gets to help the main character
accomplish his or her goal. Work with them in filling in the third column. Then distribute the reproducible on
page 41. As the class thinks of other stories, have students complete the chart for those stories.
Follow Up
Ask students to use their charts to rewrite a section of one of the stories to include themselves as part of the
action. They can work independently or enlist a partner to help them.
Tip
Some students may need this TV-Jog warm-up: Think of a TV program that you enjoy. What
episode was particularly interesting? Now imagine that you are an additional character in that episode.
Write a narrative paragraph in which you take part in the action.
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A. Think of some stories you know. Imagine youre a new character in these stories. You help
this character accomplish goals, or talk with him or her. You can refer to yourself as I, or use
your real name. Write your ideas in the chart.
Accomplishment
Me in the Story
B. Choose one of the stories. Use the ideas in your chart to rewrite a section of the story to
include yourself!
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Goal: Make personal connections with the lives and experiences of book characters.
Get Set
By writing about their personal connections to literature, students get practice in identifying theme in what they
read, and in thinking about theme as they write their own stories.
Go
Review the concept of theme with students. A theme is an idea that can be stated in a sentence and suggests
a universal truth that applies to many real-life situations. Books often have more than one theme. Distribute the
reproducible on page 43. Then, with the whole class or a small group, discuss one theme in a book that students
have recently read and have students record it on the reproducible. Here are some examples:
BOOK TITLE
The Moorchild
(Eloise McGraw, McElderry, 1996)
Ask students to quickly write about a personal experience related to the theme.
Follow Up
Suggest to students that they quietly read aloud their personal experience drafts, making marginal notes about
what theyd like to change in a second draft. This is an apt place to review the composition skill of combining
sentences (page 121).
Tip
You may want to mention to students that this activity is a form of Quickwrite. In both tasks, writers
jot down everything that comes to mind and share their writing if they wish to do so. In this case, however,
allow students as much time as they need to complete the activity.
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A theme is an idea that can be stated in a sentence and suggests a universal truth that
applies to many real-life situations. Books often have more than one theme.
B. Now, quickly write about a personal experience youve had thats related to the theme.
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YES
NO
EXAMPLES
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Narrative Writing
in Traditional Stories
Goal: Review plot steps in traditional stories.
Get Set
A familiar fairy tale, folktale, myth, or legend makes a good vehicle for quickly reviewing the components of
a plot.
Go
Draw a story-step graphic organizer like the reproducible on page 47 on the board, and choose a familiar traditional story to outline. Highlight the four elements in the reproducible. (Note: text in parentheses is the plot outline
for The Fox and the Grapes.)
4. Resolution:
The character faces
the consequences
of his or her actions
or decisions.
(The fox decides that
the grapes are probably
sour anyway and not
worth eating.)
Follow Up
Work with the class or have partners or small groups work together to complete the reproducible for other
familiar tales. Go over the broad criteria presented in the Tip below. Then have students adapt their story steps to
modern times.
Tip Many students have a hard time initially discerning between complication and climax, or between
climax and resolution. The main thing to look for in the story-steps graphic is motion: Does the action move
along? Are the big events recorded? Does the last step show how the tale ends?
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in Traditional Stories
A. Record the plot of a fairy tale, folktale, myth, or legend in the story-step graphic organizer.
3. Climax:
2. Complication:
4. Resolution:
1. Conflict:
B. Now write a sentence or two to imagine how you would update the story to modern times.
Heres an example for adapting The Fox and the Grapes:
The fox wants a sandwich from a fast-food store, but he doesnt have any money.
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Writing Stories:
Go
On the board, draw a Venn diagram. Discuss the similarities and differences between key characters in a book
that the class has recently read, and record students responses in the Venn diagram. Then have students work in
groups of five or six to talk about how the plot (conflict, complication, climax, resolution) grows out of these likenesses and differences. Heres an example for My Brother Sam Is Dead:
MAIN CHARACTERS IN My Brother Sam Is Dead
SAM
quickly joins the American
Revolution, defies his father
will steal to achieve aims
quickly takes risks
never doubts the cause
hes fighting for
is executed by his own army
TIM
follows his parents loyalty
BOTH
to England
love their parents
supports his father
make hard decisions disapproves of theft
love one another
slowly learns to take risks
suffer in the war
often wonders whose side hes on
lives to wonder and grieve
Follow Up
Ask students to look through their Writing Folders
for this narrative section to find two characters to
describe in the Venn diagram on the page 49.
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Writing Stories:
Look through the narratives youve written so far. Choose two characters to describe in the
Venn diagram. Describe them as quickly as you can.
NOTE: This is not the final idea for a story. Its a fun activity to help you practice exploring the
similarities and differences between characters.
MAIN CHARACTERS IN
AND
BOTH
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Go
Give small groups a reproduction of a landscape painting or photograph that is visually dramatic (e.g., deep canyons; rugged, snowy mountains; seascapes; aerial nighttime view of a city). Ask them to brainstorm for about five
minutes some events that might happen in that setting. A group scribe can record ideas and then read them to the
rest of the class as he or she displays the landscape.
Follow Up
Distribute the reproducible on page 51. Have students work independently to draw or paint a picture of the setting of a story they are planning to write. Remind them to include specific details. Then ask students to pencil in a
sequence of story events and create a corresponding legend.
Tip
By guiding students to plan the settings of their own realistic stories, you help them avoid incongruous
time-events (such as a futuristic UFO rescuing a right-now cat from a tree) and place-events that jar the
reader (such as a farm child leaving her rural home and immediately boarding a subway). Even fantasy
stories are more convincing if students have spent some prewriting time thinking about time and place.
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B. Now write in numerals to show the sequence of story events that might happen in this
setting. Include a legend that briefly describes each event. (Example: 1. Ralph and his dog,
Lucy, start here on the trail.) You can add more details to your picture at any point.
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Writing Stories:
Story Perks and Starters
Goal: Use group input to get stories going.
Get Set
Students may drag their heels when it comes to the task of writing an original story for a number of reasons. They
honestly may not have any story ideas, or they may be stopped by self-judgment: My story has to be perfect from
the very beginning. Group writing activities provide the impetus that most hesitant students need to get moving.
Keep these activities fun and fast!
Go
Pass out a copy of the reproducible on page 53 to each student and divide the class into small groups. Go over
each writing activity, modeling an example for each before assigning it.
Great BeginningsGoing On: Present exciting story openers and invite students to brainstorm a variety of things
that might happen next. Have students continue the story on a separate sheet of paper.
Object Prompts: Prepare a large grab bag of 1520 small items. Do this quickly and randomly. Tell each student to
remove 24 items without looking and then, based on the items, immediately improvise a brief oral narrative of 34
sentences for the group. Ask other students to tell what they liked best about the mini-narrative.
Familiar Sayings: Discuss the familiar sayings and ask students to consider how rewording the sayings alters their
meaning. Then have the group talk about situations in which a character discovers the truth of the saying.
New Endings for Old StoriesGoing On: Share the traditional endings of familiar stories. Then suggest just suppose alternate endings and encourage students to brainstorm ways to continue the story.
Follow Up
Ask each student to choose a story his or her group has discussed in one of the activities and list in sequence how
the narrative might move along from start to finish. Then have them discuss the sequence with partners to see if it
makes sense or if an event is missing.
Tip
After each activity, offer this writing prompt: If you wish, take some time now to make notes about
how you might grow your story.
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Writing Stories:
Story Perks and Starters
Great BeginningsGoing On
Object Prompts
Objects:
My Narrative:
Familiar Sayings
Rewording
Saying
Look before you leap.
Haste makes waste.
Many hands make light work.
A friend in need is a friend indeed.
New Endings for Old StoriesGoing On
Ending
Alternate Ending
What Might
Happen Next
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Writing Stories:
Goal: Provide a strategy for grabbing the audiences attention and helping the writer plunge
Get Set
There are all sorts of exceptions, of course, but in a model story, the main character, the setting, and an interesting event are presented in the first sentence or paragraph. In writing narratives, as in writing plays, this is called
setting the stage. When the stage is set compellingly, the audience wants to read on.
Go
Distribute the reproducible on page 55. Talk about how the completed chart in section A combines character, setting, and an event. Point out how the information in the first row is used to create the first paragraph of a story.
Focus on the idea that the paragraph focuses on a big event, presents the main character in action, leaves out
minor details, and is exciting.
Ask students to work independently or with a partner to draft exciting story openers for the other information in
the chart.
Follow Up
Have students use what theyve learned about narrative to write the opening paragraph of an original story.
Tip Introduce the Almost-Said strategy to students. The writer asks the audience: What did I seem to
be hinting at in my story opener? What would you like to know more about? This strategy provides writers
with new ideas and also serves as a checkpoint to inform them whether their story openers are engaging
to their audience. Students may also use Mental Movies (page 24).
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Writing Stories:
MAIN CHARACTER
SETTING
A shopping mall
parking lot at night.
A Railroad Engineer:
Hes an old-timer who
thinks hes seen
everything.
A lonely stretch of
track in the middle
of nowhere.
A Clown: She is on
her way to a circus in
a distant city.
A plane having
trouble in a
thunderstorm.
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Writing Stories:Wind-Up
Distribute the reproducible on page 57. Review with students the components of a
good story that are summarized on the reproducible. Tell students to refer to the components as they draft, confer, and revise an original short story.
Suggest that as a prewriting strategy, students briefly discuss story plans with partners. After partners confer to determine if all the components appear in their drafts,
each writer may want to ask for more specific feedback, as shown in the following
examples:
I want to make (characters name) is really funny and likeable. Does this
come across? Do you have any suggestions?
Close your eyes as I read this section. Tell me what you see in your
minds eye.
Tell me what the strongest parts of my story are. What do you think makes
them strong?
Before students revise, remind them that many professional writers usually make several drafts of a story before they hammer out the final copy. While your students need
not write a series of drafts, they should be allowed a couple of class periods to refine
parts of their stories, perhaps testing out the refinements with their writing partners.
With the class, brainstorm publishing ideas such as the following:
A class short-story anthology
Individual books with covers and illustrations
Dramatization of stories in a Readers Theater
A Writers Best newsletter for families and other classmates, in which each
student selects for publication a story passage that he or she is particularly
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proud of
Read-alouds to present in classrooms or the library
An Authors Lunch where each writer speaks briefly about the problems he
or she encountered in writing the story; the fun of story-writing; and the next
stories he or she plans to write.
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Keep the components of a good story in mind as you create your own original story.
Plot:
The events are told in the order in which they happen.
All the important events are included.
The plot makes sense.
3. Setting:
Its clear to the reader where and when the story takes place.
4. Language:
The writer uses vivid, exact words.
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On Your Own:
Imagination Diaries
Imagine yourself in the future. What do you think youll be like in 25 years? What will you be
doing? Write a journal or diary entry describing a day in your future life.
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On Your Own:
Imagination Diaries
Write a newspaper article about a key historical event youve been studying. Send your imagination traveling back in time. Present the facts and details of this event as if its hot news! Dont
forget to include an eye-catching headline. For example, if you were studying ancient Egypt,
you might create newspaper articles for headlines like these:
PHARAOH COMPLAINS ABOUT SLOW PACE OF PYRAMID CONSTRUCTION
NILE FLOODS RIGHT ON TIME!
NEFERTITI ASCENDS THRONE TO CHEERS
Ideas for Headlines:
Article:
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On Your Own:
Character Advertisements
Choose a favorite character from a story and then write and illustrate an advertisement to
convince other readers that theyll enjoy reading about the character, too. Post your ads on the
class bulletin board.
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On Your Own:
Tell me what you see
Draw a picture of an event from your own life. Exchange your picture with a partner. Now write
a short story based on what you see in the picture.
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On Your Own:
Soundtrack
Movies and television shows have soundtracks: music that highlights the mood of the story.
Think of one of your favorite songs or pieces of music. What story ideas come to you as you
listen to the music? Does it suggest characters, setting, or events? What kind of mood does the
music create?
Write a story that will have the music you selected as a soundtrack.
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1. For you, whats the most challenging or hardest thing about narrative writing?
3. Of all the narrative writing youve done in this section, which piece pleases you the most?
Why?
4. Of all the narrative writing youve done in this section, which pleases you the least? Why?
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awe
hardships
fragments
conclusion
argument
Challenge students to find precise nouns in the box to replace the underlined noun or noun phrase in
each sentence.
More Practice
Have students search through their Writing Folder to find a piece of writing that they could improve by making the
nouns more precise. After they rewrite the piece, encourage students to share both the original and the rewrite
with a partner.
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Even when you think youre using precise nouns, you might be surprised to find that you can be
even more specific. Even though two words may be synonyms, they might still have important
differences in meaning.
Use a dictionary or thesaurus to find the important differences in meaning in each pair of nouns
below. Then write sentences that show the difference in meaning precisely.
1. terror, panic
4. mixture, blend
2. secret, mystery
5. form, outline
3. promise, agreement
6. shock, amazement
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crackled
glared
gripped
strolled
hollered
studied
Call on students to find a strong verb in the box to replace the underlined words in each sentence and rewrite it.
Then distribute the reproducible on page 67 and go over it with students.
More Practice
Have students search through their Writing Folder to find a piece of writing that they could improve by making
the verbs stronger. After they rewrite the piece, encourage students to share both the original and the rewrite
with a partner.
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3. swagger, prance
4. admire, appreciate
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Acrossthe Curriculum:
Writing About Social Studies
Writing about social studies topics can seem dry and boring to students if they think they have to stick to a barebones recital of facts. Narrative writing techniques can give readers a sense of being there when the Declaration of Liberty was signed, on an exploration of Mayan pyramids, or on the floor of the New York Stock Exchange.
Model how you might make a social studies topic more narrative:
The Draft:
The Mississippi River
The Mississippi River is 2,340 miles (3,770 kilometers) long. It starts in Minnesota and ends in Louisiana. It is
the second longest river in the United States.
The Revision:
Two-Thousand-Three-Hundred-Thirty-Nine Miles to Go
On July 4, 2002, Martin Strel slipped into the waters of Lake Itasca, Minnesota. Lake Itasca is the source of
the Mississippi River. Then Strel swam the entire length of the riverall 2,340 miles (or 3,770 kilometers)
of it. The swim down the second-largest river in the United States took him 68 days! In early September,
Strel reached Louisiana, where the river flows into the Gulf of Mexico.
With students, brainstorm a list of familiar social studies topics that could serve as the subject of a narrative
paragraph, such as the founding of their community, how coins are made, the current U.S. president, the Boston
Tea Party, and so on.
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Acrossthe Curriculum:
Writing About Social Studies
Choose two historical figures who have something in commonBUT who lived in different
time periods. What do you think they would say in their letters to each other ? What would they
be curious to know about each other?
A. Take on the roles of the historical figures and write letters to each other.
B. Now exchange letters. Write your response to the letter you received.
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Descriptive Writing
Part One:
Part Two:
Part Three:
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Go
On your return, discuss what students noticed on the field trip and list the items on the board. The list will probably
be pretty general.
Then ask each student to choose his or her favorite sketch to describe. Hand out copies of the reproducible on
page 72. Challenge students to be as descriptiveand briefas possible in writing a label for their sketch. Remind them to sign their label.
Group the sketches in general categories, such as animals, buildings, and so on. For each category, briefly discuss
with the class the similarities and differences in what caught the eye of each artist. Ask: How does each picture
in the category help you see something special about the subject?
Follow Up
Have students who pictured similar subjects work together to write a paragraph about their different views of
the subject.
Tip Encourage students to carry small notebooks with them so they can record their observations
wherever they are.
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Descriptive Writing
Name
Date
By:
B. Write a brief label for your sketch. What do you see? Be descriptive!
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Descriptive Writing
Go
Give students three five-second glimpses of the display.
Glimpse 1: Display four items.
Glimpse 2: Add the two other items.
Glimpse 3: Remove one or two items.
Follow Up
Vary, build, and improvise on the activity according to your students abilities. For example, arrange items on the
left, middle, and right; put some items under the table; shorten observation time to three or four seconds; or add a
tag to one or more items and ask students to identify whats been added.
Tip If students are having trouble remembering all the items, suggest that they close their eyes and try
to visualize what they saw on the table. They may remember more than they realize!
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Descriptive Writing
Name
Date
Details I missed:
B. Glimpse 2: Name the items that were added.
Details I missed:
C. Glimpse 3: Name the items that were taken away.
Details I missed:
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Descriptive Writing
Go
After displaying the visual, allow students about four minutes to list the details they saw. Then have small groups
compare their lists and compile a group master list to share with the rest of the class. Show the visual again and
encourage students to discuss the accuracy and completeness of their lists.
Follow Up
Ask each student to write a paragraph describing the scene in the picture. For vivid results, encourage the use of
present-tense verbs.
Tip Point out real-life occasions when we get just a quick look at something that we wish we had more
time to study: when we travel in a car, bus, train, or plane; when something moves quickly past us as we
stand still: a bird in flight, a fire truck, a parade. Discuss why Look close, look fast/it may not last! is a
good slogan for writers to remember.
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Descriptive Writing
Name
Date
My List
B. Compare your list with the other lists your group made.
C. Combine your lists to create one group list.
Our List
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Descriptive Writing
In a laundry bag, place four or five items that share some similar features such as shape, size, or textureand
perhaps some similarities in use as wellsuch as the following:
mallet, hammer, gavel, drumstick
tweezers, pliers, kitchen tongs, hairpin
lipstick, glue stick, crayon, pencil
apple, pear, grape, orange, onion
baseball, tennis ball, ping-pong ball, football
Model the activity for students. Reach into the laundry bag and choose an object, without looking. Identify it
through touch and then describe it to students, without naming it or the specific task for which its used: This object is about eight inches long. It has two hands or arms on it, which you squeeze together to pull out things. The
object is made of metal, and this one has rubber tips at the ends of the hands or arms. (pliers)
Go
Ask students to draw the object based on your description. After revealing the object, ask: Which of my words and
phrases helped you form a picture of the object in your minds eye? What details could I have added? List their
responses on the board. Then pair students and have them repeat the activity, taking turns describing and drawing
items in the bag.
Follow Up
Ask students to refer to their reproducibles (page 78) as they independently write a paragraph that compares and
contrasts two of the objects.
Tip
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Descriptive Writing
Name
Date
Listen to the description of the object. Write down the descriptive words and phrases. Then use
the descriptions to identify and draw the object.
78
Object
100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
Descriptive Writing
Just Look at Those
Smells and Tastes!
Goal: Link smells and tastes to senses of touch, sight, and hearing.
Get Set
A way to describe tastes and smells is by linking them to our other senses: The peppery stew nearly blinded me.
(taste: sight) Her perfume shouted for attention. (smell: hearing) Blending senses like this is called synesthesia.
Go
For this activity, youll need a color chart or a spectrum chart. In a quick-go-round, indicate a color on the chart
and call on two or three volunteers to tell what taste or smell the color brings to mind. The faster the response, the
betterand almost anything goes!
Display a copy of the reproducible on page 80 on an overhead or create a similar chart on the board. Record the
volunteers responses.
Follow Up
Invite students to choose a color and write a poem or paragraph that tells what the color brings to mind in terms
of tastes and smells (and in terms of sounds and touch as well, if theyd like).
Tip You may need to prime the pump with some examples linking color with taste and smell and
translating the example into a phrase:
When I see this color, red, I think of the smell of roses. (the red smell of roses)
This color, gray, reminds me of the taste of cold oatmeal. (a gray taste, like cold oatmeal)
To me, this shade of pale green is like the taste of ocean water. (the pale green taste of salty
ocean water)
The color pink smells to me like a field of wildflowers. (the smell of wildflowers drifted toward
me like a pink cloud)
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Descriptive Writing
Name
Date
Just Look at Those
Smells and Tastes!
Your teacher will show you a color. What taste or smell does that color bring to mind? Record
your responses in the chart.
Color
80
Taste of
Smell of
100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
Descriptive Writing
What Are the Words
for What I Hear?
Goal: Describe sounds with precision.
Get Set
Most people have little difficulty identifying the sources of sounds such as a motorcycle or the sigh of someone
who feels sad or frustrated. The trick is to build a vocabulary for precisely describing sounds and the actions that
go with them.
Go
Distribute the reproducible on page 82. Discuss how the lists are organized, and how writers can use them to
expand their vocabulary. Provide examples such as the following:
Ducklings splashed in the puddles.
She flopped into the chair.
He thudded along angrily.
Skateboards clattered on sidewalks.
Follow Up
Have students work independently or with a partner on the writing assignment described on the reproducible.
Tip
Tape-record students as they read their paragraph to classmates. They can listen to the tapes later
for review, to get story ideas, or just for fun.
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Descriptive Writing
Name
Date
What Are the Words
for What I Hear?
Fast, Light Sounds and Actions
scamper, skitter, scoot, slide, slip,
slither, slink, sled, slice
Unhappy, Angry Sounds and Actions
moan, groan; growl, grump, grouse
snarl, snort, snicker; wail, whine, whimper
Deep Sounds and Heavy Actions
thump, thunder, thud; rumble, grumble,
mumble, tumble
Blowing Sounds and Actions
blab, blubber, blow, blast, bubble,
bluster, burble
A. Choose one of the lists above. Write a paragraph using at least four of the words in that list
to describe an event filled with sound and action.
B. Alone or with a partner, revise and proofread your paragraph. Then read it aloud to some
classmates. Ask your audience to listen for the sound-action words.
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Descriptive Writing
Go
Read aloud the following examples of alliteration and ask students to listen for the repeated initial sounds:
The bees were busy, feasting on fragrant flowers.
Down in the dungeon, the prisoner paced and plotted.
The kitten cringed, then darted toward the dish.
The land lay low beneath the ridge, and rivers rippled through it.
After students identify each alliteration, write the example on the board.
Follow Up
Distribute the reproducible on page 84 and discuss the alliteration cluster example. Assign a consonant sound to
each student. Ask him or her to complete the alliteration cluster on the reproducible for that sound. Set aside time
for students to share their work.
Tip Have students work in groups of four or five to look through poetry anthologies and chapter books to
find phrases or sentences that contain alliteration. Ask groups to read some examples to the class.
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Descriptive Writing
Name
Date
bedtime
breakfast
flowers
busy
feasting
fast
burrs
buzzing
bees
flying
buckets
blossoms
foxglove
famished
bomb-diving
fleeing
baseballs
from fangs
from frost
84
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Descriptive Writing
sullen
girl
crept
bright
cold
room
frightened
cat
climbed
empty
warm
building
cautious
detective
peered
clammy
disorderly
office
unhappy
boy
fled
dark
musty
house
courageous
doctor
strolled
tremendous
ancient
forest
Model how you would create the beginning of a story by choosing a word from
each column: The courageous girl crept into the dark and ancient forest.
Distribute the reproducible on page 86. Ask students to use the words in the
chart to create three story beginnings.
Descriptive Writing
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85
Descriptive Writing
Name
Date
girl
cat
detective
boy
doctor
crept
climbed
peered
fled
strolled
bright
empty
clammy
dark
tremendous
cold
warm
disorderly
musty
ancient
room
building
office
house
forest
1.
2.
3.
B. Choose one of your story beginnings. On the other side of this page, add to your story or write
some ideas for ways to develop it.
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Descriptive Writing
Go
Copy the chart below on the board. After students read aloud the lists, ask if they can figure out why the columns
are headed as they are. Help students notice that the words in the first column, opinion words, simply tell what
someone thinks about a subject, while the words in the second column, fact words, show by supplying examples
or sensory details.
OPINION WORDS
FACT WORDS
ugly
yukky
awesome
awful
great
funny
nice
boring
misshapen, splotchy
gooey, sweaty
snow-covered, steep
shrill, tuneless
inspiring, rewarding
humorous, unusual
helpful, considerate
slow-moving, repetitive
Encourage students to build the lists on the reproducible on page 88. Literature is the best source for adding to
the Fact Words list. Ask students to listen for and note opinion words outside of school (TV ads and talk shows are
excellent sources!) to add to the Opinion Words list.
Follow Up
Have students make greeting cards with messages that do not use opinion words or tired expressions.
Tip Discuss the fact that we can often ask a speaker to clarify and give details, but we cannot just ask
a writer for clarification. This is why writers try to supply readers with the necessary facts and imagery to
grasp an idea or a scene clearly.
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Descriptive Writing
Name
Date
88
OPINION WORDS
FACT WORDS
ugly
yucky
awesome
awful
great
funny
nice
boring
misshapen, splotchy
gooey, sweaty
snow-covered, steep
shrill, tuneless
inspiring, rewarding
humorous, unusual
helpful, considerate
slow-moving, repetitive
100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
Descriptive Writing
Developing Contrasts
With Antonyms
Goal: Build vocabulary for describing both subtle and strong differences.
Get Set
Write the following sentence pairs on the board:
The glaring lights hit us.
The soft lights caressed us.
The waves surged toward the sunlit beach.
The waves crept toward the dark beach.
Stunted trees drooped along the narrow path.
Enormous trees stretched along the wide path.
Read aloud each sentence pairwithout stressing the italicized antonyms. Have students close their eyes and
listen to determine which words in the pair change the imagery.
Go
After students identify the words in each pair, write the antonyms in columns on the board and discuss them.
Then distribute the reproducible on page 90, and discuss how the antonyms list can help students in their descriptive writing.
Follow Up
Ask students to write a personality sketch of two television characters from the same or different sitcoms who
are opposite from one another. Stress that the sketches should include many words and phrases that contrast the
characters appearances, personalities, and typical behavior, and that the sketches should not merely summarize
plots or events.
Tip If necessary, define antonyms as words that have opposite or almost opposite meanings. You
may wish to call out common words such as big, slow, happy, heavy, and ugly and have students
supply antonyms.
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Descriptive Writing
Name
Date
Developing Contrasts
With Antonyms
A. Use this antonym list as you do your descriptive writing.
round, circular
mute, silent, soundless
glance, peek, glimpse
sweet, fragrant, spicy
rough, coarse, scratchy
hurt, ache, painful
brilliant, intelligent, wise
gullible, trusting
hazy, fuzzy, faint
tasty, flavorful, appetizing
blazing, burning, fiery
solid, thick, dense
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Descriptive Writing
Go
Write sentences such as the following on the board. Distribute the reproducible on page 92. Tell students to read
the sentences silently and then find a synonym on the reproducible that is more precise than the underlined word
or phrase.
She whistled a happy tune.
He gave his report card a sad look.
My coat was really wet.
I could eat that sandwich in about two seconds!
The diamond ring looks great!
They stared at the creature in a scared way.
Call on students to share their revisions.
Follow Up
Ask students to write a two-paragraph Personal Sketch about two incidents in their life that filled them with two
different emotions or to which they reacted differently. Remind writers to use precise words that will help their
readers visualize the experiences and understand how they were different.
Tip Point out that the words grouped in each column of the antonym reproducible on page 90 are also
synonymsfor example, mute, silent, soundless; doubtful, mistrusting, skeptical.
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Descriptive Writing
Name
Date
Perfect
Shy
Vain
Cheerful
Generous
Impulsive
Moist
Eating
Fear
Bright
Gloomy
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100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
Descriptive Writing
Go
Play a fast round of Compare. Pass out the reproducible on page 94. Call on students to quickly come up with a
metaphor that compares the pairs of words in the box. Model an example: moon wheel: The moon was a bright
wheel in the midnight sky.
Then have students choose one word pair to create a new metaphor and illustrate it on the reproducible.
Follow Up
Have small groups look through books and anthologies to find at least five different examples of metaphor and
then write each metaphor on a separate sheet of paper and illustrate it.
Tip You may want to introduce metaphor, simile, and personification by sharing the old saying, Poets
lie in order to tell the truth with students. Poets make comparisons that, while not factually true, help
readers experience the world in a new way.
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Descriptive Writing
Name
Date
window eye
cloud pillow
snow feather
lake mirror
Metaphor:
My Metaphor:
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100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
Descriptive Writing
Go
Play a fast round of Compare. Pass out the reproducible on page 96. Call on students to quickly come up with a
simile that compares the pairs of words in the box. Model an example: moon wheel: The moon was like a bright
wheel in the midnight sky.
Then have students choose one word pair to create a new simile and illustrate it on the reproducible.
Follow Up
Have small groups look through books and anthologies to find at least five different examples of similes and then
write each on a separate sheet of paper and illustrate it.
Tip Encourage students to use similes and metaphors and other sensory language in the factual reports
theyre writing for science and social studies. Explain that such descriptive language can help readers get
a better sense of natural phenomena or historical events.
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Descriptive Writing
Name
Date
smile sun
music laughter
Word pair:
road ribbon
sadness gray
Simile:
My Simile:
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Descriptive Writing
Go
Write this poem on the board.
The hail falls pitterpat,
And fiercely rattles down upon
The brave old pine trees hat
Basho
Explain the term personification and discuss the images in the poem with students. To what is the pine tree being
compared? (a brave old man or woman wearing a hat). Challenge pairs or small groups to find examples of personification in literature that the class has been studying.
Follow Up
Have students use the reproducible on page 98 as the basis for a piece of writing on personification.
Tip Point out that the image comparing the wind to a cat on page 93 is an example of personification.
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Descriptive Writing
Name
Date
B. Write a poem, journal entry, or anecdote from that entitys I point of view.
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Descriptive Writing
Being a Book
Write the title of your favorite book, and then speak for it. Complete the sentences to tell
readers what they can expect.
My name is
(title of book)
, and smell
when
5. I highly recommend myself to you, because
Model how you would fill out one of the sections for the title youve chosen. Distribute the reproducible on page
100 and have students complete it to bring the book of their choice to life.
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99
Descriptive Writing
Name
Date
(title of book)
when
5. I highly recommend myself to you, because
100
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Descriptive Writing
Go
Model an example, stressing position words as you point out the objects features (in this case, a broom held with
the bristles on top): This peculiar item is about five feet tall. At the top are hundreds of long bristles, bound about
midway with cord. Below the binding, the bristles are attached to a long wooden pole about two inches in diameter. At the bottom of the pole is a small metal ring.
Reverse the position of the broom (bristles at the bottom) and call on a volunteer to describe it in this position.
Continue to work with students to describe another object from left to right or right to left, again stressing position
words (right, left, middle, center, beside, next to, and so on).
Follow Up
Distribute the reproducible on page 102 and preview the lists. Ask partners to refer to and use the lists as they
draft a description of an ordinary classroom object. The challenge is for them to describe the object so well that
classmates will be able to identify it. After students read aloud their description, ask the audience which detail and
position words helped them identify the object.
Tip
Use the image of a time capsule to introduce the lesson. Discuss with students that the things people
store in time capsules are often objects that seem quite ordinary, but might be puzzling and intriguing to
people opening the capsules a century or more from now.
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Descriptive Writing
Name
Date
Position Words
Top to Bottom, Bottom to Top, Side to Side
above
across from
against
along the side of
at the base of
at the bottom of
at the left
at the right
behind
below
beneath
beside
close to
down
halfway
in back of
over
in front of
inside
leading to
middle
near
next to
top
under, underneath
up
upon
Use the list of position words as you and a partner draft a description of an ordinary object in
the classroom without revealing the name of the object in your writing. Then read aloud your
description and see if your classmates can guess what it is.
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Descriptive Writing
Go
Read aloud the following description, stressing the underlined words:
Around you, snow-covered trees hang down over the path. A few steps ahead is an icy stream, flowing away from
you, curling toward the tiny cabin in the distance. Beyond the cabin, hills loom up, their peaks seeming to disappear into the faraway clouds.
Question students as to whether the description takes them from upclose to farther away, or from far away
to upclose (near to far).
Explain to students that on this far-to-near visual trip, they are to listen for spatial words and phrases, and also be
able to name the object being described (fire engine): The red speck on the horizon gets larger as it moves toward
me. Hurrying forward past the park, it clangs and whines with a growing clamor. Now it is halfway up the block,
now it is next to me for a moment, passing close enough to deafen me with its noise. Distribute the reproducible
on page 104. Have students complete the activity individually or with a partner.
Follow Up
Tell students to write a story-opener paragraph that describes the story setting. Suggest the following settings: a
forest, a deserted building, a shopping mall, a mountain top. Have them imagine they are in this setting and then
choose a focusnear to far or far to nearand stick to it.
Tip One way for partners to start the conference stage for their story openers is to employ the visualtrip technique. As the writer reads the paragraph aloud, the partner listens to the description with eyes
closed, then comments on what he or she saw while listening.
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Descriptive Writing
Name
Date
behind
beside
beyond
close
faraway
forward
halfway
inside
midway
near
next to
outside
top
toward
Select a focusnear to far or far to nearand then revise the paragraph below to make the
focus clear. Use the list of position words to help you describe the setting.
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Descriptive Writing
Organizing With
Time-Order Words
(As)
(Just as)
(last)
(then)
(For a moment)
(until)
Go
Distribute the reproducible on page 106. Ask students to select words from the list on the reproducible to fill in
the blanks on the board and make the sequence of events in the paragraph clearer. Record their responses in the
blanks. (Examples are given above.) Then have students complete the assignment on the reproducible.
Follow Up
Suggest that students review the story-setting paragraph they wrote for page 103 and continue with another
paragraph that tells about an event or series of actions that takes place in that setting, using time-order words to
make the sequence clear.
Tip
To review visual focus, ask students the following questions about the paragraph: Where is the
narrator standing? (in a field) What is the general focus? (up and down).
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105
Descriptive Writing
Name
Date
Organizing With
Time-Order Words
Time-Order Words
after
afterward
as
at the same time
before
before long
earlier
finally
first
for a moment
immediately
instantly
just as
last
later
meanwhile
next
soon
then
until
Work with a partner to write a paragraph about an exciting event, real or fictional. Use one of
the titles below or think of a title and an idea of your own. Follow these guidelines:
106
Big Storm
The Happiest Day
Wheres the Cat?
100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
Descriptive Writing
Go
Challenge students to come up with one descriptive word or phrase that sums up a major quality of each character. Chart students ideas. Keep the activity moving fastfirst reactions are the most powerful.
CHARACTER
MAJOR QUALITY
confused
clever
depressed and secretive
Distribute the reproducible on page 108. Have students copy the chart on the reproducible. Ask the class to choose
one of the characters and develop a descriptive paragraph that shows the character acting in a typical way.
Follow Up
For the Follow Ups on pages 103 and 105, students create a paragraph that describes a story setting and a
paragraph that describes a series of actions. Ask them to read over these paragraphs and then add a third one. It
should describe a character by showingnot telling aboutone of his or her major characteristics.
Tip
Talk with students about their options for the third paragraph: The paragraph need not be
related at all to the first two; however, many students will want to tie it in, because they sense a
short story developing.
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107
Descriptive Writing
Name
Date
MAJOR QUALITY
Choose one of the characters in the chart above and develop a descriptive paragraph that
shows the character acting in a typical way. You may also add a character and his or her major
quality to the chart to write about.
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Descriptive Writing
Organizing Paragraphs
of Conversation
Goal: Practice incorporating descriptive techniques when writing dialogue.
Get Set
Copy the following chart onto the board. Leave the last column blank.
SETTING
SITUATION
CHARACTERS &
QUALITIES
Gives up lunch
(Says nothing)
Go
Ask students to brainstorm some dialogue the different characters in the chart might say, giving consideration to
the situation presented and the characters personalities. Enter students ideas in the last column and punctuate
contributions as dialogue. (Examples are shown in parentheses.)
Distribute the reproducible on page 110. Have students work independently or with a partner to use the chart to
plan a story opener.
Follow Up
Challenge students to add a fourth paragraph to the story theyve been developing in the Follow Up activities on
pages 103, 105, and 107. Suggest they add a second character who has different qualities than the main character
or narrator, and create a dialogue between them.
Tip Suggest that students read aloud their fourth paragraphs with a partner to see whether the dialogue
sounds natural. Does the dialogue show two different people reacting in two quite different ways?
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Descriptive Writing
Name
Date
Organizing Paragraphs
of Conversation
Use the chart below to plan a story opener.
Setting of My Story:
1.
2.
3.
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100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
Descriptive Writing
Establishing Atmosphere
Go
Point out that writers create atmosphere through imagery, metaphors, word choice, and so on. Enter one of the
moods from the chart in the center of an idea web like the one shown in the reproducible on page 112. Challenge
the class to brainstorm vivid words and phrases to complete the web and create the atmosphere.
Distribute the reproducible and have students work in small groups to complete the idea web. Then have them
draft a paragraph based on the idea web.
Follow Up
Suggest that students work independently to write a personal sketch based on a recollection from their own lives,
a place whose atmosphere they remember vividly, or an event that evoked strong feelings.
Tip Leave it up to students whether to share this personal sketch with a writing partner, but make sure
they file their work in their Writing Folders.
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Descriptive Writing
Name
Date
Establishing Atmosphere
ATMOSPHERE:
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the setting.
Include dialogue.
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Name
Date
Setting:
Time: Now
Place:
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Characters
Problem
Events
Solution
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Descriptive Writing
Name
Date
On Your Own:
What comes to your mind when you hear the words cloud and rock? White, puffy clouds on a
sunny summer day? The dark, swirling clouds of a rainstorm? Hard blocks of stone cut from the
ground? Round pebbles at the bottom of a stream?
Choose one of the words in the box below. What images pop into your head when you see or
say the word? Write the word to make it look like what it represents.
rainbow
marshmallow
popcorn
football
umbrella
lightning
highway
cactus
mountain
teeth
Descriptive Writing
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Name
Date
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Name
Date
On Your Own:
Make a Wanted poster for a nonhuman entity. Your posterlike the real ones in post
officesshould give explicit data about what observant citizens should be on the look-out for,
and should feature an illustration. See the example to the right.
7EARS MANY COLORS )S LIKELY TO HANG OUT IN THE SKY BUT
ALSO HAS BEEN SEEN IN PUDDLES AND PRISMS %SPECIALLY
LIKES MOIST WEATHER &AVORITE COSTUME IS A HUGE ARC
REACHING LIKE A BENDING BRIDGE FROM HORIZON TO
HORIZON $ISAPPEARS SUDDENLY FADING LIKE A DREAM )F
SIGHTED NOTIFY ARTISTS AND CRAYON MANUFACTURERS
If youre having trouble thinking of an idea, consider the following possible subjects for
Wanted posters:
spring (or any of the seasons)
the smell of pine trees
the moon
the taste of your favorite ice cream
a hug
a favorite toy that you lost a long time ago
an icicle
Descriptive Writing
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Name
Date
Before you read aloud your haiku to the class, ask your audience to imagine that the events are
unfolding in time order.
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Name
Date
On Your Own:
Describing Stage Settings
The setting of a play is usually described from the viewpoint of the actors as they enter and
move about the stage, not from the viewpoint of the audience. For example, stage left means
the actors left; stage right means the actors right.
Study the description of the setting for a stage presentation of Cinderella.
Write the setting for Act 1 of a play. For the play, use a piece of your own writing, a favorite story
by another author, or create a new story.
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Name
Date
3. Of all the descriptive writing youve done in this section, which piece pleases you
the most? Why?
4. Of all the descriptive writing youve done in this section, which pleases you the least?
Why?
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Composition: Sentences
Present sentence structure and sentence combining in its real-life, writerly context: to make descriptions more
compelling and effective. There are two basic strategies for students to experiment with this context. One is to
combine sentences to stress major images. The other is to write sentences that reflect the pace of the actions the
writer is describing. Before beginning the lesson, hand out the reproducible on page 122.
Combining Sentences
Write the following pair of sentences on the board and ask students to identify the vivid descriptive words and
phrases in each sentence. Underline their responses.
A frightened dog snarled and bolted into the underbrush.
The dog was skinny and coated with mud.
Then challenge the class to combine the images into a single sentence and write them on the board. There will be
various ways to do this. Here are some examples:
The skinny dog, snarling, frightened, and coated with mud, bolted into the underbrush.
The frightened, skinny, snarling, mud-coated dog bolted into the underbrush.
Give students time to study the examples of combined sentences on the reproducible.
Sentences That Reflect the Pace
Write the following topics on the board. Discuss which topics suggest abrupt, short movements and which
suggest ongoing, flowing movement:
autumn leaves drifting down trees (ongoing, flowing)
a windstorm in a forest (abrupt, short)
playing hopscotch (abrupt, short)
listening to calm music (ongoing, flowing)
After students have correctly categorized the examples, have them look at the example of the car with engine
problems on the reproducible. Ask: How do the lengths of the sentences contribute to the image of the event?
More Practice
In a brainstorm session, have students list some recent events or situations theyve experienced at home or at
school, such as a power outage, a stray cat or dog at the door, lost homework, babysitting experiences. Ask students to write independently on a topic, keeping in mind sentence combining and relating sentences to the pace
of the action.
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Name
Date
Composition: Sentences
You can combine sentences to emphasize major eventsand combining descriptive words
and phrases can make your sentences grown-up and writerly.
Separate sentences:
Wild water gushed under the fragile bridge.
The bridge swayed.
Possibilities for combining sentences:
Wild water gushed under the fragile, swaying bridge.
The fragile bridge swayed as the wild water gushed under it.
You can adjust sentence length to capture the movement and action youre describing. Notice
how these sentences reflect the pace of the actions the writer is describing.
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More Practice
Divide the class into groups of four or five. Further divide the groups into pairs or trios. Let each smaller group
take turns acting out a scene. The audience will work together to record the dialogue and action. Suggest that
each group jot down the speech and movement and then use their notes to compose and punctuate complete
sentences that might appear in a story.
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Name
Date
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RULE
EXAMPLE
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Writing About
Science and Technology
While science writing is basically expository, writers can use descriptive writing techniques to make this type of
writing vivid and precise. By teaching these techniques, you can help students come to accept and enjoy writing
as a natural follow-up to the observations, procedures, and conclusions related to their science activities.
Model how you might make a science report more descriptive:
The Draft:
Rocks
We collected rocks and stones. The rocks had different shapes and textures.
The Revision:
Rock Histories and Mysteries
Our geology group collected ten different rocks and stones. Some of the rocks were smooth and almost silky, while
others were jagged and rough.
With students, brainstorm a list of familiar science and technology subjects they could describe, such as the
metamorphosis of a butterfly, how a hybrid car works, what happens during a solar/lunar eclipse, and so on. Then
work with the class in composing a paragraph about the subject that is rich in description.
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Descriptive Writing
Name
Date
A. Choose one of the scientific topics below to write aboutor think of one of your own.
weather
star-sightings and formations
how pets indicate their needs
how a compass works
how a remote-control works
traffic patterns
C. Make your writing as descriptive as you can so your readers can visualize and understand
the subject.
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Part One:
Main Idea
Part Two:
Purpose
Part Three:
Audience
Part Four:
Presentation
128
142
156
167
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Expository Writing
There are three main attractions at our local mall. The first one
is the three-speed merry-go-round thats just been installed.
The second is the new computer store. The third is the book
store where authors come and read their books aloud.
Go
Distribute the reproducible on page129. Encourage students to work independently on all three parts.
Follow Up
Pair students who have written on the same subject. As partners share and compare their work, theyll usually
discover that theyve come up with a variety of ideas. Editing and rewriting are optional.
Tip Some students who claim to have nothing to write about can write quite a bit if they begin with the
following topic sentence: I have nothing to write about because...
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Name
Date
D. On the lines below and/or on the back of this sheet, write a paragraph on your topic. Begin
with your topic sentence. Then follow with sentences that present the supporting examples.
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Expository Writing
A. Idea: Car
1. riding in the backseat
2. car radio
3. flat tire
Go
Each student chooses what he or she considers the least important idea or image on the list and writes it as the
title on the reproducible. Then students write for five to ten minutes (gauge writing time to your classs abilities),
beginning with the following opener: I am in a car and ...
Their writing can flow over to the back of the reproducible sheet.
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Name
Date
1.
6.
2.
7.
3.
8.
4.
9.
5.
10.
B. Title:
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Expository Writing
Tip To get kids thinking about the power of writing, ask the following question: Where is the idea for your
story nowonly in your head, on a sheet of paper, or also in the heads of people whove heard it?
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Name
Date
2.
3.
4.
5.
6.
7.
8.
9.
10.
B. Title:
I remember
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Expository Writing
[Who, Where] In the story The Ugly Duckling, a peculiar-looking bird hatches in a nest of ducklings
in a farmyard. [Why] The ducklings make fun of him because his appearance and behavior differ
greatly from their own. [What] But as he grows, the strange duckling begins to show a wonderful
grace and elegance. In fact, he is a swan that has hatched in the duck nest by mistake. [When] Soon
the young swan flies away, looking far handsomer than a duck could ever hope to be.
Go
Briefly discuss the activity by posing questions such as What was fun about this activity? What was difficult? If
you could do your summary over again, how would you change it? Distribute the reproducible on page 135 and
have students complete it independently.
Follow Up
Ask students to write a paragraph using the data theyve supplied in their reproducibles. Invite them to read aloud
their work.
Tip
The physical act of writingjust moving a pen or pencil over a pageis sometimes as important
a warm-up as creating original content. So, if a student is reluctant to write a summary of a new story,
suggest simply rewording the summary you presented as an example.
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Name
Date
WHO?
WHAT?
WHERE?
WHEN?
WHY?
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Expository Writing
Go
Pass out copies of the reproducible for partners to complete or to copy on a separate sheet of paper. Possible
main ideas include Environmental Concerns, Problems in Our School, Ways to Use My Allowance, Good Choices
in Forming Friendships.
Follow Up
Ask partners to show their completed graphic organizers on an overhead projector and discuss them with the rest
of the class. Focus comments on the positive aspects of each pairs work, pointing out how they narrowed down
the topic.
Tip
Encourage students to put their completed graphic organizers in a folder titled Writing Perks.
Remind them to use the material in the folder when theyre thinking about topics for expository writing.
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Expository Writing
Name
Date
1.
2.
3.
4.
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Expository Writing
Go
Hand out copies of the reproducible on page 139. Read aloud the paragraph in section A. Discuss possible topic
sentences, and then have students choose one to write on the reproducible. For example: Our school has facilities for kids who are interested in different sports. Then have students complete section B of the reproducible
independently.
Tip Write word groups such as the ones shown below on the board. Ask kids to suggest what category,
or main idea, each group might represent. Encourage them to play with the main idea and create a topic
sentence for a paragraph-to-be.
thunder, lightning, blizzards, tornadoes
skateboard, rollerblade, baby carriage, scooter
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Expository Writing
Name
Date
For example, we have an outdoor track for sprinters and a playing field adaptable to soccer,
baseball, or football. For kids turned on to archery, we have a field set aside for that. Theres
also a putting green for golfers.
B. Choose three subjects from the box below and circle them. Write a topic sentence that could
be a snappy, attention-grabbing lead for a paragraph about each subject.
Why Lots of TV Shows Fail
School Lunch Problems
School Fads
Impossible Assignments
The Ideal Teacher
Peculiar Pets
My Topic Sentences:
1.
2.
3.
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Expository Writing
Main Idea:
After-school
activities for kids
Supporting Idea:
Community outreach activities
to help senior citizens
Supporting Idea:
Sports practice
Supporting Idea:
Using catch-up room to do homework
Supporting Idea:
Practicing computer skills at the Youth Center
Distribute the reproducible on page 141. Ask students to choose a subject and then fill in the pyramid. Suggest that
they draft a paragraph based on their completed pyramid.
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Name
Date
Main Idea:
Supporting Idea:
Supporting Idea:
Supporting Idea:
Supporting Idea:
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Expository Writing
Go
Distribute the reproducible on page 144. After previewing the words in the box and the directions, ask partners to
carry out the activity.
Follow Up
Invite students to use their cause-effect wheels as the basis for a poem.
Tip
In a fast go-round, present sentence starters like the following, which include useful cause-andeffect words and phrases from the box on page 144:
I didnt do my homework because ...
The game was called off due to ...
The dog ate the birthday cake, and as a result, ...
The UFO landed in my yard; consequently, ...
Call on students to complete the sentences quickly. Wild and funny endings are welcome.
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Name
Date
Nail falls
out of
horseshoe.
Horseshoe
falls off.
Horse cant
walk.
Rider...
Expository Writing
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Expository Writing
Name
Date
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Expository Writing
and Differences
socks
shells
lunches
trees
cars
houses
friends cats
gifts
parties
kitchens
Distribute the reproducible on page 146 and read aloud the comparison and contrast words. Write the word shoes
on the board. With the class, develop a paragraph comparing and contrasting shoes and using some of the comparison and contrast words. Heres an example.
Shoes are outer coverings for peoples feet. In general, shoes have durable soles on
the bottom for protection, and tops that secure the shoe to the foot. However, other
than that, shoes are different in several ways. For example, shoes may be made of
leather, natural fibers, rubber, or materials made by humans. There are shoes for
different activities, such as...
Go
Place the index cards face down on a desk or table and have each student select one. Tell students to use the lines
in Section B of the reproducible to write for five minutes to compare and contrast items in the category on their
card. Remind them to use some of the comparison and contrast words on the reproducible.
Follow Up
Form groups of five or six students and have the members of each group read aloud their work. Urge the audience
to listen carefully so theyll be able to make comments and to think about questions such as What are the main
similarities and differences that the writer states? What comparison and contrast words does the writer use?
Tip
Some students may have more success in writing about similarities and differences between pairs
such as the following: door/window, sun/moon, pen/pencil, cat/dog, TV/radio, car/truck, shoes/gloves
and lake/ocean.
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Name
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and Differences
A. You can use the words in the box to help you compare and contrast.
but
both
also
however
in general
in contrast
different
differences
have in common
on the other hand
in the same way
instead
B. Write a paragraph comparing and contrasting the items in the category listed on the card
you drew. Remember to use comparison and contrast words.
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Expository Writing
Go
Remember that copying is a good way for students to begin writing. Write the following topic sentence on the
board and ask students to copy it on the first line under the B section of the reproducible: An endangered animal is
one that is in danger of extinction, often due to human activity. Then direct students to choose three examples of
human activity from the chart in Section A and use them to create sentences that support the topic sentence.
Follow Up
Have students work in small groups to read aloud their paragraphs. Suggest they ask questions such as the following: Does each sentence strongly support the topic sentence? What is my best sentence? Why is it effective?
Which sentence could I rewrite to make it stronger?
Tip
Expository Writing
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Expository Writing
Name
Date
Animal
Approximate
Number Left
1. Monk seal
400
2. Mountain gorilla
400
3. Siberian tiger
250400
4. Javan rhinoceros
70
5. Giant panda
1,000
6. Yangtze River dolphin 150
Threat to
Survival
Pollution from oil, sewage, industrial chemicals
Destruction of forest habitat; hunting for body parts
Hunting for body parts
Hunting for tusks; destruction of habitat
Destruction of habitat
River pollution
B. Write a paragraph about human activities that put animals in danger of extinction.
Topic sentence:
For example,
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Expository Writing
Go
Have group members work together to 1) write the steps for the How to... on the reproducible, and 2) develop
those steps into a how-to paragraph.
Follow Up
Tell each group to appoint a member to read aloud his or her paragraphs from Section B of the reproducible to the
class. Audience feedback should address sequence, completeness, and clarity. Have groups revise their paragraphs according to the audience comments.
Tip Students who need practice in understanding English sequence words benefit from physically
carrying out an ordinary classroom chore, such as how to clean out a desk, with you. Limit the sequence
to four or five operations. Use sequence wordsfirst, then, next, second, third, finally, and so onas you
and the students carry out the chore. Wind up by having these students orally recap the steps of the chore
in order (e.g., First, take out all the papers from the middle drawer. Then, divide the papers into old stuff
and new stuff. Next,...).
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Expository Writing
Name
Date
3.
4.
2.
1.
B. On the back of this sheet or on a separate sheet of paper, write a how-to paragraph based
on the steps in Section A.
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Go
Distribute the reproducible on page 153 to pairs of students. Tell partners to think of a well-known game and fill in
data about it on the reproducible. Remind students that their explanation should not identify the game by name but
should provide clear and precise details about it.
Follow Up
Have partners read aloud the steps in their game. Stress that winners in this activity are writers who make
the steps so clear that the identification of the game is easy; i.e., an accurate first guess means the explanation
was great!
Tip Create a list of these sequence words and phrases for your students.
first
next
then
later
soon
after
eventually
finally
now
while
in the meantime
during
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Expository Writing
Name
Date
152
Players Positions
How Many Players?
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Expository Writing
Name
Date
4. Players Positions
5. Game Time
6. Key Rules
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Expository Writing
Purpose:Wind-Up
On the board or overhead, display the graphic organizer below. Talk about the problem and the purpose. Help
students come up with possible solutions, with a plus and minus point for each. See the example below.
Solution 1: Enlarge the school. Plus: more classrooms; minus: raise local taxes to pay for the expansion.
Solution 2: Stagger school hours. Plus: fewer students per class; minus: longer hours for school personnel.
Solution 3: Bus some students to schools with empty classroom space. Plus: low cost; minus: students
travel long distances to unfamiliar neighborhoods.
Next, ask the class to decide on a solution and justify its choice.
PROBLEM: The classrooms at School X are too crowded.
OUR PURPOSE: Suggest possible solutions to the problem.
Solution 1
Plus
Solution 2
Minus
Plus
Solution 3
Minus
Plus
Minus
because
Distribute the reproducible on page 155. Direct partners to choose a problem from the box. Have each partner
complete the graphic organizer independently. Then pairs come together again to share, compare, and revise
their graphic organizers. If partners wish, they can share their graphic organizers with their classmates.
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Expository Writing
Name
Date
Purpose:Wind-Up
Choose a problem from the box. Write it on the line below. Then copy the graphic organizer on
a separate sheet of paper and complete it with your own ideas.
PROBLEMS
There is a severe water shortage in the community.
Skateboarders and pedestrians get in each others way in the park.
Theres no quiet place to do homework after school.
The town has no low-cost housing for senior citizens.
School cafeteria lunchtimes are too hurried and crowded.
PROBLEM:
OUR PURPOSE: Suggest possible solutions to the problem.
Solution 1
Plus
Solution 2
Minus
Plus
Solution 3
Minus
Plus
Minus
because
Expository Writing
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Expository Writing
Go
Pass out the reproducible on page 157. Explain that another purpose of writing for yourself can be to capture ideas
that you might use later. Ask students to select a topic from the box on the reproducible and free-write about it for
five minutes. Stress the following:
All your ideas count.
Dont stop to make corrections.
The writer is the sole audience. No one but you will see the resultsunless you decide otherwise.
Follow Up
After students complete the free-write, discuss the activity. Did they feel they knew more or less about their topic
than they realized? Could they have written more on the topic if they had had more time? Ask students to read their
writing to themselves and underline the most important ideas.
Tip You can turn this into a small-group activity. Tell the group to choose a topic from the box on the
reproducible on page 157. Have students brainstorm on the topic, with you acting as the scribe/note-taker
and prompting them as necessary. Read the results of the brainstorming aloud to the group. Comment on
the diversity of ideas that students can recall from memory and create from their imagination.
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Expository Writing
Name
Date
climates
endangered animals
collectibles
school fads
new students selecting a pet
space travel
school rules
advertisements
Expository Writing
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Expository Writing
Audience:
Go
Ask students to work together, and distribute a copy of the reproducible on page 159 to each pair. After selecting
a topic from the box on the reproducible, partners exchange messages on the subject. Each student will write a
total of two messages.
Follow Up
Invite partners to read aloud their messages to a small group. The audience should listen for and comment on
the following:
Is the topic clearly stated?
Do all the sentences relate to the topic?
What are the best parts of the message exchange? Which parts could use some improvement?
Tip Use the reproducible on page 159 to work with groups of three students. Write the first message
and read it aloud to the group and then record each of the students responses in sections 24. Discuss
the clarity and style of the messages.
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Expository Writing
Name
Date
Audience:
Choose a topic from the box below for your messages. Underline the topic.
homework
party plans
a disappointment
a problem at school
vacation plans
a success
a neighborhood mystery
an awful TV program
a humorous event
2. Response to Message 1
From:
From:
To:
To:
3: Response to Message 2
4. Response to Message 3
From:
From:
To:
To:
Expository Writing
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Expository Writing
Go
Distribute the reproducible on page 161. Students may select a topic from Box 1 or come up with a topic of their
own and then select a recipient from Box 2 or think of another recipient. Have students write a letter about their
topic to the recipient.
Follow Up
Ask students to share their letters in small groups. The audience should listen for the following:
What is the topic?
What are some great details that develop the topic?
Do any details wander from the topic?
What else might the recipient want to know about the topic?
Encourage students to revise their letters based on the group input.
Tip Write a letter to your class on a subject of current interest to students, such as a planned class
outing or a challenging assignment. Challenge students to critique your letter using the questions in the
Follow Up above.
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Choose a topic from the box below or think of one of your own. Underline the topic or write
it on the line below.
what relatives are doing
your new hobby or interest
changes in your community
Now choose the recipient of your letter or think of one of your own. Underline the recipient or
write the name on the line below.
a classmate who has moved away
a relative who lives far away
a family member who is traveling a person you met on vacation
Write a letter about the topic to the recipient youve chosen. Use the other side of this sheet if
you need to.
Dear
,
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Go
Show the reproducible on page 163 on an overhead. Focus on one of the issues, such as What shall we do about
abandoned pets? Ask for students suggestions and use the ideas to fill in the Points to Make circles in the web
on the reproducible. Here are some points: Families shouldnt acquire pets unless theyre prepared to take care of
them. If you suddenly cant take care of your pet, find a good home for it. Work with students to develop an opening sentence, such as Along our streets and highways, we see many abandoned cats and dogs that need to be
rescued and cared for.
Follow Up
Hand out the reproducible on page 163. Ask students to choose another issue, complete the web, and draft a
letter to the editor on the issue. Remind them that the first sentence should state the issue clearly and then be
supported by important points. Encourage students to read aloud their letters and to ask for their classmates
comments and suggestions. Suggest that students submit their revised and edited letters to the local newspaper,
as appropriate.
Tip Issue Posters also present core ideas to a large audience. Some students will enjoy the challenge
of showing the issue and the points graphically in a poster instead of a letter.
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Copy the web on a separate sheet of paper. Write your issue in the center circle in the web.
Write the important points you want to make in the surrounding circles.
ISSUE
Point
to make
Point
to make
Point
to make
Point
to make
Now draft a letter to the editor on the issue. Write your opening sentence on the line below.
Use the important points to develop your letter. You can write on the back of this sheet if you
need to.
To the Editor:
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Distribute the reproducible on page 165. Suggest some entries students might write in the Topic column (e.g., a
field trip, a class play, a craft fair to raise money for a student travel-abroad program). Then ask studentsworking independently or in pairsto write catchy, engaging opening sentences for the billboards. For example, a
billboard about raising money for the travel-abroad program might read Please send us away!
Follow Up
Invite students to read aloud their billboard openers to the class. Talk about which openers hooked the audience
and why they did.
Tip
Ask students to write opening sentences for advertisements for ordinary classroom objects, such
as the chalkboard or whiteboard, student desks, pencils, or bulletin boards. You might provide examples
like these:
Sit on it! Move it! Enjoy the four-legged classroom wonder! (chair)
Youll laugh when you meet the newest members of our class! (gerbils in cages)
After sharing the openers, discuss whats catchy and inviting about them.
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2. Topic:
3. Topic:
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Audience:Wind-Up
On the board or overhead, display the chart below.
TOPIC
bears
traffic hazards
good TV shows
healthy meals
career choices
AUDIENCE
adults at home
little kids
your classmates
someone you dont personally know
just yourself
Discuss how a writer would write about a topic in different ways, depending on the intended audience. Then suggest one of the topics and two different audiences. Supply an
opening sentence and one or two additional sentences. Encourage students to complete
the paragraphs orally. See the examples below.
Ask partners to choose a topic from the box above. Tell each partner to select a different
audience to address on this topic. Allow time for partners to share their writing, discussing how and why their approaches differ and suggesting changes to each others work.
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Presentation:
Give Directions Two Ways
Goal: Show visually how to go from one place to another and then write the instructions.
Get Set
Distribute the reproducible on page 168. Review the direction to draw a route on the map and write instructions for
the route. Discuss which approach students think will be more challengingdrawing the route or describing it in
words. (Many kids will say the written approach is more difficult because they will have to be precise in choosing
their words.)
Go
Have students work independently to complete the reproducible and then share their work with a partner to compare and discuss the results. Tell partners to decide which route is the easiest and most efficient and then refine
their instructions. Ask them to read aloud their instructions as their classmates listen and follow the route on the
map. Find out what the rest of the class thinks about the clarity and precision of the instructions.
Follow Up
Recap the guidelines for written directions: Be brief. Be precise. Ask partners to grade themselves from A to C on
how well they fulfilled the guidelines.
Tip With students who need practice with or a review of English spatial terms, adapt the old game of Hot
and Cold. Hide an ordinary classroom object, such as a pen or a lunchbox. Reveal the name of the object
and then use the following phrases to guide students as they search for it:
Turn around.
Go back.
Retrace your steps.
Go forward. Turn left.
Look to your left.
Look up.
Turn right.
Look to your right.
Look down. Youre near.
Youre far away.
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Presentation:
Give Directions Two Ways
A. Draw lines on the map below to show an easy and efficient route from the Petting Zoo to the
Land of Lost Socks.
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6gZV
AVcYd[
AdhiHdX`h
Cd"BdgZ"BdcZnAVcZ
Bdhfj^idLVn
:m]Vjhi^dcEVi]
GZci"V"HigdaaZg
H`nG^YZd[i]Z
G^X]VcY;Vbdjh
GV^c;dgZhi9g^eGVbe
EZii^c\Odd
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HijbWaZHigZZi
6VgYkVg`6aaZn
LViZgHa^YZ
d[i]ZLZ^gY
I]Z6bVo^c\
IVa`^c\=Vi
Bgh#DkZgeg^XZh
GZ[gZh]bZcih
LVaaZiLVa`lVn
B. Now, on a separate sheet of paper, write instructions for following the route you drew. Use
directional wordsnorth, south, east, westand other positional wordsleft, right, after,
past, and so on. Be sure to refer to landmarks and street names. And remember: Be brief.
Be precise.
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Distribute the reproducible on page 171. Tell students to work individually or in pairs to write the steps for doing
one of their favorite activities.
Follow Up
Ask students to read aloud the steps in their activity to the rest of the class. Gauge the audiences response with
questions such as these: Is the goal clear? Are the steps in order? Are all the steps necessary? Were any steps
missing? What suggestions do you have for clarifying the instructions?
Tip Talk about a TV game show that students are familiar with, such as Are You Smarter Than
a Fifth Grader? or Jeopardy. What are the rules for playing the game? Ask kids to list these rules
in numerical order.
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Step 3: The player holds up the four-statement side of the card and asks the other players to
identify the statement that is not true. The first player to do so wins a point.
Step 4: The student who guessed correctly goes next. Whoever scores the most points wins
the game.
B. Get together with four or five other classmates.
Follow the above steps to play Find the Mistake.
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2.
3.
4.
5.
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Go
Distribute the reproducible on page 173. Ask students to read the instructions and carry out the activity independently.
Follow Up
Call on students to read aloud their invitations. Have classmates listen and pay attention to whether the invitation
contains all the vital information or if there is additional information theyd like to know about the event.
Tip Use a concept-through-contrast approach. Write the following invitation on the board:
Come to our Laugh-In party! Lots of fun for everyone! Practice your favorite jokes and imitations to share
with all of us!
Ask students what information is missing from the invitation. As they supply the information, write it on
the invitation.
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B. Write the important information for your invitation on the postcard. Be brief!
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An Interview with . . .
Queen Nerfertiti
Frederick Douglass Tiger Woods
Christopher Columbus Sally Ride
Go
Distribute the reproducible on page 175. Have student interviewers write their questions on the sheet and then
exchange them with their partners. Allow time for student interviewees to assume the role of the important person
and respond to the questions. Then tell partners to read aloud their questions and responses, editing and revising
as they discuss the interview.
Follow Up
Ask partners to read aloud their interview scripts to the class. Remind the audience to listen for the W-H questions
that evoke the most interesting responses.
Tip
Cut out photosminus the captionsfrom newspapers and magazines that show people involved
in interesting situations. Challenge students to ask W-H questions about the situation as if they were
addressing the individuals shown. Record kids questions and invite other students to respond as if they
were the pictured individuals. (This activity can be as serious or as playful as you care to make it.)
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On the overhead, show the graphic organizer on page 177. With students, choose a topic and work together to fill
in the organizer. (See the example below.) Review the following elements of expository writing as you proceed:
The first paragraph begins by stating the main idea and then begins to develop the first
main points or examples.
The second paragraph presents and develops the other main points or examples.
The third paragraph presents final examples. It ends by restating and summarizing the main idea.
My Topic: Detecting Misleading Advertisements
Paragraph 1 Lead Sentence If youre like most people, youve fallen for ads that promise but dont deliver.
Examples, Points 1. popularity 2. good looks 3. better health
Paragraph 2 Lead Sentence Now, however, youve learned to detect advertisers pitches to special audiences.
Examples, Points 1. little kids 2. people in debt 3. people who want to be the first to have something
Paragraph 3 Lead Sentence You get to recognize how ads can mislead you.
Examples, Points 1. show things larger 2. claim that a famous star uses the product
3. hurry or youll miss your chance
Summary: All in all, advertisements can be misleading by making big promises, appealing to your weaknesses,
and piquing your interest with unrealistic pictures, a sense of urgency, and celebrity testimonials.
Go
Distribute the reproducible on page 177. Ask partners to choose another topic from the list and use the graphic
organizer to develop it.
Follow Up
Invite partners to write the first draft of a three-paragraph essay based on the data in their graphic organizer.
Stress that this is purely for practice! But also suggest that partners might want to share their draft with a larger
group to get feedback for a second draft.
Tip
You may want to carry out the Follow Up activity by working with a small group of students to
develop a three-paragraph expository essay based on the topic and model you presented in the Get Set
section. Students can add or delete ideas for the essay while you act as scribe at the board. They will also
learn a lot as they watch you punctuate and indent paragraphs appropriately. Bring the activity to a close
(and instill a sense of accomplishment) by asking each student to write a copy of the final draft.
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Misleading Ads
School Fads
Everyday Hazards at Home and at School
B. Use the graphic organizer to help you develop the topic and then present it.
My Topic:
Paragraph 1
Lead Sentence
Paragraph 2
Lead Sentence
Paragraph 3
Lead Sentence
Examples, Points
1.
Examples, Points
1.
Examples, Points
1.
2.
2.
2.
3.
3.
3.
Summary:
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Presentation: Wind-Up
Expository writing implies an audience for ones ideas. Encourage students to edit
and revise any one of the writing activities theyve done in this section and then
to read the finished product aloud to the entire class. Acknowledge that an all-byyourself-in-front-of-the-whole-class-reading can sound like a scary assignment
but that its also a great ego-booster to share your best expository work with a
big audience. Suggest the following sequential steps and/or make copies of them
for students:
3. Look up at your audience now and then as you read. If you have
practiced and know your own writing well, this can be easy to do.
4. Act it out or show it. Use visuals or charts to help make your points.
The more you can move around and point to things, the more
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Put a table in front of the class and have four or five classmates sit
around it. Read aloud your work to these classmates, but speak loud
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On Your Own:
Now and then, cowboy poets get together to share the poems theyve written about their work.
Heres an example that gives a step-by-step account of one cowboys routine:
You herd the cattle,
Stop for the night,
Cook your grub and stare at the stars.
A lonely life.
Next day, youre up and at it again.
Delivery done, you head back home.
Miles and miles of lonely miles to go.
Would you give it up, this life?
No way!
Write a step-by-step poem about a routine you follow in your everyday life.
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On Your Own:
A character in a book you know well enters your classroom as a new student. List steps that
could help him or her adjust. Study the example below.
New Student: Winnie the Pooh
Steps: 1. Dont count on Christopher Robin being here to help you.
2. Ask me about ways to avoid bees nests.
3. Try the school diet lunch in order to lose weight.
4. Pay no attention to mean students who mock you for being a bear.
New Student:
1.
2.
3.
4.
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Write your own definitions and examples for the new words below.
1. musicflop n.
2. floop v.
3. throwopic adj.
4. plunkify v.
5. bwiddle n.
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tables
swings
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On Your Own:
Report an Unusual Event
Imagine that youre a newspaper reporter. Your assignment: Get the facts about the strange
case of Dr. Fluster. The poor fellow was trapped in a huge parking garage for two days because
he couldnt find the exit! Now that hes been rescued, hes ready for you to interview him. Write
your Who-What-When-Why-Where-How questions on the lines below. Make brief notes about
Dr. Flusters answers.
YOUR QUESTIONS
1. Who?
2. What?
3. When?
4. Where?
5. Why?
6. How?
On the back of this sheet or another sheet of paper, draft a news report using the facts
youve collected.
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3. Of all the expository writing youve done in this section, which piece pleases you the most?
Why?
4. Of all the expository writing youve done in this section, which pleases you the least? Why?
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Part One:
Part Two:
Part Three:
186
198
214
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Go
Distribute two copies of the reproducible on page 187 to each student. Pair students, and ask each partner to list
his or her talents and best qualities on one copy of the reproducible and their partners talents and best qualities
on the other copy. After exchanging their set of profile pages, partners skim to compare their opinions. Suggest
the following prompts for discussion:
What two points of view do the two profiles present? (my own and my partners)
Whats different about each set of profiles? Whats the same?
Is there anything that surprises you in your partners profile of you? Is there anything you disagree with?
What do you learn by studying another persons view of you?
Follow Up
Explain the task: Write two paragraphs. In the first one, use the details from your self-profile. In the second paragraph, use the details from your partners profile of you. Then encourage students to imagine a third point of
viewa parents, pets, neighbors opinion of themand write a third paragraph from this point of view.
Tip
Suggest a title for the paragraphs, such as All About Me, and a topic sentence for each paragraph
that identifies the point of view: Here is how I see myself. Here is my partners view of me. Im Lucindas
dog, Muffin, and heres my view of Lucinda.
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Ask students for other statements of fact theyve learned in science or geography and list them on the board.
Encourage questioning: If students are not sure that a classmates statement is a fact, write Show Me! after it.
Ask: What more would you have to know before you accepted this statement as fact? (more facts, an explanation,
examples, proof)
Follow Up
Refer students to the partner profiles they made in the previous lesson (pp. 186187). After distributing the reproducible on page 189, tell them to choose one profile item (for example, Lucinda helps other kids) and write it under
Fact in the Fact-Example Cluster. If the statement is a fact, then students will be able to complete the cluster with
supporting examples. Have them use the Fact-Example Cluster as a guideline to draft a persuasive paragraph.
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Example:
Fact:
Example:
Example:
B. Now, use the cluster to help you write a persuasive paragraph centered around the fact.
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Focus on Paragraph B. Call attention to the opening and concluding sentences, and invite students to identify
the writers opinion on the subject of school lunches from those sentences. Then ask them to reread the
paragraph and think about the two sentences that dont have anything to do with the writers point of view.
(Sentences 4 and 7)
Follow Up
Have students work independently to rewrite the paragraph, deleting the unnecessary sentences. Then group
students so they can discuss their decisions and rewrites.
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(1) Kids want a lot of choices at lunchtime. (2) The cafeteria cooks do a good job of
appealing to kids who want a really well-balanced meal. (3) But some kids just want
snacks like the ones that BurgerBelly sellssnacks like Potato Puffies, BabyBurgs,
and Icey-Ikes. (4) My parents always buy a sack of Potato Puffies to eat at the movies.
(5) Our school should make both kinds of meals available. (6) Lets persuade our local
BurgerBelly to sell food at lunchtime in our cafeteria. (7) BurgerBelly was founded by
R. U. Hungry of Portly, Arkansas. (8) Then we would all be able to choose between
cafeteria meals and fast-food snacks.
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Discuss the debate or discussion program with students. Prompt discussion with questions, such as What makes
an argument helpful to someone who wants to know all about an issue? What makes an argument confusing, distracting, or incomplete? How would you rate the speakers you just saw? Then distribute the reproducible on page
193 and work with students in completing it.
Follow Up
Hand out another copy of the same reproducible. Ask students to watch a discussion or debate at home with their
families and get their family members input in completing the reproducible.
You may want to challenge students who saw the same program to reenact it for the class. Ask them to think about
how they could improve the arguments by making the topic, points of view, and supporting details clearer and by
correcting any bad behavior, such as interrupting, making faces, and calling people names.
Tip
You may want to bring in a TV schedule and have students scan it to determine which
programs theyll watch at home. Also, compose a note to send home with students that explains
the task to their families.
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Channel:
Their Titles, Jobs, or Backgrounds
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Remind students that writers who want to persuade audiences to accept a particular point of view need to remember that different people may look at the same situation in different ways.
Distribute the reproducible on page 195 and preview the task and directions. Work with the class in completing
Part 1, listing the pros and cons of having snack and soda machines in the school cafeteria.
Follow Up
Discuss what it means to be objective: to consider all the ideas that relate to a situation, regardless of your personal opinions. Ask pairs to work together to complete Part 2 of the reproducible. Then challenge them to use their
lists to develop a persuasive paragraph presenting the YES and NO sides.
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NO Reasons:
Part 2: Choose one of the questions below. On a separate sheet of paper, list reasons to support
YES answers and reasons to support NO answers. Strive for the same number of reasons in
each list.
Should our school have a no-homework policy?
Should every student be required to learn a foreign language?
Should students in our school wear uniforms?
Should students repeat a grade if they dont pass final tests?
Should students be able to skip a grade if their schoolwork is outstanding?
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Gather several periodical articles that detail the views of opposing factions on an
issue (e.g., developers vs. environmentalists, groups that want more tax money
to go to school vs. groups that dont, Democrats vs. Republicans). Distribute the
different articles to groups of four or five students.
Explain the activity:
following format:
+ 1st sentence: State what the issue is about.
+ 2nd sentence: Identify the groups that are debating the issue.
+ 3rd sentence: Summarize the point of view of one group.
+ 4th sentence: Summarize the point of view of the other group.
Ask each group to appoint a spokesperson to read the groups paragraph to the
class. The audience listens to determine if the speakers present their contentions clearly. A larger question for the audience is, Has the group managed in its
paragraph to be objective, that is, to not take sides? Groups may wish to revise
their paragraphs on the basis of class comments.
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After everyone in your group reads the article your teacher passed out, do the following:
determine the issue (what the argument is about) in the article
determine the different points of view in the article
write a paragraph summarizing those viewpoints, using the following format:
+ 1st sentence: State what the issue is about.
+ 2nd sentence: Identify the groups that are debating the issue.
+ 3rd sentence: Summarize the point of view of one group.
+ 4th sentence: Summarize the point of view of the other group.
Heres an example:
EXAMPLE
The issue is whether a nuclear power plant should be built on the shore of the
Tumble River. The parties discussing the issue are the PowerCenter Corporation
and Citizens for Safety. The point of view of the PowerCenter Corporation is that
a nuclear power plant would supply customers with inexpensive electric power.
The point of view of Citizens for Safety is that nuclear power plants can have
accidents that threaten human health.
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Go
Ask students to read the statements and identify the bandwagon words and phrases. Call on volunteers to
underline the words and phrases that classmates identify. Then initiate a lively debate of the issues raised by
the language.
Follow Up
Hand out copies of reproducibles on page 199. Have the class brainstorm a list of generic items and write them on
the board. Tell students to choose an item, give it an original brand namefor example, Leap n Stride for a pair
of sneakersand write an ad that uses the bandwagon technique of persuasion.
Tip Use prompts such as these to spark discussion: How do the words and phrases make the audience
feel that they absolutely must buy the product? Is a product thats a best-seller necessarily better than a
product that isnt as popular? Whats a fad? What are the advantages and disadvantages of getting on the
bandwagon? What detailsif anyare supplied to show the source of language such as everyone,
people in the know, nine-out-of-ten, and so on?
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Choose an item from the list your class brainstormed. Give the item an original brand name and
write an ad that uses the bandwagon technique of persuasion.
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Ask the class to name some products or services that use a famous spokesperson to testify to the supposed greatness of the product or service. List students examples on the board, and then pose the following questions:
Why do advertisers use famous people in ad campaigns? (The audience admires superstars and thinks,
If she/he says its good, it must be!
In which ads might the spokesperson actually be an expert in the kind of product advertised?
(A basketball player might know a lot about athletic shoes.) In which ads is the spokesperson unlikely to
know a great deal about the product or service? (A TV actor might not know much more than the rest of
us about competing telephone services.)
Whats the usual reason that famous people act as spokespeople for a product or service?
(They get paid for doing so.)
Sometimes famous people donate their time for free for a charitable cause, such as feeding the hungry
or fighting a specific disease. Why might they donate their time for this kind of work? (They truly believe
in the cause; they want all the money to go to the cause and not to pay a spokesperson.)
Follow Up
Distribute the reproducible on page 201, and have students create their own testimonials for famous spokespeople
to deliver.
Tip Suggest that students read aloud the drafts of their testimonial speeches to a small group of
classmates to determine how persuasive their spokesperson is.
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Now its your turn to write a testimonial for a product, service, or charity you want the audience
to buy or support. Follow these steps:
Choose a product or service you want to sell or a charity you want to support.
The product or service can be real or one that you created for the bandwagon
activity on page 198199.
Write a short testimonial speech for the spokesperson to share with the audience.
The speech might open with an identifying lead-infor example, You probably
recognize me as the eight-time winner of the All-Star trophy. Use some bandwagon
words and phrases in the testimonial.
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Persuasive Writing
Glittering Generalities
Goal: Use logic and critical-thinking skills to identify persuasive language in ads.
Get Set
This activity not only helps students recognize vague, general terms but also encourages them to be specific in
their own writing and speaking.
Go
Hand out a copy of the reproducible on page 203 and go over the definitions of generality and glittering generality with students. Then challenge them to use logical and critical-thinking skills to come up with questions that a
savvy consumer might ask upon hearing or reading an ad that contains each of the glittering generalities in the
chart on the reproducible.
Work with the class to rewrite one of the ads in Section B of the reproducible to make the persuasive language
more specific. (Example: Weve improved Tooth-Saver by placing the bristles so that they really slant in on those
hard-to-reach spots. This new design can help you remove plaque from all your teeth!)
Follow Up
Ask students to work independently or with a partner to write an original ad that backs up its glittering generalities
with specific details.
Tip Bring in a variety of materials for students to study to get ideas for their original ads, including
catalogs, flyers, magazines, newspapers, and videotaped TV commercials.
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Glittering Generalities
A. A generality is a vague word, phrase, or statement. A glittering generality is one that has a
feel-good quality to it. What kind of questions should smart consumers ask when they see the
following glittering generalities in an ad?
Glittering Generality
Our Questions
better
more powerful
new, improved
most popular
healthy, nutritious
satisfied customers
Wild
Ranger
more powerful,
most popular on
the highway!
Chock-O-Mints
are the better
after-school snack!
New, improved
Tooth-Saver!
Buy It Today!
Satisfied customers
gobble up healthy,
nutritious
Beebees Breakfast
Bonanza Bars!
C. Now work on your own or with a partner to create an ad or commercial that uses a glittering
generalitybut that backs it up with specific details.
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Persuasive Writing
TransferPictures and
Slogans That Persuade
Goal: Realize the persuasive power of visual symbols and catchwords and catchphrases.
Get Set
Ask students to quickly brainstorm what comes to mind when they see the following symbols or read the following
catchwords (sample responses appear in parentheses):
Draw a smiley face. (happiness, fun)
Write the words, LIMITED SUPPLY! (I better get this fast!)
Discuss what transfer means in persuasive writing: using a strong pictorial symbol or general phrase that arouses
the audiences emotions so that theyll connecttransferthe emotion to the product being sold. Point out that
transfer techniques appeal to universal feelingsfor example, happiness, fear, patriotism, urgency, wanting to be
rich, love of animals. Talk about how the examples in the Get Set section show an appeal to emotions.
Go
Distribute the reproducible on page 205. Divide the class into four or five groups. Give groups time to study the
collection of ads you brought in for the previous activity, and then use the ads to complete the chart on the reproducible. You may want to model the first entry for them.
Follow Up
Ask students to work independently or with a partner to write/design an ad for a product or service (print, TV, or a
Web site) that tries to appeal to an audiences emotions.
Tip Encourage students not only to create ads for ordinary, realistic goods and services but also to use
their imaginations to come up with a bizarre or unusual product or service, such as chocolate-flavored
pasta or expeditions to uncomfortable placese.g., a planet where there is no water.
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TransferPictures and
Slogans That Persuade
Some persuasive writing, such as advertisements, uses the technique of transfer. The
writer uses strong pictures, symbols, and/or catchwords and catchphrases that appeal to
readers emotions. The goal is for the audience to connecttransferthe emotion to the
product being sold.
With your group, study a collection of persuasive ads and commercials. Use them to
complete the chart below. Supply a picture, catchword, or catchphrase that the advertisers
use to show the emotion in Column 1. Then identify what product or service the advertiser
is selling.
Transfer Technique
Feeling, Emotion
Picture or Catchphrase
1. Wanting to
be healthy
3. Wanting to be popular
and up-to-date
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Go
On your return to the classroom, discuss the features that the posters shared, including the following:
A large, central picture that summarized the opinion or issue visually.
The most persuasive words and phrases stood out because of the size of the letters, eye-catching
color, special lettering, or positioning.
Persuasive posters are not overloaded with words. Their message is brief.
The posters are designed to catch the eye of passers-by.
Which posters did students think were the most successful in conveying their message, and why?
Follow Up
Have students create their own persuasive posters. Brainstorm topics they feel strongly about, such as having access to a Web site, wearing school uniforms, conserving energy, voting, and reading books. Encourage students
to create a rough draft of their posters on the reproducible on page 207. After conferring with partners, they can
create a full-size poster.
Tip Allow ELL students to use their native language on their rough drafts. Supply a translation yourself
or ask a student who is fluent in that language to translate. Tell the student to include the slogan in both
languages on their final poster.
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B. Talk to a partner about your draft. Should you change anything to make it more persuasive?
After making changes, draw a full-size poster.
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Go
Distribute the reproducible on page 209 to students. Call on a volunteer to read aloud the paragraph while the
other students follow along. Then discuss the questions on the reproducible and define the term card-stacking.
Follow Up
Ask students to work alone or with a partner to rewrite the paragraph on the reproducible so it stacks the cards
in favor of keeping dogs as pets. Then invite students or pairs to read aloud their rewrites to the class. Are both
arguments equally persuasive? Why or why not?
Tip Give students extra practice with this persuasive technique by having groups look for examples of
card-stacking in the collection of ads and commercials youve brought in.
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What is the writers opinion about apartment residents having dogs as pets?
How many reasons does the writer provide to support his or her opinion?
How many reasons does the writer give for the opposite point of view
that residents should be allowed to own dogs?
B. Now rewrite the paragraph in which the cards are stacked in favor of residents being
allowed to keep dogs.
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Go
Pass out the reproducible on page 210. Define tone for students. Ask the class to identify the tone of each TV commercial or ad in column 3 of the first chartfor example, (1) formal, professional tone to appeal to expert doctors;
(2) playful, fun tone to appeal to kids who like physical competition.
Follow Up
Have students work independently or with a partner to write two ads for one of the products in the second chart
on the reproducible. The tone of their ads should appeal to two different designated audiences. After the writers
read aloud their ads, classmates try to identify the tone and probable audience for each one.
Tip
To extend students work with tone and audience, encourage them to look through the classroom
collection of ads to identify those designed to appeal to certain audiencesand that use an appropriate
tone for doing so.
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A. In persuasive writing, tone means the style or manner of expression we use in addressing a target
audience. Can you identify the tone of each ad in the chart below?
Media
Ad Copy
1. Doctors
A magazine that
physicians subscribe to
2. Kids
TV
B. Choose one of the products below. Write two ads for it. Each ad should have a different tone that
appeals to its audience.
Product
Audiences
Dentists, kids
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Persuasive Writing
What were you able to teach your family about persuasive techniques?
What details and observations did your family pick up that added to your
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Channel/Date/Time
Commercial #1
Product or Service:
Commercial #2
Product or Service:
Commercial #3
Product or Service:
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Go
Distribute the reproducible on page 215, and go over the guidelines with students. Then read aloud the above
paragraph and ask the class to point out how the paragraph adheres to the guidelines.
Point out that the sample paragraph can be followed by one or more paragraphs that develop the subject with
supporting ideas and facts. Challenge students to brainstorm some of these. For example: older people have the
right to change their names, so why shouldnt younger people? Your name should express your view of yourself
and how you want other people to react to you.
Follow Up
Ask students to work independently or with a partner to write a persuasive paragraph to open an argument for or
against one of the following ideas:
Weekend curfews for teenagers Students using cell phones in school
Building a new shopping mall
Requiring all students to learn a second language
Setting up a school dress code
Requiring all students to take music and art classes
Tip Remind writers that their paragraphs are opening paragraphs. Supporting ideas and details should
be presented in subsequent paragraphs. Some writers might want to get classmates input about what
these follow-up paragraphs might include.
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IDENTIFY YOURSELF.
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Go
Distribute the reproducible on page 217. Explain that an editorial is a brief essay written by the editor of a newspaper to express the point of view of the newspapers managementwhich is why the writer uses we rather than I.
After you read aloud the editorial, ask the class to critique it, using the SAY IT guidelines and identifying facts and
examples that support the point of view.
Explain that the letters express the opinions of individual readers about the issue covered in the editorial. Read
and critique the letters, using the SAY IT (p. 215) guidelines and identifying facts and examples that support the
point of view. (Note: Letter 2 is missing supporting facts and examples.) Then have small groups critique the editorials and letters in the Subject Folders you prepared earlier.
Follow Up
Ask students to work independently or with a partner to write an editorial on a current issue about which they have
strong feelings and opinions. Post editorials on a bulletin board and encourage students to write and post letters
to the editor that support or counter the editorial opinion.
Tip
Act as a mentor during the groups discussions. When appropriate, help students pinpoint specific
words and phrases that back up their critiques of the editorials and letters.
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EDITORIAL
To what extent should drivers of all-terrain
vehicles determine how our woodlands are
used? This is a question that concerns all of
us who like to explore the Catskill Mountains.
Here at the Mountain Post, we believe that
our forests and hills attract residents and
tourists who like hiking through the wild,
untouched beauty and silence of the woods
and hills. We feel that all-terrain vehicles
destroy these attractions. The vehicles are
noisy. Drivers cut muddy paths through
forests, destroying plants and frightening
animals away. The question of access to
our woodlands is currently before our state
legislators. We urge all of you to who love the
wilderness of our mountains to write to our
state representatives. Urge them to conserve
our hills by prohibiting vehicles.
1. To the Editor:
Your comments about all-terrain vehicles in
woodlands are way off-base! First of all, state
parks are open to everyone, and theres no
law on the books that says drivers cant use
the parks. Second, most of the drivers I know
are really careful not to disturb or destroy wild
growth and animal habitats.
As for noise, I dont think vehicles make any
more noise than do hikers who are always
talking and yelling. Also, drivers who go into
remote areas of the mountains often find
lost hikers or dangerous situations. Like lifeguards, we report these situations to the park
rangers.
Tiry Wheelgood
Petunsquet, New York
2. To the Editor:
My family enjoys using mountain bikes and
ski-mobiles in the hills. We dont agree with
your editorial. Other people who feel as we do
should write their state representatives.
Ike Biker
Snowville, New York
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Persuasive Writing
Book Reviews
Go
Start with a discussion of word meanings.
Everyday Talk: Criticize and Criticism usually mean pointing out negative points. Examples: He criticized my clothes
by saying they were out-of-date. His constant criticism of my clothes made me feel awful.
The Language of Reviewers: Criticize, Criticism, Critique, and Critical mean analyzing and evaluating something,
stressing the strong, positive points as well as any weak points. Examples: She helped me criticize (or critique)
my story to see whether one event leads to the next one. Her criticism showed me that my story is logical. In her
critical review, she praised the way I develop the personality of the main character. Her critique also suggested
that the story setting was too vague.
Distribute the reproducible on page 219, and preview the guidelines for writing book reviews. Discuss students
reactions and responses. To whom would this review be particularly helpful? What else would students like the
reviewer to talk about?
Follow Up
Ask each student to choose a book he or she has read to review. Then have them read aloud and discuss their reviews in small groups. Reviewers note group criticisms and decide which ones theyll implement in a final copy.
Tip
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Prompt group members to talk about how each review did or didnt follow the guidelines on
the reproducible.
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Writing Critical Reviews
Fields of Interest
Goal: Practice using persuasive strategies in writing a critical review of places and events.
Get Set
Students can apply what theyve learned about critiques and book reviews to write critical reviews of places
and events.
Go
With students, brainstorm a list of local businesses and community events that they can critique, such as grocery
stores, gas stations, fairs, museums, restaurants, book stores, playgrounds, concerts, clothing stores, drugstores,
parks, and music stores.
Hand out the reproducible on page 221. Review the information in Section A about critiquing a restaurant and
a county fair. Have the class choose one or two items from their brainstormed list and think of some features a
critique should tell about.
Follow Up
Direct pairs to choose an example for one of the items to critique, such as a local restaurant.
Tip To conference and suggest revisions, writing groups can use the following questions
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as guidelines:
Does the critique follow the SAY IT guidelines?
Does the critique supply specific details?
Is the reviewers opinion or rating clear?
Is one critique more convincing than the other? If so, why?
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Writing Critical Reviews
Fields of Interest
A. You can write critical reviews of places and events, too. Heres a critical review of a
clothing store.
A New Clothing Store
Theres a new store on Main Street. Its Jans
Jeans n Stuff, a small shop packed with
many name brands of clothing and shoes.
My friends and I visited the store on
opening day to see if it carried our favorite
kind of athletic shoes, Road Hogs. No such
luck, but we did find racks and shelves packed
with the kinds of T-shirts, jeans, caps, and
B. Look at the features that a critique of a restaurant and a county fair might contain.
Restaurant
atmosphere
type of food
quality of food
prices service
County Fair
purpose or sponsors
kinds of rides and attractions
transportation, parking
costs and fees
safety
Reviewers Rating:
Do you recommend this restaurant?
Why or why not?
Reviewers Rating:
Do you encourage others to go to the
fair? Why or why not?
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Persuasive Writing
Goal: Predict and counter the supporting reasons for an opposing point of view.
Get Set
In the Thinking About Your Audience lesson on page 194195, students objectively listed pro and con positions on
an issue. This activity extends the concept and skill for your students: they not only try to predict the supporting
reasons for an opposing point of view, but also counter these reasons as they write their persuasive paragraphs
or essays.
Go
Distribute the reproducible on page 223. Have students work in groups of five or six and explain their task:
In Section 1, each group lists at least three reasons to support a No-Homework policy. Explain that
while theyre working, youll also be listing three reasons that support a Pro-Homework policy on a
piece of paper.
After the groups complete Section 1, they confer to predict your reasons for supporting a
Pro-Homework policy. The group enters its predictions in Section 2.
Follow Up
Read aloud one groups responses to Sections 1 and 2, and your reasons for supporting the Pro-Homework policy.
Work with the class to respond to Our Opponents Position by phrasing statements (counterarguments) for Section
3, and tell students to write the counterarguments in the section.
Tip
While students may wish to tell how their groups entries tally with the examples you read aloud,
stress that different entries may also be valid. Point out that while we cant always predict exactly what
the opposition may say, we can make some good guesses to counter their views.
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1. Our Position: Our school should have a No-Homework policy. Here are the supporting
reasons for our point of view.
2. Our Opponents Position: Here are our opponents reasons for supporting a
Pro-Homework policy.
3. Counterarguments: Here are our groups ideas for countering, or answering, the arguments
and supporting reasons of our opponent in #2.
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Persuasive Writing
Go
Distribute the reproducibles on pages 225 and 226. Begin by reviewing the skills at the bottom of page 225. Then
explain that the outline at the top shows the form of the persuasive essay, and that page 226 presents a sample
persuasive essay.
Ask pairs to explore topics for their own persuasive essays. Most students will find ideas and writing samples in
their Writing Folders that they can develop into essays. Stress that students should pick a topic about which there
are genuine differences of opinion.
Follow Up
Provide several writing periods for students to plan, polish, and present their essays. As a prewriting strategy,
loosen up students by having them freewrite for three or four minutes about their topic. The drafting stage involves
two steps:
Step One: Make an outline, following the model on the reproducible. If you wish, go over the outline with a writing
partner and ask for input and suggestions. You may want to revise your outline.
Step Two: Use your outline as a guide to write your first draft. Put it away for a day. Return to it and add fresh ideas
and changes. Conference with your writing partner to solve any specific problems in the essay. Revise your essay.
Work with your partner to proofread for errors in grammar, spelling, and punctuation. Make the final copy.
Tip Write a persuasive essay to show students. After reading each paragraph aloud, pause to get
students input about the skills and guidelines you used. Build an I-Can-Do-That-Too atmosphere by
reminding students that theyve already practiced and applied each skill.
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I. Introductory Paragraph
A. State your subject and your intention in writing about it.
Identify yourself and the audience youre addressing.
B. Give two reasons that support your argument.
C. State your opinion in just a sentence or two.
II. Development Paragraph
A. Restate the first reason that supports your point of view.
B. Write sentences that give examples and details that support this reason.
III. Development Paragraph
A. Restate the second reason that supports your point of view.
B. Write sentences that give examples and details that support this reason.
IV. Concluding Paragraph
A. Restate the subject of your essay.
B. Summarize how your reasons support your point of view.
C. Conclude with a summary of your opinion.
Skills That Will Help You Write a Successful Persuasive Essay:
stating your subject clearly
identifying yourself
stating your opinion
using facts and examples
using logic and reasoning
considering your audience
choosing a tone
using exact, vivid words
P.S. See the essay Mall Manners for a sample of persuasive writing.
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On Your Own:
Look at the ads youve written for this section. Rewrite them to include a competitors
selling points.
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On Your Own:
With a partner, choose two characters from two different books or stories and imagine them
debating an issue or exchanging opinions. For instance, the wolf from Little Red Riding Hood
and the fox from The Fox and the Grapes might talk about the best meal each has ever had.
Present your debate as a written conversation or set it up as a dialogue for a skit. And
rememberapply the SAY IT guidelines as you develop the debate.
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On Your Own:
Watch television discussion shows at home with your family. Can you detect any of the
following common argument fallacies? (A fallacy is an error in reasoning.) Make a chart
of your findings that includes the name of the TV show, the speakers, and which argument
fallacy they presented.
The Missing the Point fallacy: The speaker expresses an opinion, but then offers facts
that have nothing to do with the opinion. For example: The residents need flood relief
immediately. This is a wonderful part of the country, and our governor is a fine man.
The Ad Hominem fallacy: The speaker doesnt address the issue, but instead attacks
his or her opponent personally. For example: I disagree with you about school
uniforms. Youre a dangerous person whos always trying to change everything.
Circular Reasoning: The speaker tries to support an idea by stating the same idea in a
different way. For example: You should eat healthy foods because theyre good for you.
The reason theyre good for you is because theyre healthy.
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3. Of all the persuasive writing youve done in this section, which piece pleases you the most?
Why?
4. Of all the persuasive writing youve done in this section, which pleases you the least? Why?
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A weekend curfew for teenagers might make our town quieter at night, however, a curfew
might violate young peoples rights.
A weekend curfew for teenagers might make our town quieter at night, but a curfew might
violate young peoples rights.
A weekend curfew for teenagers might make our town quieter at night. On the other hand,
a curfew might violate young peoples rights.
A weekend curfew for teenagers might make our town quieter at nightalthough a curfew
might violate young peoples rights.
Point out that using certain transitional words and phrases such as however, but, on the other hand, and although
can help the writer make the case.
Distribute the reproducible on page 236 to students. Go over the list of transitional words and phrases and
the examples.
More Practice
Supply some sentence frames and ask the class to provide transitional words and phrases from the list on the
reproducible. Here are some suggestions:
Some school-board members believe that schools should be in session all year round; (however or but) most
students and many teachers oppose the idea.
Students should not have to do homework (unless) they havent completed their work in class.
My mom thinks billboards are an ugly blight on the landscape. (In contrast, On the other hand), my dad believes
billboards are helpful to travelers and local businesses.
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although
though
the reverse
but
unlike
while
however
yet
unless
in contrast
on the other hand
EXAMPLES:
Many people feel that all students should play sports, but many other people feel that
students should be able to substitute another activity.
Unlike most of my classmates, I believe that students should be given more homework.
Families on vacation want to visit national parks, yet many of these parks are damaged
by an overload of tourist traffic.
While many people argue that capital punishment cuts down on crime, other people
argue the reverse, that it doesnt cut down on crime at all.
Look over the persuasive writing youve done for this part of the book. How can you use
transitional words and phrases to make your point more clearly and strongly?
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More Practice
Distribute the reproducible on page 238. Help students identify the general words in the web (those in capital letters) and then ask them to find specific and exact phrases that tell why Homework Honcho is practical and timesaving. Challenge students to complete the web by suggesting phrases that would make the other web entries
more exact.
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PRACTICAL:
Helps you organize
your homework
TIME-SAVING:
Helps you do your
homework quickly
ECONOMICAL:
POPULAR:
GREAT!
The new
FUN:
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APPROVED:
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Acrossthe Curriculum:
People can register their views in reviews, editorials, letters to the editorand in surveys. The results of surveys
can then be displayed in charts and graphs.
A few days before teaching this activity, ask students to look through newspapers and magazines to find charts
or graphs that illustrate poll results of public opinion on a current problem, issue, or debate. Begin the activity by
showing the charts and graphs on the overhead. Discuss the following questions:
What question or questions did poll respondents have to answer?
What different opinions does the visual show?
How are responses shown on the visual?
What opinion does the majority of respondents hold?
Do you think the visual is accurate or misleading? Why?
Have the class work together to compose a paragraph that summarizes the opinions in one of the graphs or charts
that students brought in. Remind students that the first sentence should state what the issue is.
Examples:
People who live in public housing have different opinions about whether residents should be allowed
to keep dogs.
Theres a big debate going on about whether our schools should require students to wear uniforms.
Persuasive Writing
100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources
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Persuasive Writing
Name
Date
Acrossthe Curriculum:
Conduct a survey about a current school or community issue. Think about these questions:
How will you phrase the survey questions so that they are clear?
Whom will you interview to make sure you get a variety of opinions?
How will you tally and record the responses?
How will you display the resultson a graph or a chart?
On a separate piece of paper, display the results in a graph or a chartand write a summary
of them.
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100 Writing Lessons: Narrative, Descriptive, Expository, Persuasive Tara McCarthy, Scholastic Teaching Resources