21st Century Literature From The Philippines and The World: Activity Sheets
21st Century Literature From The Philippines and The World: Activity Sheets
Activity Sheets
(First Quarter)
Department of Education
June 2016
Lesson 1:
Poetry
Overview
21st Century Literature
This lesson examines the elements of poetry by looking at an
example of Filipino regional poetry. from the Philippines and
the World
Objectives Grade 11
Identify the geographic, linguistic and ethnic dimensions of
Philippine literary history from pre-colonial to modern. Week Four (EN12Lit-Ia-21)
Appreciate the application of imagery in the text provided, paying
particular attention to the regional origins of the poem.
Respond critically to the poem and articulate this response
through a presentation that showcases regional culture. Materials : Poem
MAYON
Activities Kristian Sendon Cordero
Students will be grouped into 3-4 members and will be asked to Camarines Sur
discuss about the picture of Mayon Volcano that the teacher
presented to the class. Ayon sa alamat, lason ng
What do you think about Mayon Volcano?
pana ni Pagtuga,
Why do you think people love this tourist destination?
Ang lumikha sa bulkan –
Have you seen Mount Mayon up close? If yes, how did
you react when you saw it for the first time? libingan ito Ng dalagang
Can other events have the same effect on us as a volcanic namatay sa isang digmaan.
eruption? Name some. Ngayon, ano ang tutubo sa
paanan ng Mayon
Gayong nagiging malawak na
Adaptations itong sementeryo
Read the poem: MAYON by Kristian Sendon Cordero Ng abo, ng tao.
(Camarines Sur) Translated from the Bikol by the author Manganganak na kaya ito?
Tinitigan ko ang
Evaluation nakangangang bulkan –
1. Prepare a grid on the board. Divide the class into 4 groups binalot
then ask each group to: Ng ulap at ng sariling
a) Explain a particular stanza usok ang tuktok, gatas sa
b) Identify the various images in the poem
labi.
c) Brainstorm on how the poem Mayon can be interpreted
literally and figuratively Baka sakali, magpakita,
d) Write a short critique of the poem focusing on how the nang may silbi ang kamera.
images in the poem present the experience of viewing Mount Mayon
2. Research into an aspect of four different region’s culture and Sa ilang retrato na ibinebenta
present it to the class via a five-minute audio visual presentation that ng mga bata sa Cagsawa
may be recorded or on print. Lusaw na tae ang nagliliyab na
lava, dumadaloy pababa.
Matandang nag-nganganga
Lesson 1: Poetry ayon naman sa isang
makata.
Lesson 2: Poetry
Grade 11
Week Five (EN12Lit-Ib-22)
Lesson 2: Poetry 2
Objectives
Overview Identify representative texts
This lesson recognizes the contributions of representative or and authors from each region.
canonical texts to the development of Philippine Literature. Appreciate the use of
poetic devices such as
dramatic situation in the development of meaning in a
poem.
Respond critically to the poem and consequently
articulate this response through a creative Materials : Poem
visualization of the poem.
THIRD WORLD
GEOGRAPHY
Activities Cirilo F. Bautista
Ask: What are the different scenarios in the present time Manila
that show oppression?
Students will be grouped into 6-8 members, they will
A country without miracles
be asked to present a 3 minutes dramatization of the
different instances of oppression in the present time. Sits heavy on the map,
Discuss: How do 21st century people combat Thinking of banana trees rotting
oppression in their simple ways? In the sunlight.
Give a short actual historical data on what happened The man who watches over it
during the time of Marcos. Has commandeered all hopes,
Placed them in a sack,
Adaptations And tied its loose end.
He goes around carrying it
Read the poem: THIRD WORLD GEOGRAPHY by Cirilo F. On his back.
Bautista (Manila)
When asked what is inside,
He say, “Just a handful of feathers,
Evaluation Just a handful of feathers.”
That’s how light the burden
Students will: Of government is in peace time –
a) Cut out news clippings of oppression happening in other
Any tyrant can turn it into a
parts of the world, paste this on a sheet of paper and write your
metaphor.
reaction about it. (The cut out of news clippings should be given as a
home work.) You kneel on the parched earth
b) Write about the realities of struggles that happen in a And pray for rice. Only the wind
country faced with an oppressive ruler. Hears your useless words.
c) Relate the details and images in the poem and how it can be The country without miracles
related to actual historical events in the story. Tries to get up from the page,
d) Explain the dramatic situation presented in the poem.
But the bold ink and sharp colors
e) Explain how allegory was demonstrated in the poem by
identifying the literal and symbolic meaning of the poem. Hold it down.
Lesson 2: Poetry
3
Lesson 3: Essay
Lesson 3: Essay
Overview
This lesson examines the essay and how its techniques
response to a particular content.
Objectives
Value the contributions of local writers to the
development of regional literary traditions.
Identify how tone is related to literary style and how
both help create a unique meaning in the essay.
Respond critically to the essay and consequently
articulate this response through a five minutes skit
reenacting the aftermath of the Mt. Pinatubo eruption.
Adaptations
Read the essay: HOME OF THE ASHFALL by John
Jack Wigley (Pampanga)
Evaluation
Students will:
Present a five minutes skit that will reenact one of the
scenes in the essay. Look into the aftermath of the
Pinatubo eruption and what happened to the people who
were affected by the disaster.
After the five minutes skit:
Explain how Filipinos deal with adversity
Discuss how you would react if you were faced
by a similar situation
The author utilized Kapampangan language in some of
the dialogues in the essay. List down three possible
reasons and effects that this technique made.
In a grid, list down 5 parts of the essay that sounds
humorous. Explain why that particular part seems
to be funny.
Cite incidents how the writer displayed qualities of
honesty and openness in his essay
a) The main ideas in the
essay
b) Give 5 incidents in the
essay and identify the tone that the
speaker has in narrating each
21st Century Literature from the Philippines and the incident.
c) Explain the style of the
World writer by describing how the writer
used words and sentences to deliver
Grade 11 his message and commenting on the
use of anecdotes in the essay.
Week Six (EN12Lit-Ic-23)
d) Explain the
significance and choice of the author
to have an introduction that began
Materials : Essay with startling statistics followed by a
brief description of the Mt. Pinatubo
HOME OF THE eruption.
ASHFALL
John Jack Wigley
Pampanga
Activities
Divide the class into 5 groups, each group will be given a
copy of the essay.
3
Each group will do a round robin reading method of the
essay.
Each group would have to prepare their answers to:
Adaptations
Read the essay: VOICE TAPE
by Ariel S. Tabag (Cagayan)
Evaluation
Story
complication, rising
action, climax and
denoument.
Make a character sketch of
the following:
a) Dante
Overview b) Angkel Ato
This lesson recognizes the use of fiction and of fictional c) Nanang
techniques in appreciating regional literature. d) Angkel Ato’s
Wife
Identify the
Objectives prediction that they
made in the story
Appreciate the contributions of the canonical Filipino that eventually did
writers to the development of national literature. not happen.
Relate how plot and plot devices help create the reading Write the instances
experience in works of fiction. when the author
Respond critically to the story and articulate this built up tension in
response through a written blog, an audio-visual
presentation or a voice recording.
the story. In groups of 3-4 members, come up with an
audio visual
presentation, a blog or a voice recording to answer the
question:
“ Can we say that the story ‘Voice Tape’ is a realistic
story?” What details would you give to support your 21st Century Literature
answer? Does the story have to be realistic for it to be
able to present a believable human experience? from the Philippines and
the World
Grade 11
Week Seven (EN12Lit-Ic-24)
Activities
Ask the students to gather
pictures of their OFW
family members or
relatives. Tell them to
create a montage and
present it in class.
In groups of 3-4 ask the
students to come up with
one group answer for the
following questions:
a) Are the economic
benefits of having an OFW family
member worth the hardship of being
separated from them for extended
periods of time?
b) If you grew up in a
household with an OFW family
member, who was the chosen relative
who shaped your childhood years?
c) What important values
did you learn from the relative who
raise you?
d) What aspect of your
life reflects his or her influence?
Expound on your answer.
4
Lesson 5: Essay
Lesson 5: Essay
Overview
This lesson notes the differences between the 21st century essay
and earlier forms of the same genre.
Objectives
Compare and contrast the various 21st century literary
genres from those of earlier periods, citing their
elements, structures and traditions.
Contrast the said elements and conventions with
Philippine essays from earlier periods.
Adaptations
Read the essay: FIVE BROTHERS, ONE MOTHER
from ‘Many Mansions’ by Exie Abola (Manila)
Evaluation
Students will post a blog or on their FB wall an answer to:
a) What defines home to you?
b) If you need to leave where you were staying now, what
would you do to make yourself at home?
c) How do you see your home thirty years from now?
c) What does the advent
of social media like facebook and
tweeter mean to our concept of being
‘at home’?
d) OFW’s are often
21st Century Literature from the Philippines and the separated from family members
geographically, how can this affect
World how we view ‘home’?
e) How does Abola’s
Grade 11 essay dramatize the saying “home is
where the heart is”
Week Eight (EN12-Lit-Id-25)
Materials : ESSAY
FIVE BROTHERS,
ONE MOTHER
from ‘Many Mansions
Exie Abola
Manila
Activities
a) Think – pair – share on the description of the kind of
house that you have.
b) Share about four things that you love about your home.
5
Evaluation
a) The story of
Magdalena Jalandoni points us to a
particular conservative time when
men and women were expected to
Adaptations
Read the essay: THE LOVE OF MAGDALENA
JALANDONI by Winon Lou G. Ynion (Iloilo)
Lesson 6: Essay 21st Century Literature
from the Philippines and
the World
Grade 11
Week Nine (EN12Lit-Id-26)
Materials : ESSAY
THE LOVE OF
MAGDALENA
JALANDONI
Winton Lou G. Ynion
Iloilo
Activities
a) How did the essay go
beyond the biographical details of the
Hiligaynon writer?
b) Plot the development
of the character or Jalandoni between
the period of her birth and her death.
c) What do you think
inspired Jalandoni to become a
writer? Point out specific details in
the essay that will support your
answer.
d) Imagine you are a
cultural worker trying to educate
people about the importance and
contributions of women in Philippine
society. List down three relevant
programs that you would introduce
and why.
6
HOME OF THE ASHFALL
John Jack Wigley
Pampanga
Hell, I thought that if there was a mountain Halos patakbo rin akong sumunod kay
near us which I imagined would erupt anytime, it Nanang kahit sobrang kaba ko na.
7
kapatid din ni Nanang at sinundan ni Angkel Halo‐halong mga iyak ang naghatid sa
Ceferinc. Mabait kasi si Angkel Mulong dahil kung makislap na puting kabaong ni Angkel Ato sa sala ng
manghuhuli siya ng isda sa Calacungan, nag‐iiwan bahay nila. Subalit mas lumutang na naman ang pag‐
siya ng gustong gusto kong sugpo na sinlaki ng iyak ni Nanang at inawat pa ni Tatang dahil hinihila
hinlalaki ng paa—at samaral na sinlaki ng palad ni na ng bakuran nina Angkel Ato, sa ililim ng
Tatang. matandang mangga.
Pero nagulat akopagkarating ni Nanang sa Agad ding pinatabi muna ni Angkel Mulong
may umpukan, kaagad siyang umiyak ng pasigaw. ang mga nakapalibot sa tatlong mesa na naglalaro ng
Inaawat nila dahil sobra ang kanyang pagwawala. tong‐its at pusoy dos. Nauna pa nga sila kaysa sa
Wala akong ibang naintindihan sa mga isinisigaw bangkay (Hanggang ngayon pugad ng mga mahihilig
niya kundiang magkakasunod na “Diyos ko po! Diyos maglaro ng baraha ang baryo namin.)
ko po!”
“Saka na ‘yan atupagin pag naiayos na!”
Nanghilakbot ako. Nagtayuan ang mga medyo mabigat ang tenor ng boses ni Angkel Mulong
balahibo ko. nang di kaagad tumabi ang mga kalalakihang
nagsusugal na di ko alam kung taga saan.
Siguradong hindi si Boying ang nabangga‐‐‐
higanon ang magging asta ni Nanang kung ang Di ko noon maintindihan na pagkatapos
kaibigan ko dahil malayong pamangkin na siya ng maiakyat ang kabaong, at pagkatapos makipag‐usap
nanay ko. ang mga taga‐punenarya kay Nanang, kaagad din
nilang binuksan ang kabaong, tinakpan ng puting
E sino? Si Tatang kaya? Pero alam kong kumot saka hinango ang bangkay.
hindi, dahil sa mga ganoong oras na malambot pa
ang sikat ng araw, katatapos lamang dalhin sa ilog
ang kalabaw niya; at hindi dadaan sa national
highway dahil naibenta niya ang kaisa‐isang bisikleta I saw farther down the riverbank that
niya at ipinambayad sa klinika at sa mga gamot ni people were lining up to cross the river by stepping
Nanang na nakaapak ng bubog noong hinahabol nya on coconut trunks and wooden poles attached from
ang inahin na kinatay namin noong kaarawan ni one end to the other. The gaunt shirtless bot who
Tatangna ginawa nilang araw ng pag‐aalala sa mga was juggling coins and walking to and fro shouted.
kaluluwa ng mga namatay naming mahal sa buhay. “Pesus mu. Deng bisang lumakad papunta Angeles,
keni na kayo bang ali la mabasa deng bitis yu. For
Hindi rin naman ang mga kapatid ko dahil one peso, take this trail and your feet wo’t get wet in
nasa silangan ang elementaryang pinapasukan nila the river”. I was about to fall in line but i realized that
sa Grade Six at Grade One. there as a long queue of people already as far as the
bend , waiting for their turn to get actions the river.
Nagtaka ko kung sino dahilganoon na
lamang magwala si Nanang. At para akong nakasagi
ng espiritu dahil napakaliwanag sa aking pandinig It would take me forever to get to other
ang tila nagmula sa ilalim ng lupang pangahoy ni side if I fall in line, I thought. I talked to the person
Nanang: “Kapatid ko! Ato! Kapatid ko! Ato!” behind me. “Malalam ya pu ing daanum. Is the
water deep?”
Kahit noong nailibing na si Angkel Ato,
madalas akong nahihintakutan kung maaalala ko ang “Tabalu. Bala mu, malalam pin. I don;t
malagim na pag iyak ni Nanang. know. It’s deep. I guess,” the immediately rejoined.
“Lawen me itang tau angga ne keng atyan na. Look
Mag‐aalas dos nang magparada ang karo ng at the guy crossing. The water’s up to his tummy,”
punenarya sa rough road ng barangay sa harapan ng he said, pointing to the man.
lote ng mag‐anak nina Nanangna nasa gitna sa pook
ng mga Palor. Sotelo nag apelyido ng ama nina It was deep, I contempalted. I didn’t want
Nanang na magmula sa Sto. Domingo, Ilocos Sur, at to take the risk of getting my clothes wet. I was also
nakapag asawang galing sa angkan ng mga Palor ng thinking that perhaps the water that flowed down
Villa.
8
the river was contaminated because of the volcanic The barker haited for a second tand
ash and the sulfuric content of the water. adjusted me weight on his arms. I wiggle
momentarily and after a while, I instructed him to
Just the i saw about four barkers holding carry on. He looked at me and then smiled blissgully.
wooden chairs, inviting people to cross the river on
these chairs. They explained that people would be First, it was my body weight. Then I sensed
sitting on the chair and thr barkers themselves woul that he was mocking me because he thought iI was a
carry the chair to the other side for a fee of ten sissy. I turned back to the other barkers, and they
pesos. Despite the horrible sight before me, I forced a were all carrying passengers, all of whom were
smile I was thinking about how indestructible humans women. One was carrying an older woman with cane.
are. These people were still struggling to live even if I saw the men and they were braving the river. Oh
catastrophes like thypoons and volcanic eruptions dear, now all these barkers would regard me as the
had truck. Catastrphes constantly plagued their lives. only man in the Abacan river who did not want to get
I felt deep admiration for them. his feet wet. Why hadn’t I decided earlyon to just
cross the river? Now, I felt guilty that I had to subject
One barker thought my smie was an this cadaver‐looking barker to such pain and suffering
indication that I wanted to ride in the chair. “Bisa by carrying me, the queen all of my 160‐ pound
kang sake. Would you like to take a ride?” he asked. royalty for a measly 15pesos. I shock my head of all
this guilt away. Well, too bad, I thought I had the
I was meaning to say no but I was
money which you hadn’t, Sorry. Even in ancient
speechless, still talking everything in. Besides, I
times, slaves laboriously carried their obese masters.
wanted to see my family. I nooded my head. History repeats itself, I tried to reason out in my
“Koya, padagdag naku mu keka ne. Kasi thoughts.
lupa kang mabayat. I’ll charge you extra. You look
heavy” the barker smiled fully; revealing he had no When we got to the middle of the river, I
teeth. closed my eyes, not because I was afraid of the
For a moment, i wanted to pull his hair and water , but because I was worried that the barker
drown his head in the river. This impertinent one. I wouldn’t be able to cross it, with me as his burden.
thought. He had to subtly insult my chubby body. The water was already knee‐deep. He wasn’t even
But I surmised that he meant well. It was not going wearing any footwear . What if he slid doen because
to be easy carrying me to the other side of the river. he sttepped on a rock or a hole under the water?
I just simply agreed. But he was very much focused. His steps
I sat on the chair ad put the bag on my lap. were show but cautious. I wanted to talk to him so
The barker clasped an improvised rope seatbelt from that my mind would be distracted from worrying ,
one and tp the other. Yeah, like I would experience a but i felt that he needed full concentration to get us
terrible accident by forgetting to use this seatbelt, I through. I just held on the hand rest of the chair.
thought sarcastically. I imagined that poor people have always
exhibited their resilence this way. When calamities
Just hold the chair’s handles, sir it’s good
happen, they are the first ones to suffer the initial
that you came this early. Potang gatganapun, ali
blows. Yet, they survive and eventually thrive. They
tana makapunta karin uling malalam ne ing danum.
just need to go slow and sure. The rich and the
Later in the afternoon, we won’t be able to cross
middle class are alienated from this kind of survival
because of the deep water,” the barker
stratedgy. That is why much is lost in them when
enthusiastically said.
things go down. But not the poor; they are like fungi.
As he started lifting the chair, I felt that i They don’t die. They morph after a catastrophe.
was sliding down. The fabric of my pants was
We got to the order end of the river. The
slippery “Sagull, Kala‐kalale. Wait, carefull
barker found a coarse spot where he could put down
Mananabu ku! I’m falling,” I cried.
the chair. He was painting heavily, beads of sweat
dripping from his temples. I thanked him and handed
a twenty peso bill. He looked grateful and smiled. I
9
was waiting for him to utter an insulting remark so I the river. I am not that old. Besides, you’re here to
could give him the sermon of the day. But he didn’t. keep me company, right? I’ll cook your favorite
ginataang kamansi.”
“Dacal a salamat pu koya. Thank you .
Pantunan mu naku potang bisa nakang mibalik keng I was dumbfounded. Mother was
sumangid. Hatad daka. Just look for me when you unbelievable.
want to cross the river going back. I’ll take you.” He
said as he nooded his head approvingly, once again “Hurry up! The river gets deeper in the
showing his toothless mouth “Sige pu, salamat mu afternoon,”Mother shouted “Let’s go.”
rin,” I replied.
LEARNING POINTS
At the threshold of the house, I saw Mother
carrying a bundle of laundry. When she saw me, she 1. Appreciate the contributions of the canonical
smiled and patted my arm. Filipino writers to the development of national
literature.
I was puzzled to see her carrying a load. 2. Relate how plot and plot devices help create
“Where are you going? I just got here. I was so the reading experience in works of fiction.
worried about you. Where is ate and her family, are 3. Respond critically to the story and articulate
they okay?” I asked. this response through a skit on the story.
Mother placed the bundle on the table and
tightened it. “They’re all okay, thank God. I’m going
to Dau to give this to your ate.”
How far os the phenomenon from you? Is mga apat na piraso ng buho na pinaglagyan ni
anyone in your family a current of former OFW? How Nanang ng aming birth certificate‐‐‐ tatlo kaming
long have they been away? How do they magkakapatid pero apat na tubo dahil inakalang
communicate? What is it like when they are at makakaapat sila ng tatay (dahil sa hirap ng buhay
home? If you don’tknow, you can ask your parents, nila, si Tatang ang nakiusap sa kanya para magpa‐
grandparents, or other family members for details. ligate na sa Aparri).
Write the experience down. Gather pictures of these
OFW family members. Pero nauna naming nakita itong bag na
kailaliman ng isang drawer ng aparador na dahil
Create a montage, mixing the pictures as well as nagkagasgas na sa kalumaan, inilagay na nila ni
your own drawings and some qoutes from your Tatang sa nag‐iisang kuwarto sa ibaba, doon malapit
research, showcasting what the OFW experience is sa kusina, kung saan inilalagay din ang iba pang
for you. gamit ni Tatang gaya ng sprayer, tatlong klase ng
itak, panabas, kuribot, ang mga bungkos ng iba’t
1. How do you feel about OFWs and the work ibang binhi gaya ng mais, ang inukit niyang tikbalang
that they do? mula sa puno ng santol (naniniwala akong nakuha
2. Are we right to call these OFWs “heroes”? niya ang kanyang pagiging artist sa madalas niyang
3. Should we encourage more people to pagbabasa ng Bannawag), at oo, ang lagpas‐tao ang
become OFWs or not? Why? tass na inipon niyang kopya ng Bannawag na
pinagpatong‐patong sa almuhadera.
12