I imagine this depends on the configuration of the TV, if only because — if your C9 is anything like my slightly older LG IPS HDR TV — backlight brightness, color calibration, and other settings that affect the brightness of full-scale SDR white can be freely configured in any of the SDR modes without affecting the levels of any other SDR mode, or of any HDR mode at all.
In other words, assume SDR "Game" mode is set to Backlight 50, SDR "Cinema" mode is set to backlight 25, all other settings are equal, and, therefore, 100% white is considerably brighter in "Game" mode.
Then both values for "white" cannot possibly match a single, fixed level set by any other mode, HDR or otherwise.
It's therefore impossible for Windows or any other input source to "just work" when switching from an arbitrary SDR mode to a preset HDR mode.
Again, assuming your TV works more or less like mine, and mode switches use the most-recently-used preset in the target "mode family" (meaning not only SDR and HDR, but also Dolby Vision, which maintains its own collection of presets), and that the various presets are independent of one another.
And if this is not the case, and presets cannot be set independently, then I'm glad I don't have a newer TV, because some of my presets have color settings that are wildly different from standard calibration (e.g., a preset resetting the display to its native, uncalibrated white point and gamut, used with video players capable of internal HDR tone mapping and color correction given a custom 3D LUT generated from measurements).
Dolby Vision traces its origins to the acquisition of Brightside Technologies (https://en.wikipedia.org/wiki/BrightSide_Technologies), which was itself a spin-off from a group at the University of British Columbia. I wonder how extensively Dolby has profited from the patents it accumulated via that acquisition, since many of the key ideas behind HDR displays must surely be covered by them.
Huh, when I started as a Master's student at UBC we got a tour of some of the labs in the ECE and CS departments there, one of which was the media lab that had one of this HDR displays. I remember being blown away by how realistic the display looked compared to an SDR display. It's cool that some of their tech lives on!
In other words, assume SDR "Game" mode is set to Backlight 50, SDR "Cinema" mode is set to backlight 25, all other settings are equal, and, therefore, 100% white is considerably brighter in "Game" mode.
Then both values for "white" cannot possibly match a single, fixed level set by any other mode, HDR or otherwise.
It's therefore impossible for Windows or any other input source to "just work" when switching from an arbitrary SDR mode to a preset HDR mode.
Again, assuming your TV works more or less like mine, and mode switches use the most-recently-used preset in the target "mode family" (meaning not only SDR and HDR, but also Dolby Vision, which maintains its own collection of presets), and that the various presets are independent of one another.
And if this is not the case, and presets cannot be set independently, then I'm glad I don't have a newer TV, because some of my presets have color settings that are wildly different from standard calibration (e.g., a preset resetting the display to its native, uncalibrated white point and gamut, used with video players capable of internal HDR tone mapping and color correction given a custom 3D LUT generated from measurements).