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Fury Road could be seen as a reverse adaptation sequel of "Lolita" though.

The end of Lolita (old guy on a road, frustrated, goes off path) fits with the Furiosa taking a detour.

The roles are reversed. The young girl leaves in triumph (opposed to: the old guy leaves in frustration) and the old guy goes after her (opposed to: the young girl doesn't care about him leaving).

It could be just the skeleton of the story though.

Water is unobtanium of their scenic universe. In that movie perspective, it's related to healthy reproduction (healthy babies!), most likely cultural and not genetic.

As any work of art, it is subject to many interpretations. Not everything is a cue. But some cues exist in fact. Contrary to the meme swarm, you can't turn those ideas so quickly into what you want, otherwise it fails to connect to a sense of cultural continuity.






If you saw the cultural continuity, you can them jump to "Man On The High Castle" where the former Minister of Culture of Japan travels universes temporarily, revealing a drawer with banned books. Amongst them, Lolita.

The old Minister represents an aged cultural interpretation of a nation (not exactly Japan, but what is perceived to be the form of Imperial Japan if it has won WWII).

After seeing it, the character is called out by his son, before quickly returning back to the war universe.




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