"But when you're a bunch of pricks, people go to The Pirate Bay and think of you as the enemy, and then you don't get any money. Take notes, you idiots."
v. funny indeed
I largely agree. I think they're on the decline now. I don't know if whatever follows them will be better, but I'd like to think there's at least a chance.
I think this is just geek angst passively breaking out.
Why would people care about MPAA or the RIAA except for the passing glances of those acronyms while going through the morning paper or during a movie pre-commercial? It serves them no purpose to care about those organizations unless they're being sued.
Mommy dearest doesn't know what Pirate Bay is, much less torrent files. But if you tell her that she can get stuff for free, then by all means she'll jump on the deal. Getting her to think that this is some epic battle between good and evil is just Hollywood fantasy.
And quite frankly, this attitude of "oh, I'll just keep stealing until they get it" is just counter-productive.
I completely agree.
It appalls me to see, day after day, comments on reddit boasting about how the poster continues to steal media to spite these various organizations.
Isn't it obvious that when you steal a piece of media, you're stealing from its creator, i.e. the good guy?
Since most acts of infringement by Photocopier are de minimis and difficult to trace, we all have become comfortable making copies without thinking about whether our actions comprise a Copyright violation.
By posting these tracts on the web, the dissenter effectively made an infinite number of copies of the tracts, thus creating an egregious Copyright violation.
Similarly, uploading Copyrighted music to a website for redistribution, or operating a website where Copyrighted music is freely distributed (without permission) is an egregious violation of Copyright laws.
the idea of distributing music for free (as in the original Napster model) just wouldn't work; and is a clear violation of Copyright law.
Seems to me that copyright violation is tantamount to stealing.
How does the situation being more "complicated" nullify the fact that when you steal (or violate copyright, whatever) something that was crafted for profit (else the creator would've released it for free) you're doing a complete disservice to the author?
I believe that it is completely ridiculous to have this artificial construct of scarcity to try and increase the marginal cost for something that inherently has no scarcity: the marginal cost for a digital download is zero.
Obviously if you replace paying the artist money for music with an illegal download you are doing a disservice to the author and the author's distribution company. If you weren't going to pay the author anything though, you can only benefit him, assuming you like the author's work enough to tell friends and/or attend live performances. Sure, it's better for the artist to get paid, but there is a distinction between doing a disservice and being morally wrong and the use of the word steal is an attempt to equate copyright violation with being morally wrong.
In the end, illegal downloads are inevitable. It's impossible to entirely stop; all you can do is try and make the legal downloads as convenient and practical as possible (like Amazon's service). This is already changing the business model for artists. Live shows and packaging and merchandise become more important than ever.
There's an analogous situation with software: desktop software is easily crackable but SaaS is often impossible to copyright violate. Most of the developers here are doing SaaS and they will indeed get paid for their work.
I believe the sustainable model for media distribution is to micro-charge multiple time for the ability to timeshift and placeshift content. A convenience tax, so to speak. Physical mediums are antiquities in our digital device world.
Those eggheads over at YouTube/TiVo/Apple/Amazon/Microsoft surely must be working on something like this. I mean, how else do any of them justify their salaries?
I don't know if "antiquities" is quite the right word. There's always something to be gained from the existence of the physical format. With albums, for instance, there's the artwork and file quality that you can only achieve with records. (It's why new record players are still being made.) Books can achieve things that ebooks cannot. Same with paintings versus photographs, plays versus movies, DVDs versus digital downloads.
Better to say that the physical medium is no longer the only existing medium. Where they once dominated, now they'll become niche like most mediums do once they're past cutting-edge. But antique suggests something that's over and done with, and incapable of advancing. On the contrary, I think that physical media will continue to innovate.
Records do you give you room for much higher resolution album artwork, but the best produced CDs sound better than the average record. The average record sounds better than the average post-loudness war CD.
HD-DVD/DVD-Audio sound decidedly better than CD/vinyl assuming you have a sound system high end enough for it to matter. There's nothing inherently better about analog, unless you're talking about copies of the original analog master tapes. (There was a company selling a subscription to a service where you would get copies of analog reel-to-reel tapes)
They will no longer be used as a means of distribution but rather products or art to appreciate on its own merits for the subculture of people that still obsess about something like that. Cultural artifacts of antiquities.
I wouldn't at all be surprised if that was the case. Beyond degrees, though, they advanced comedy in a lot of ways. In two different parts of my life, Holy Grail and Life of Brian changed my attitude of what comedy was capable of doing. Gilliam's Brazil had a similar effect on me. And John Cleese was one of the best writers of his era. Still would be, though I'm not sure how much he writes nowadays.
No. The Python programming language is a great advertisement for the show. Especially in areas in which it wasn't aired. I would have never heard of the show if GvR didn't name his language after it. Its said that its named after the TV series in every book about the language, on the website and in Wikipedia.
Guido spent all of his money on DVD's until he was broke again, just to give himself a great reason to dedicate another 10 years to improving the language, as well as to build the world's greatest Monty Python DVD Rental Library, similar to how Netflix operates, but mailing discs out by hand.
I wish people wouldn't say 23,000% when it would be more comprehensible to say 230 x. It's a bit like those submissions to other news sites where they would say 23,000.00% to make the number look even bigger.
just like everything in life, this will only pay off for the first few. Right now people are willing to pay to reward the artists who are willing to tell the RIAA/MPAA to piss off...but once everyone starts doing it, it'll revert to just the natural sales to the fans etc.
I honestly don't think the average, non-technical, sub-intellectual person puts that much thought into these things.
What is happening here seems pretty clear to me:
People are looking for entertainment, they are finding some on YouTube, they see an ad for more of the same enjoyment, they whip out their credit cards and pay for it.
If this story happened in a college dorm room and the entertainment-seeker's roommate had them all on DVD already, he would have said "Here, watch mine." If he had them all on his hard drive, he would have said "here, plug in my external".
It seems like people are simply following the path of least resistance.
Yeah. It's not a zero-sum game: on the Internet, people can see more and access more, and they can do it quickly and more effectively than they could in the past. So everybody wins.
I don't know if many people realise it, but the use of the term 'spam' came from a Monty Python sketch originally. It's not too difficult to correlate what they meant: You can have whatever you want, as long as it's with spam.
Spam was a physical food product originating in 1937, before the Pythons existed. Stood for "Shoulder of Pork and Ham". It was a popular product before Monty Python made their joke about it.
My point was that the Python sketch based on the tinned food turned into the e-mail SPAM meme. The sketch was the basis of the e-mail term, in other words, in computing folklore, by saying that e-mail SPAM comes with everything. I'm not sure if Wikipedia lists it, but you can find this meme explained.
Y'know, Monty Python is special, people love them, and their pitch asks for support. Not everyone who gave up their goods in HQ would see a 230x improvement in sales. So this isn't a good test of the 'give it all away' idea.
