It really depends, probably on the labels concerned. My own short, happy, musical career is documented in full - that is, eight tracks on obscuro progressive house labels from 2008-2011. Nobody will ever want to listen to them, except me.
(I never saw a cent, but since they're all diplomatically categorised as '< 1000 streams', that would add up to one laughable payday: and besides, I never saw a cent from the labels either.)
I know a lot of older house/trance etc tracks, including genre classics, are stuck in licensing hell after the labels folded, and I would expect that to be the more true the further back in musical history you go.
If I get back into things, I'll probably just give the MP3s away. There's no money in music, and I earn a living elsewise.
(I never saw a cent, but since they're all diplomatically categorised as '< 1000 streams', that would add up to one laughable payday: and besides, I never saw a cent from the labels either.)
I know a lot of older house/trance etc tracks, including genre classics, are stuck in licensing hell after the labels folded, and I would expect that to be the more true the further back in musical history you go.
If I get back into things, I'll probably just give the MP3s away. There's no money in music, and I earn a living elsewise.