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[440]

It is sometimes said to me that writing and speaking upon the events of the war may have a deleterious influence upon youth. I can conceive of two reasons for such a warning-one, that a soldier by his enthusiasm may, even unconsciously, infuse into his writing and speech the war spirit, and thus incite strong desires in younger minds for similar excitements and deeds; and, secondly, a soldier deeply affected as he must have been in our great struggle for national existence, may not take sufficient pains in his accounts of historic incidents to allay any spirit of animosity or dissension which may still exist.

But with regard to the first, I think there is need of a faithful portraiture of what we may call the afterbattle, a panorama which shows with fidelity the fields covered with dead men and horses; with the wounded, numerous and helpless, stretched on the ground in masses, each waiting his turn; the rough hospitals with hay and straw for bedding, saturated with blood and wet with the rain; houses torn into fragments; every species of property ruthlessly demolished or destroyed-these, which we cannot well exaggerate, and such as these, cry out against the horrors, the hateful ravages, and the countless expense of war. They show plainly to our children that war, with its embodied woes and furies, must be avoided, except as the last appeal for existence, or for the rights which are more valuable than life itself.

When I dwell on the scenes of July 4th and 5th at Gettysburg, the pictures exhibiting Meade's men and Lee's, though now shadowy from time, are still full of terrible groupings and revolting lineaments.

There is a lively energy, an emulous activity, an exhilarating buoyancy of spirit in all the preparations

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