10. Just then Callimachus, whom the Athenians called κατατηξίτεχνος for the refinement and delicacy of his artistic work,
Hide browse bar Your current position in the text is marked in blue. Click anywhere in the line to jump to another position:
chapter:
INTRODUCTION
CHAPTER I: THE ORIGINS OF THE THREE ORDERS, AND THE PROPORTIONS OF THE CORINTHIAN CAPITAL
CHAPTER II: THE ORNAMENTS OF THE ORDERS
CHAPTER III: PROPORTIONS OF DORIC TEMPLES
CHAPTER IV: THE CELLA AND PRONAOS
CHAPTER V: HOW THE TEMPLE SHOULD FACE
CHAPTER VI: THE DOORWAYS OF TEMPLES
CHAPTER VII: TUSCAN TEMPLES
CHAPTER VIII: CIRCULAR TEMPLES AND OTHER VARIETIES
CHAPTER IX: ALTARS
This text is part of:
Search the Perseus Catalog for:
Table of Contents:









10. Just then Callimachus, whom the Athenians called κατατηξίτεχνος for the refinement and delicacy of his artistic work,
Vitruvius: The Ten Books on Architecture. Vitruvius. Morris Hicky Morgan. Cambridge: Harvard University Press. London: Humphrey Milford. Oxford University Press. 1914.
The National Endowment for the Humanities provided support for entering this text.
This work is licensed under a
Creative Commons Attribution-ShareAlike 3.0 United States License.
An XML version of this text is available for download, with the additional restriction that you offer Perseus any modifications you make. Perseus provides credit for all accepted changes, storing new additions in a versioning system.
show
Browse Bar
hide
Places (automatically extracted)
View a map of the most frequently mentioned places in this document.
Download Pleiades ancient places geospacial dataset for this text.
hide
References (2 total)
- Cross-references to this page
(2):
- Andrew Stewart, One Hundred Greek Sculptors, Their Careers and Extant Works, In the Wake of the Great Masters
- Smith's Bio, Calli'machus
hide
Search
hideStable Identifiers
hide
Display Preferences