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chapter:
INTRODUCTION
CHAPTER I: THE FORUM AND BASILICA
CHAPTER II: THE TREASURY, PRISON, AND SENATE HOUSE
CHAPTER III: THE THEATRE: ITS SITE, FOUNDATIONS, AND ACOUSTICS
CHAPTER IV: HARMONICS
CHAPTER V: SOUNDING VESSELS IN THE THEATRE
CHAPTER VI: PLAN OF THE THEATRE
CHAPTER VII: GREEK THEATRES
CHAPTER VIII: ACOUSTICS OF THE SITE OF A THEATRE
CHAPTER IX: COLONNADES AND WALKS
CHAPTER X: BATHS
CHAPTER XI: THE
PALAESTRA
CHAPTER XII: HARBOURS, BREAKWATERS, AND SHIPYARDS
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5. The different entrances ought to be numerous and spacious, the upper not connected with the lower, but built in a continuous straight line from all parts of the house, without turnings, so that the people may not be crowded together when let out from shows, but may have separate exits from all parts without obstructions. Particular pains must also be taken that the site be not a “deaf” one, but one through which the voice can range with the greatest clearness. This can be brought about if a site is selected where there is no obstruction due to echo.
Vitruvius: The Ten Books on Architecture. Vitruvius. Morris Hicky Morgan. Cambridge: Harvard University Press. London: Humphrey Milford. Oxford University Press. 1914.
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- Lewis & Short, inversūra
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