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chapter:
INTRODUCTION
CHAPTER I: FLOORS
CHAPTER II: THE SLAKING OF LIME FOR STUCCO
CHAPTER III: VAULTINGS AND STUCCO WORK
CHAPTER IV: ON STUCCO WORK IN DAMP PLACES, AND ON THE DECORATION OF DINING ROOMS
CHAPTER V: THE DECADENCE OF FRESCO PAINTING
CHAPTER VI: MARBLE FOR USE IN STUCCO
CHAPTER VII: NATURAL COLOURS
CHAPTER VIII: CINNABAR AND QUICKSILVER
CHAPTER IX: CINNABAR (continued)
CHAPTER X: ARTIFICIAL COLOURS. BLACK
CHAPTER XI: BLUE. BURNT OCHRE
CHAPTER XII: WHITE LEAD, VERDIGRIS, AND ARTIFICIAL SANDARACH
CHAPTER XIII: PURPLE
CHAPTER XIV: SUBSTITUTES FOR PURPLE, YELLOW OCHRE, MALACHITE GREEN, AND INDIGO
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1. IT is now in place to describe the preparation of white lead and of verdigris, which with us is called “aeruca.” In Rhodes they put shavings in jars, pour vinegar over them, and lay pieces of lead on the shavings; then they cover the jars with lids to prevent evaporation. After a definite time they open them, and find that the pieces of lead have become white lead. In the same way they put in plates of copper and make verdigris, which is called “aeruca.”
Vitruvius: The Ten Books on Architecture. Vitruvius. Morris Hicky Morgan. Cambridge: Harvard University Press. London: Humphrey Milford. Oxford University Press. 1914.
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- Lewis & Short, cērussa
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