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[298]

Or, a terrible sound of stones cast down, or, a running that could not be seen, of skipping beasts, or a roaring voice of most savage wild beasts, or a rebounding echo from the hollow mountains: these things made them to swoon for fear.1

That creative faculty of the eye, upon which Mr. De Quincey dwells so strongly, I have myself experienced. Indeed, it has been the principal cause of suffering which has connected itself with my habit of opium eating. It developed itself at first in a recurrence of the childish faculty of painting upon the darkness whatever suggested itself to the mind; anon, those figures which had before been called up only at will became the cause, instead of the effect, of the mind's employment; in other words, they came before me in the night-time, like real images, and independent of any previous volition of thought. I have often, after retiring to my bed, seen, looking through the thick wall of darkness round about me, the faces of those whom I had not known for years, nay, since childhood; faces, too, of the dead, called up, as it were, from the church-yard and the wilderness and the deep waters, and betraying nothing of the grave's terrible secrets. And in the same way, some of the more important personages I had read of, in history and romance, glided often before me, like an assembly of apparitions, each preserving, amidst the multitudinous combinations of my visions, his own individuality and peculiar characteristics.2

1 Wisdom of Solomon, chapter XVII.

2 Vide Emanuel Count Swedenborg, Nicolai of Berlin's Account of Spectral Illusion, Edinburgh Phrenological Journal.

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